In Ugly Freedoms Elisabeth R. Anker reckons with the complex legacy of freedom offered by liberal American democracy, outlining how the emphasis of individual liberty has always been entangled with white supremacy, settler colonialism, climate destruction, economic exploitation, and patriarchy. These "ugly freedoms" legitimate the right to exploit and subjugate others. At the same time, Anker locates an unexpected second type of ugly freedom in practices and situations often dismissed as demeaning, offensive, gross, and ineffectual but that provide sources of emancipatory potential. She analyzes both types of ugly freedom at work in a number of texts and locations, from political theory, art, and film to food, toxic dumps, and multispecies interactions. Whether examining how Kara Walker's sugar sculpture A Subtlety, Or the Marvelous Sugar Baby reveals the importance of sugar plantations to liberal thought or how the impoverished neighborhoods in The Wire blunt neoliberalism's violence, Anker shifts our perspective of freedom by contesting its idealized expressions and expanding the visions for what freedom can look like, who can exercise it, and how to build a world free from domination.
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A ênfase na liberdade individual nos Estados Unidos é confrontada com legados de supremacia branca, colonialismo, destruição climática, exploração econômica e patriarcado, mostrando como certas liberdades legitimam a subjugação de outros. Anker localiza também um segundo tipo de liberdade feia em práticas e situações tidas como degradantes, ofensivas ou ineficazes, que revelam fontes de potencial emancipatório. Ao discutir obras como a escultura de açúcar A Subtlety de Kara Walker e cenas da série The Wire, a autora expande as possibilidades de quem pode exercer liberdade e propõe caminhos para enfrentar formas de dominação.
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