In A Kiss across the Ocean Richard T. Rodríguez examines the relationship between British post-punk musicians and their Latinx audiences in the United States since the 1980s. Melding memoir with cultural criticism, Rodríguez spotlights a host of influential bands and performers including Siouxsie and the Banshees, Adam Ant, Bauhaus, Soft Cell, Frankie Goes to Hollywood, and Pet Shop Boys. He recounts these bands' importance for him and other Latinx kids and discusses their frequent identification with these bands' glamorous performance of difference. Whether it was Siouxsie Sioux drawing inspiration from Latinx contemporaries and cultural practices or how Soft Cell singer Marc Almond's lyrics were attuned to the vibrancy of queer Latinidad, Rodríguez shows how Latinx culture helped shape British post-punk. He traces the fandom networks that link these groups across space and time to illuminate how popular music establishes and facilitates intimate relations across the Atlantic. In so doing, he demonstrates how the music and styles that have come to define the 1980s hold significant sway over younger generations equally enthused by their matchlessly pleasurable and political reverberations.
| Sobre o Livro |
Ao cruzar a cena pós-punk britânica com as experiências Latinx nos Estados Unidos desde os anos 1980, o autor destaca bandas como Siouxsie and the Banshees, Bauhaus, Soft Cell e Pet Shop Boys e suas relações com públicos latino-americanos. Rodríguez mistura memórias pessoais e crítica cultural para mostrar como elementos de Latinx e práticas queer influenciaram performances e letras, com exemplos concretos como a afinidade de Marc Almond por imagens de latinidad queer. Redes de fã transatlânticas e práticas de consumo musical são examinadas para evidenciar como estilos e prazer estético geraram laços íntimos entre gerações separadas por espaço e tempo.
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