Evaluating Emily Dickinson's poetry within the context of Romanticism, Joanne Diehl demonstrates how the poet both manifests and boldly subverts this literary tradition. One of the most important reasons for the poet's divergence from it, Professor Diehl argues, is a powerful sense of herself as a woman, which also creates a feeling of estrangement from the company of major male Romantic precursors.

Originally published in 1982.

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