Dangerous to Know
Women, Crime, and Notoriety in the Early Republic
Susan Branson
"A rich, detailed account of an illustrative set of crimes and of the fine grain of the emergence of the penny press out of sentimental culture. Branson is to be commended for her scholarly rigor and sophisticated narrative technique."--Journal of American History
"Branson brings us an account of sex and violence in an era marked by political unrest, social instability, and economic uncertainty . . . [and] urges us to rethink simplistic ideas about gender dynamics and the relative power (and powerlessness) of women at the time."--Journal of the Early Republic
"A fascinating story that sheds light on gender roles in post-Revolutionary America. Most studies of women in this period almost necessarily focus on the elite. Dangerous to Know goes a few steps lower on the social ladder, allowing us to glimpse the lives of women who, while their values were 'middle class,' had suffered significant downward mobility. As Branson so engagingly shows, these were women who deliberately violated gender conventions even as they strove to retain a veneer of respectability."--Sheila Skemp, University of Mississippi
In 1823, the History of the Celebrated Mrs. Ann Carson rattled Philadelphia society and became one of the most scandalous, and eagerly read, memoirs of the age. This tale of a woman who tried to rescue her lover from the gallows and attempted to kidnap the governor of Pennsylvania tantalized its audience with illicit love, betrayal, and murder.
Carson's ghostwriter, Mary Clarke, was no less daring. Clarke pursued dangerous associations and wrote scandalous exposés based on her own and others' experiences. She immersed herself in the world of criminals and disreputable actors, using her acquaintance with this demimonde to shape a career as a sensationalist writer.
In Dangerous to Know, Susan Branson follows the fascinating lives of Ann Carson and Mary C
| Sobre o Livro |
Este estudo histórico examina casos criminais e relatos de notoriedade na América do início do século XIX, com foco em figuras como Ann Carson e Mary Clarke e na circulação de memórias escandalosas em filadélfia. A obra analisa a emergência da imprensa sensacionalista a partir da cultura sentimental, abordando fontes primárias como memórias, panfletos e relatos de julgamento para mapear redes sociais e práticas de escrita. Destinado a leitores de história social, história das mulheres e comunicação, o livro oferece um recorte sobre gênero, mobilidade social e as interseções entre crime e esfera pública no período.
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