What happens when poetry deals explicitly with a serious theological issue? In Poetry Does Theology, Jim Rhodes seeks one answer to that question by analyzing the symbiotic relationship that existed between theology and poetry in fourteenth-century England. He pays special attention to the narrative poems of Chaucer, Grosseteste, the Pearl-poet, the author of Saint Erkenwald, and Langland. Rhodes shows that Chaucer and his contemporaries wrote at the end of a linguistic and theological revolution-a time when revised perspectives on the creation and incarnation gave rise to a new humanistic spirit that transformed late medieval theological culture and spurred the development of vernacular theology and poetry. Rhodes' careful analysis describes how the relationship between theology and poetry underwent a radical transformation as the latter half of the fourteenth century progressed.