{"title":"Wayne State University Press","description":null,"products":[{"product_id":"scratching-the-surface","title":"Scratching the Surface","description":"\u003cp\u003e\u003ci\u003eScratching the Surface: Adventures in Storytelling \u003c\/i\u003eis a deeply personal and intimate memoir told through the lens of Harvey Ovshinsky's lifetime of adventures as an urban enthusiast. He was only seventeen when he started \u003ci\u003eThe Fifth Estate\u003c\/i\u003e, one of the country's oldest underground newspapers. Five years later, he became one of the country's youngest news directors in commercial radio at WABX-FM, Detroit's notorious progressive rock station. Both jobs placed Ovshinsky directly in the bullseye of the nation's tumultuous counterculture of the 1960s and 70s. When he became a documentary director, Ovshinsky's dispatches from his hometown were awarded broadcasting's highest honors, including a national Emmy, a Peabody, and the American Film Institute's Robert M. Bennett Award for Excellence. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eBut this memoir is more than a boastful trip down memory lane. It also doubles as a survival guide and an instruction manual that speaks not only to the nature of and need for storytelling but also and equally important, the pivotal role the twin powers of endurance and resilience play in the creative process. You don't have to be a writer, an artist, or even especially creative to take the plunge, Ovshinsky reminds his readers. \"You just have to feel strongly about something or have something you need to get off your chest. And then find the courage to scratch your own surface and share your good stuff with others.\" \u003cp\u003e\u003c\/p\u003eAbove all, Ovshinsky is an educator, known for his passionate support of and commitment to mentoring the next generation of urban storytellers. When he wasn't teaching screenwriting and documentary production in his popular workshops and support groups, he taught undergraduate and graduate students at Detroit's College for Creative Studies, Wayne State University, Madonna University, and Washtenaw Community College. \"The thing about Harvey,\" a colleague recalls in \u003ci\u003eScratching the Surface\u003c\/i\u003e, \"is that he treats his students like professionals and n","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52633835438447,"sku":"9780814344743","price":207.01,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814344747.jpg?v=1770146630"},{"product_id":"three-plays","title":"Three Plays","description":"\u003cp\u003eThis anthology of plays by Tess Onwueme, one of the bright new literary artists in contemporary drama, allows a glimpse into the lives of the people of Onwueme’s native Nigeria and reveals the range and beauty of Nigerian culture. At the same time, Three Plays sheds light on the reality of the human condition and the conflicts that arise between the individual and society.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52633851953519,"sku":"9780814324455","price":225.23,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814324452.jpg?v=1770934267"},{"product_id":"elemental","title":"Elemental","description":"\u003cp\u003e\u003ci\u003eElemental: A Collection of Michigan Creative Nonfiction\u003c\/i\u003e comes to us from twenty-three of Michigan's most well-known essayists. A celebration of the elements, this collection is both the storm and the shelter. In her introduction, editor Anne-Marie Oomen recalls the \"ritual dousing\" of her storytelling group's bonfire: \"wind, earth, fire, water-all of it simultaneous in that one gesture. . . . In that moment we are bound together with these elements and with this place, the circle around the fire on the shores of a Great Lake closes, complete.\" \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThe essays approach Michigan at the atomic level. This is a place where weather patterns and ecology matter. Farmers, miners, shippers, and loggers have built (or lost) their livelihood on Michigan's nature-what could and could not be made out of our elements. From freshwater lakes that have shaped the ground beneath our feet to the industrial ebb and flow of iron ore and wind power-ours is a state of survival and transformation. In the first section of the book, \"Earth,\" Jerry Dennis remembers working construction in northern Michigan. \"Water\" includes a piece from Jessica Mesman, who writes of the appearance of snow in different iterations throughout her life. The section \"Wind\" houses essays about the ungraspable nature of death from Toi Dericotte and Keith Taylor. \"Fire\" includes a piece by Mardi Jo Link, who recollects the unfortunate series of circumstances surrounding one of her family members. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eElemental\u003c\/i\u003e's strength lies in its ability to learn from the past in the hope of defining a wiser future. A lot of literature can make this claim, but not all of it comes together so organically. Fans of nonfiction that reads as beautifully as fiction will love this collection.","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52634322305391,"sku":"9780814345672","price":183.41,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814345670.jpg?v=1770149587"},{"product_id":"the-broken-spell","title":"The Broken Spell","description":"\u003cp\u003e\u003cem\u003eThe Broken Spell: Indian Storytelling and the Romance Genre in Persian and Urdu\u003c\/em\u003e is a monograph on the rise and fall in popularity of \"romances\" (\u003cem\u003eqissah\u003c\/em\u003e)-tales of wonder and magic told by storytellers at princely courts and in public spaces in India from the sixteenth century to the twentieth. Using literary genre theory, author Pasha M. Khan points to the worldviews underlying the popularity of Urdu and Persian romances, before pre-existing Islamicate rationalist traditions gained traction and Western colonialism came to prominence in India.\u003c\/p\u003e\u003cp\u003eIn the introduction, Khan explains that it was around the end of the nineteenth century that these marvelous tales became devalued by Orientalists and intellectually colonized Indian elites, while at the same time a new genre, the novel, gained legitimacy. Khan goes on to narrate the life histories of professional storytellers, many of them ?migr's from Iran to Mughal-ruled India, and considers how they raised their own worth and that of the romance in the face of changes in the economics, culture, and patronage of India. Khan shows the methods whereby such storytellers performed and how they promoted themselves and their art. The dividing line between marvelous tales and history is examined, showing how and why the boundary was porous. The study historicizes the Western understanding of the \u003cem\u003eqissah\u003c\/em\u003e as a local manifestation of a worldwide romance genre, showing that this genre equation had profound ideological effects. The book's appendix contains a translation of an important text for understanding Iranian and Indian storytelling methods: the unpublished introductory portions to Fakhr al-Zamani's manual for storytellers.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eThe Broken Spell\u003c\/em\u003e will appeal to scholars of folklore and fairy-tale studies, comparative literature, South Asian studies, and any reader with an interest in India and Pakistan.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52634450690415,"sku":"9780814345993","price":333.73,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814345999.jpg?v=1770153159"},{"product_id":"i-love-lucy","title":"I Love Lucy","description":"\u003cp\u003eI Love Lucy aired for six seasons between 1951 and 1957 as a top-rated weekly sitcom, and its characters appeared in thirteen hour-long specials between 1958 and 1960. In I Love Lucy, author Lori Landay investigates the groundbreaking series and its highly charismatic stars, Lucille Ball and Desi Arnaz, to consider the program’s impact on the conventions of the sitcom, television culture, and wider postwar culture.\u003cbr\u003e\n\u003cbr\u003e\nIn chapters that proceed chronologically through the life of the series, Landay takes an interdisciplinary cultural studies approach to understanding the wider phenomenon of I Love Lucy, with an emphasis on a variety of issues as they arise from different phases of the show. She examines the program’s efficient production system, compelling narrative formula, hilarious writing, and the technical genius behind the scenes that put it onto film. Landay also considers the show’s clever plots within a familiar situation, magnificent comic performance, and the remarkable chemistry of its actors. In addition, she studies the end of the series and its continued place in popular culture.\u003cbr\u003e\n\u003cbr\u003e\nI Love Lucy is perhaps the most popular television show of all time, and its stars are some of the most recognizable in television history. For scholars of American television history as well as the series’ many fans, I Love Lucy will be an enjoyable and informative read.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52635667267951,"sku":"9780814332610","price":181.52,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814332617.jpg?v=1770211395"},{"product_id":"words-like-thunder","title":"Words Like Thunder","description":"\u003cp\u003e\u003ci\u003eWords like Thunder: New and Used Anishinaabe Prayers\u003c\/i\u003e is a collection of poetry by award-winning Ojibwe author Lois Beardslee. Much of the book centers around Native people of the Great Lakes but has a universal relevance to modern indigenous people worldwide. Beardslee tackles contemporary topics like climate change and socioeconomic equality with a grace and readability that empowers readers and celebrates the strengths of today's indigenous peoples. She transforms the mundane into the sacred. Similar in style to Nikki Giovanni, Beardslee might lure in readers with the promise of traditional cultural material, even stereotypes, before quickly pivoting toward a direction of respect for the contemporaneity and adaptability of indigenous people's tenacious hold on traditions. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eMade up of four sections, the book is like a piece of artwork. Parts of the word-canvas are quiet so the reader can rest and other parts lead the reader quickly from one place to another, while always maintaining eye contact. More than anything, Beardslee emphasizes the notion that indigenous peoples are competent and wonderful, worthy of praise, and whose modernity is a function of their survival. She writes unapologetically with a strong ethnic identity as a woman of color who witnessed and experienced community loss of resources that defined her culture. Her stories transcend generations, time, and geographical boundaries-varying in voice between first person or that of her elders or children-resulting in a collective appeal. \u003cp\u003e\u003c\/p\u003eBeardslee continues to break the mold and push the boundaries of contemporary Native American poetry and prose. This book will appeal to a general readership, to people who want to learn more about indigenous peoples of the Great Lakes, and to people who care about the environment and socioeconomic equality. Even young readers, especially students of color, will find parts of this book to which they can relate.","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52635708227951,"sku":"9780814347485","price":134.09,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814347487.jpg?v=1770215851"},{"product_id":"fine-canopy","title":"Fine Canopy","description":"\u003cp\u003eAlison Swan's collection of poems, \u003ci\u003eA Fine Canopy\u003c\/i\u003e, illustrates how the natural world envelops and encloses us with so many beautiful things: crowns of leaves, the ubiquitous blue sky, our luminous moon, and snow. So much snow. An ecopoet whose writing shows her advocacy for natural resources, in this collection Swan calls the reader to witness, appreciate, and sustain this world before it becomes too late. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThese poems were written out of an impulse to track down wisdom in the open air, outside of the noisy world of cars and commerce. Swan seeks insight on shores and in scraps of woods and fields-especially on four particular peninsulas: Michigan's upper and lower, Florida, and Washington state's Olympic-and also inside motherhood, which might be the wildest place of all. These are poems about the interconnection of all things, and \"knowing things we cannot see.\" A journey through seasons with a soundtrack of birdsong, Swan's words are incredibly sensory. The reader is made to feel the weight of muddy jeans, the jolt at the tug of a dog's leash, and to see the bright flash of a cardinal's red plumage. Swan's poems remind us that although we all want to make a mark on our world, the smaller the better: stepping into fresh snow, dashing through forests atop dry leaves, laying wet bodies on warm concrete. These quiet interactions with places are as hopeful as they are harmless. \u003cp\u003e\u003c\/p\u003eWithout necessarily tackling the topics head-on, \u003ci\u003eA Fine Canopy\u003c\/i\u003e evokes the devastation of climate change and the destruction of natural resources. This book engages deeply with the other-than-human to express and investigate alarm, dismay, anger, admiration, adoration in what feels like the end of the world unless we begin to think outside the box. These poems will carry weight with all readers of poetry, especially those who are interested in ecopoetry and connecting with the world around them.","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52635708260719,"sku":"9780814348062","price":127.55,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814348068.jpg?v=1770215874"},{"product_id":"weweni","title":"Weweni","description":"\u003cp\u003eDepending on dialect, the Anishinaabemowin word \"weweni\" expresses thanks, exactitude, ease, and sincerity. In addition, the word for \"relatives\" is \"nindenwemaaganag\": those whose \"enewewe,\" or voices, sound familiar. In \u003ci\u003eWeweni, \u003c\/i\u003epoet Margaret Noodin brings all of these meanings to bear in a unique bilingual collection. Noodin's warm and perceptive poems were written first in the Modern Anishinaabemowin double-vowel orthography and appear translated on facing pages in English. \u003c\/p\u003e\u003cp\u003e From planetary tracking to political contrasts, stories of ghosts, and messages of trees, the poems in \u003ci\u003eWeweni\u003c\/i\u003e use many images to speak to the interconnectedness of relationships, moments of difficulty and joy, and dreams and cautions for the future. As poems move from Anishinaabemowin to English, the challenge of translation offers multiple levels of meaning-English meanings found in Anishinaabe words long as rivers and knotted like nets, English approximations that bend the dominant language in new directions, and sets of signs and ideas unable to move from one language to another. In addition to the individual dialogues played out beween Noodin's poems, the collection as a whole demonstrates a fruitful and respectful dialogue between languages and cultures. \u003c\/p\u003e\u003cp\u003e Noodin's poems will be proof to students and speakers of Anishinaabemowin that the language can be a vital space for modern expression and, for those new to the language, a lyric invitation to further exploration. Anyone interested in poetry or linguistics will enjoy this one-of-a-kind volume.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52635708391791,"sku":"9780814340387","price":130.18,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814340385.jpg?v=1770215878"},{"product_id":"black-indian","title":"Black Indian","description":"\u003cp\u003e\u003ci\u003eBlack Indian\u003c\/i\u003e, searing and raw, is Amy Tan's \u003ci\u003eThe Joy Luck Club\u003c\/i\u003e and Alice Walker's \u003ci\u003eThe Color Purple\u003c\/i\u003e meets Leslie Marmon Silko's \u003ci\u003eCeremony\u003c\/i\u003e-only, this isn't fiction. Beautifully rendered and rippling with family dysfunction, secrets, deaths, alcoholism, and old resentments, Shonda Buchanan's memoir is an inspiring story that explores her family's legacy of being African Americans with American Indian roots and how they dealt with not just society's ostracization but the consequences of this dual inheritance. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eBuchanan was raised as a Black woman, who grew up hearing cherished stories of her multi-racial heritage, while simultaneously suffering from everything she (and the rest of her family) didn't know. Tracing the arduous migration of Mixed Bloods, or Free People of Color, from the Southeast to the Midwest, Buchanan tells the story of her Michigan tribe-a comedic yet manically depressed family of fierce women, who were everything from caretakers and cornbread makers to poets and witches, and men who were either ignored, protected, imprisoned, or maimed-and how their lives collided over love, failure, fights, and prayer despite a stacked deck of challenges, including addiction and abuse. Ultimately, Buchanan's nomadic people endured a collective identity crisis after years of constantly straddling two, then three, races. The physical, spiritual, and emotional displacement of American Indians who met and married Mixed or Black slaves and indentured servants at America's early crossroads is where this powerful journey begins. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eBlack Indian \u003c\/i\u003edoesn't have answers, nor does it aim to represent every American's multi-ethnic experience. Instead, it digs as far down into this one family's history as it can go-sometimes, with a bit of discomfort. But every family has its own truth, and Buchanan's search for hers will resonate with anyone who has wondered \"maybe there's more than what I'm being told.\"","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52635708555631,"sku":"9780814345801","price":189.54,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814345808.jpg?v=1770215868"},{"product_id":"staging-fairyland","title":"Staging Fairyland","description":"\u003cp\u003eIn nineteenth-century Britain, the spectacular and highly profitable theatrical form known as \"pantomime\" was part of a shared cultural repertoire and a significant medium for the transmission of stories. Rowdy, comedic, and slightly risqu?, pantomime productions were situated in dynamic relationship with various forms of print and material culture. Popular fairy-tale theater also informed the production and reception of folklore research in ways that are often overlooked. In \u003cem\u003eStaging Fairyland: \u003c\/em\u003e\u003cem\u003eFolklore, Children's Entertainment, and Nineteenth-Century Pantomime\u003c\/em\u003e, Jennifer Schacker reclaims the place of theatrical performance in this history, developing a model for the intermedial and cross-disciplinary study of narrative cultures.\u003c\/p\u003e\u003cp\u003eThe case studies that punctuate each chapter move between the realms of print and performance, scholarship and popular culture. Schacker examines pantomime productions of such well-known tales as \"Cinderella,\" \"Little Red Riding Hood,\" and \"Jack and the Beanstalk,\" as well as others whose popularity has waned-such as, \"Daniel O'Rourke\" and \"The Yellow Dwarf.\" These productions resonate with traditions of impersonation, cross-dressing, literary imposture, masquerade, and the social practice of \"fancy dress.\" Schacker also traces the complex histories of Mother Goose and Mother Bunch, who were often cast as the embodiments of both tale-telling and stage magic and who move through various genres of narrative and forms of print culture. These examinations push at the limits of prevailing approaches to the fairy tale across media. They also demonstrate the degree to which perspectives on the fairy tale as children's entertainment often obscure the complex histories and ideological underpinnings of specific tales.\u003c\/p\u003e\u003cp\u003eMapping the histories of tales requires a fundamental reconfiguration of our thinking about early folklore study and abo\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52636089844079,"sku":"9780814345900","price":276.54,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814345905.jpg?v=1770237547"},{"product_id":"documenting-the-documentary","title":"Documenting the Documentary","description":"\u003cp\u003eOriginally released in 1998, \u003cem\u003eDocumenting the Documentary \u003c\/em\u003eresponded to a scholarly landscape in which documentary film was largely understudied and undervalued aesthetically, and analyzed instead through issues of ethics, politics, and film technology. Editors Barry Keith Grant and Jeannette Sloniowski addressed this gap by presenting a useful survey of the artistic and persuasive aspects of documentary film from a range of critical viewpoints. This new edition of \u003cem\u003eDocumenting the Documentary\u003c\/em\u003e adds five new essays on more recent films in addition to the text of the first edition.\u003cbr\u003e\n  \u003cbr\u003e\n Thirty-one film and media scholars, many of them among the most important voices in the area of documentary film, cover the significant developments in the history of documentary filmmaking from \u003cem\u003eNanook of the North\u003c\/em\u003e (1922), the first commercially released documentary feature, to contemporary independent film and video productions like Werner Herzog's \u003cem\u003eGrizzly Man \u003c\/em\u003e(2005) and the controversial \u003cem\u003eBorat\u003c\/em\u003e (2006). The works discussed also include representative examples of many important national and stylistic movements and various production contexts, from mainstream to avant-garde. In all, this volume offers a series of rich and revealing analyses of those \"regimes of truth\" that still fascinate filmgoers as much today as they did at the very beginnings of film history.\u003cbr\u003e\n  \u003cbr\u003e\n As documentary film and visual media become increasingly important ways for audiences to process news and information, \u003cem\u003eDocumenting the Documentary\u003c\/em\u003e continues to be a vital resource to understanding the genre. Students and teachers of film studies and fans of documentary film will appreciate this expanded classic volume.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52640776946031,"sku":"9780814339718","price":334.5,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814339719.jpg?v=1770398252"},{"product_id":"birth-of-the-binge","title":"Birth of the Binge","description":"\u003cp\u003e\u003cem\u003eBirth of the Binge: \u003c\/em\u003e\u003cem\u003eSerial TV and the End of Leisure\u003c\/em\u003e describes and details serial television and \"binge watching,\" the exceedingly popular form of contemporary television viewing that has come to dominance over the past decade. Author Dennis Broe looks at this practice of media consumption by suggesting that the history of seriality itself is a continual battleground between a more unified version of truth-telling and a more fractured form of diversion and addiction. Serial television is examined for the ways its elements (multiple characters, defined social location, and season and series arcs) are used alternately to illustrate a totality or to fragment social meaning. Broe follows his theoretical points with detailed illustrations and readings of several TV series in a variety of genres, including the systemization of work in \u003cem\u003eBig Bang Theory \u003c\/em\u003eand \u003cem\u003eSilicon Valley; \u003c\/em\u003ethe social imbrications of \u003cem\u003eJustified\u003c\/em\u003e; and the contesting of masculinity in Joss Whedon's \u003cem\u003eBuffy the Vampire Slayer, Firefly, \u003c\/em\u003eand \u003cem\u003eDollhouse\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eIn this monograph, Broe uses the work of Bernard Stiegler to relate the growth of digital media to a new phase of capitalism called \"hyperindustrialism,\" analyzing the show \u003cem\u003eLost \u003c\/em\u003eas suggestive of the potential as well as the poverty and limitations of digital life. The author questions whether, in terms of mode of delivery, commercial studio structure, and narrative patterns, viewers are experiencing an entirely new moment or a (hyper)extension of the earlier network era. \u003cem\u003eThe Office, The Larry Sanders Show\u003c\/em\u003e, and \u003cem\u003eOrange Is the New Black \u003c\/em\u003eare examined as examples of, respectively, network, cable, and online series with structure that is more consistent than disruptive. Finally, Broe examines three miniseries by J. J. 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In this provocative volume, Ellis delves into a variety of literary and cultural texts to consider unlawful and extralegal violence like lynching, mob violence, and \"white riots,\" in addition to state violence such as state-sanctioned execution, the unregulated use of force by police and prison guards, state neglect or inaction, and denial of human and civil rights.\u003cbr\u003e\n\u003cbr\u003e\nFocusing primarily on young black men who are depicted or see themselves as \"bad niggers,\" gangbangers, thugs, social outcasts, high school drop-outs, or prison inmates, Ellis looks at the self-affirming embrace of deathly violence and death-defiance-both imagined and lived-in a diverse body of cultural works. From Richard Wright's literary classic Native Son, Eldridge Cleaver's prison memoir Soul on Ice, and Nathan McCall's autobiography Makes Me Wanna Holler to the hip hop music of Eazy-E, Tupac Shakur, Notorious B.I.G., and D'Angelo, Ellis investigates black men's representational identifications with and attachments to death, violence, and death-defiance as a way of coping with and negotiating late-twentieth and early twenty-first century culture.\u003cbr\u003e\n\u003cbr\u003e\nDistinct from a sociological study of the material conditions that impact urban black life, \u003cem\u003eIf We Must Die\u003c\/em\u003e investigates the many ways that those material conditions and lived experiences profoundly shape black male identity and self-image. African Amerian studies scholars and those interested in race in contemporary American culture will appreciate this thought-provoking volume.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52641340817775,"sku":"9780814334133","price":243.34,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/081433413X.jpg?v=1770926147"},{"product_id":"frankfurt-on-the-hudson","title":"Frankfurt on the Hudson","description":"\u003cp\u003eFrankfurt on the Hudson\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52651148116335,"sku":"9780814323854","price":262.62,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814323855.jpg?v=1770669913"},{"product_id":"ambassador-morgenthaus-story","title":"Ambassador Morgenthau's Story","description":"\u003cp\u003eOriginally published in 1918, Ambassador Morgenthau’s Story is one of the most insightful and compelling accounts of what became a recurring horror during the twentieth century: ethnic cleansing and genocide. While he served as the U.S. ambassador to the Ottoman Empire under Woodrow Wilson from 1913 to 1916, Henry Morgenthau witnessed the rise of a new nationalism in Turkey, one that declared \"Turkey for the Turks.\" He grew alarmed as he received reports from missionaries and consuls in the interior of Turkey that described deportation and massacre of the Armenians. The ambassador beseeched the U.S. government to intervene, but it refrained, leaving Morgenthau without official leverage. His recourse was to appeal personally to the consciences of Ottoman rulers and their German allies; when that failed, he drew international media attention to the genocide and spearheaded private relief efforts\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52651183145327,"sku":"9780814329795","price":291.56,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814329799.jpg?v=1770931024"},{"product_id":"an-anthology-of-modern-yiddish-poetry","title":"An Anthology of Modern Yiddish Poetry","description":"\u003cp\u003eOriginally published in 1966, An Anthology of Modern Yiddish Poetry was the first bilingual anthology to feature the rich, spirited, and passionate Yiddish poetry of the twentieth century. 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Murai considers Tawada Yoko’s reworking of the animal bride and bridegroom tale, Ogawa Yoko’s feminist treatment of the Bluebeard story, Yanagi Miwa’s visual restaging of familiar fairy-tale scenes, and Konoike Tomoko’s visual representations of the motif of the girl’s encounter with the wolf in the woods in different media and contexts. Forty illustrations round out Murai’s criticism, showing how fairy tales have helped artists reconfigure oppositions between male and female, human and animal, and culture and nature.\u003cbr\u003e\n\u003cbr\u003e\n\u003cem\u003eFrom Dog Bridegroom to Wolf Girl\u003c\/em\u003e invites readers to trace the threads of the fairy-tale web with eyes that are both transcultural and culturally sensitive in order to unravel the intricate ways in which different traditions intersect and clash in today’s globalising world. 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They explore various facets of Carter's work and life and open new avenues for further research. Angela Carter and the Fairy Tale is a diverse collection of scholarly essays, fiction, personal reminiscence, and interviews from an international group of scholars, artists, and novelists. Angela Carter and the Fairy Tale will be of interest to those pursuing research in contemporary literature, folklore, and women's studies. It will also serve as a useful reference point for other readers who wish to learn more about the fairy tales written by this dynamic author.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653468451183,"sku":"9780814329054","price":265.53,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814329055.jpg?v=1770728576"},{"product_id":"young-henry-ford","title":"Young Henry Ford","description":"\u003cp\u003e\u003cem\u003eYoung Henry Ford\u003c\/em\u003e is a visual and textual presentation of the first forty years of Henry Ford—an American farm boy who became one of the greatest manufacturers of modern times and profoundly impacted the habits of American life. 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Some of the rare illustrations include the first picture of Henry Ford, photos from Edsel's childhood, snapshots of the interior and exterior of the Ford homestead, Clara and Henry's wedding invitation, and photos of the early stages of the first automobile.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653468483951,"sku":"9780814343050","price":227.1,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814343058.jpg?v=1770728584"},{"product_id":"cinema-and-history","title":"Cinema and History","description":"\u003cp\u003eMarc Ferro argues that film is an \"agent and source of history\" and offers a comprehensive survey of the conceptual interrelations between cinema and history. 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The volume also examines the increasingly prevalent appearance of the bromance phenomenon in television narratives, from the “male bonding” rituals of \u003cem\u003eFriends\u003c\/em\u003e and \u003cem\u003eSeinfeld \u003c\/em\u003eto more recent manifestations in \u003cem\u003eHouse, The Wire,\u003c\/em\u003e and the MTV reality series \u003cem\u003eBromance.\u003c\/em\u003e\u003cbr\u003e\n\u003cbr\u003e\nFrom historical analysis to discourse analysis, sociological analysis, and queer theory, this volume provides a broad range of methodological and theoretical approaches to the phenomenon in the first booklength study of the bromance genre. Film and television scholars as well as readers interested in pop culture and queer studies will enjoy the insights of \u003cem\u003eReading the Bromance.\u003c\/em\u003e\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653474578799,"sku":"9780814338988","price":286.86,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814338984.jpg?v=1770729205"},{"product_id":"pages-from-a-black-radicals-notebook","title":"Pages from a Black Radical's Notebook","description":"\u003cp\u003eBorn in the rural American south, James Boggs lived nearly his entire adult life in Detroit and worked as a factory worker for twenty-eight years while immersing himself in the political struggles of the industrial urban north. 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In part 3, \"Black Power-Promise, Pitfalls, and Legacies,\" Ward collects essays, pamphlets, and speeches that reflect Boggs's participation in and analysis of the origins, growth, and demise of the Black Power movement. Part 4 comprises pieces written in the last decade of Boggs's life, during the 1980s through the early 1990s. An introduction by Ward provides a detailed overview of Boggs's life and career, and an afterword by Grace Lee Boggs, James Boggs's wife and political partner, concludes this volume.\u003c\/p\u003e\u003cp\u003ePages from a Black Radical's Notebook documents Boggs's personal trajectory of political engagement and offers a unique perspective on radical social movements and the African American struggle for civil rights in the post-World War II years. 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Although Sorensen conceived, designed, and built the giant Willow Run plant in nineteen months and then proceeded to turn out eight thousand giant bombers, his life's major work was to make possible the vision of Henry Ford and to postpone the personal misfortune with which it ended. \u003cem\u003eMy Forty Years with Ford\u003c\/em\u003e is both a personal history of a business empire and a revelation that moves with excitement and the power of tragedy.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653485228399,"sku":"9780814332795","price":306.28,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/081433279X.jpg?v=1770729942"},{"product_id":"the-x-files","title":"The X-Files","description":"\u003cp\u003ePremiering in 1993 on FOX Network, \u003cem\u003eThe X-Files\u003c\/em\u003e followed the investigations of two FBI special agents, Fox Mulder and Dr. Dana Scully as they pursued the supernatural, the bizarre, and the alien, as well as the government conspiracies at work to conceal the truth of their existence. 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The text's major divisions consider the labor movement as an agent of revolution, as a business institution, as an agent of industrial reform, as a psychological reaction to industrialism, as a moral force, as a destructive monopoly, and as a subordinate mechanism in pluralist industrial society. 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A Holocaust survivor whose first wife and two sons had been murdered at the Nazi death camp in Chelmno, Poland, Jakub had lived a turbulent life. Just over thirty-seven years later, his son Charles died of a heart attack. David Slucki's \u003cem\u003eSing This at My Funeral: A Memoir of Fathers and Sons\u003c\/em\u003e tells the story of his father and his grandfather, and the grave legacy that they each passed on to him. 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In this volume, author Harry M. Benshoff examines Dark Shadows, both during its initial run and as an enduring cult phenomenon, to prove that the show was an important precursor-or even progenitor-of today's phenomenally popular gothic and fantasy media franchises like Twilight, Harry Potter, and True Blood.\u003c\/p\u003e\u003cp\u003eBenshoff demonstrates that viewers of all ages responded to the haunted world of Dark Shadows, making unlikely stars out of the show's iconic characters-reluctant vampire Barnabas Collins, playboy werewolf Quentin Collins, vengeful witch Angelique DuVal, and vampire hunter Dr. Julia Hoffman. Benshoff explores the cultural and industrial contexts of the mid-1960s that gave rise to Dark Shadows and how the show adapted nineteenth-century gothic novels and twentieth-century horror films into a televised serial format. Benshoff also examines the unique aspects of the show's casting and performance modes, its allure as a camp cult text, and the function of the show's many secondary and tertiary texts-including novels, records, games, comic books, and the two feature films, House of Dark Shadows (1970) and Night of Dark Shadows (1971).\u003c\/p\u003e\u003cp\u003eIn the years since its cancellation, Dark Shadows' enduring popularity has led to a prime-time NBC remake in the early 1990s, recent talk of a Tim Burton and Johnny Depp feature film, and a popular ongoing fan convention. Benshoff's timely study of Dark Shadows will appeal to fans of the show and all film and television history scholars who are interested in the roots of one of today's most popular genres.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653524943215,"sku":"9780814334393","price":183.15,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814334393.jpg?v=1770733291"},{"product_id":"essayd-3","title":"Essay'd 3","description":"\u003cp\u003e\u003cem\u003eEssay'd 3: 30 Detroit Artists \u003c\/em\u003eis the third volume in a series of collections that present short, illustrated essays about artists who live and work in Detroit or who have participated in the Detroit art scene in an important way. 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It therefore stands to make a significant contribution to research into women's lives, citizenship studies, global migration, Jewish and national identity and women's art in contemporary Israel.\u003cbr\u003e\n\u003cbr\u003e\nThe book is divided into sections, each of which aims a spotlight on women artists belonging to a distinct groups of immigrants—the former Soviet Union, Ethiopia, and the Philippines—and shows how their artwork reflects various conflicts regarding citizenship and identity-related processes, dynamics of inclusion-exclusion, and power relations that characterize their experiences\u003cem\u003e. Transnational Identities \u003c\/em\u003epromotes a more nuanced, complex understanding of diversity among women from various groups and even within a specific ethnic group, as well as considering the \"common differences\" between women from diversified life experiences. To lay the groundwork for an analysis of the themes that recur in their artworks, Tal Dekel briefly discusses the notions of global migration and transnationalism and then examines gender and several other identity-\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653578617199,"sku":"9780814342503","price":327.69,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814342507.jpg?v=1770738488"},{"product_id":"essayd","title":"Essay'd","description":"\u003cp\u003e\u003cem\u003eEssay’d: 30 Detroit Artists\u003c\/em\u003e highlights the individual contributors to Detroit’s thriving and diverse art scene. Stemming from the popular website of the same name, \u003cem\u003eEssay’d\u003c\/em\u003e seeks to introduce readers to some of the contemporary art practitioners who live and work in Detroit or have participated in the Detroit art scene in an important way. 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This book is not a systematic attempt to identify the “best” or “most important” Detroit artists, or even to define what those terms mean. The position the essays take to their subjects is not critical but neither is it reverential. The objective is to create a platform for Detroit artists, not a pedestal.\u003cbr\u003e\n\u003cbr\u003e\n\u003cem\u003eEssay’d\u003c\/em\u003e is an excellent introduction to the Detroit art landscape, as well as an opportunity to deepen one’s knowledge of the Detroit art scene and its players. Art lovers and regional history buffs will not want to miss this collection.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653579108719,"sku":"9780814342275","price":166.49,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814342272.jpg?v=1770738574"},{"product_id":"vladimir-jabotinskys-story-of-my-life","title":"Vladimir Jabotinsky's Story of My Life","description":"\u003cp\u003eVladimir Jabotinsky is well remembered as a militant leader and father of the right-wing Revisionist Zionist movement, but he was also a Russian-Jewish intellectual, talented fiction writer, journalist, playwright, and translator of poetry into Russian and Hebrew. 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The seven chapters that follow each feature a different invasive species, with information about its arrival and impact, including a larger story of ballast water, control efforts, and a forward–thinking shift to prevention.  Rapai includes the perspectives of the many scientists, activists, politicians, commercial fishermen, educators, and boaters he interviewed in the course of his research. The final chapter focuses on the stories of the largely unnoticed and unrecognized advocates who have committed themselves to slowing, stopping, and reversing the invasion and keeping the lakes resilient enough to absorb the inevitable attacks to come.\u003cbr\u003e\n\u003cbr\u003e\nRapai makes a strong case for what is at stake with the growing number of invasive species in the lakes.  He examines new policies and the tradeoffs that must be weighed, and ends with an inspired call for action. 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Scholars and students of film, science fiction, and Marxist culture will enjoy\u003cem\u003e Red Alert\u003c\/em\u003e.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653593985391,"sku":"9780814340110","price":315.63,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814340113.jpg?v=1770740410"},{"product_id":"christophe-honore","title":"Christophe Honore","description":"\u003cp\u003eFrench filmmaker Christophe Honoré challenges audiences with complex cinematic form, intricate narrative structures, and aesthetically dynamic filmmaking. But the limited release of his films outside of Europe has left him largely unknown to U.S. audiences. In \u003cem\u003eChristophe Honoré: A Critical Introduction,\u003c\/em\u003e authors David A. 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Together, these essays question assumptions that an actor’s ability to project an enduring image—both symbolic and physical—is necessary for box-office success, demonstrating instead that disruptions often shape and direct the star image.\u003cbr\u003e\n\u003cbr\u003e\nContributors in this collection examine a wide range of stars from the last seventy years. Some essays deal with actors who have transformed temporarily for a role, or permanently, through aging or accident, such as Joaquin Phoenix, Daniel Day-Lewis, Mickey Rourke, Charlize Theron, and Hilary Swank. Other essays consider stars’ attempts to conceal aspects of themselves from the public in order to maintain a palatable public image, including Rita Hayworth, Rock Hudson, and Michael Jackson. Some explore typecasting and audience expectations, noting how struggles with marriage, divorce, and aging intersect in the images of Natalie Wood, Marilyn Monroe, and Harrison Ford. A final set considers Sissy Spacek, Julia Roberts, and Halle Berry as women who reconfigure negative press and restrictive gender and racial expectations to their advantage, managing public perceptions of suffering in ways that flummox their critics.\u003cbr\u003e\n\u003cbr\u003e\n\u003cem\u003eStar Bodies and the Erotics of Suffering\u003c\/em\u003e offers film buffs, students, and scholars a fresh take on casting, method acting, audience reception, and the tensions at play in our fascination with an actor’s dual role as private individual and cultural icon.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653594116463,"sku":"9780814339398","price":306.06,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814339395.jpg?v=1770740427"},{"product_id":"1968-and-global-cinema","title":"1968 and Global Cinema","description":"\u003cp\u003e\u003cem\u003e1968 and Global Cinema\u003c\/em\u003e addresses a notable gap in film studies. Although scholarship exists on the late 1950s and 1960s New Wave films, research that puts cinemas on 1968 into dialogue with one another across national boundaries is surprisingly lacking. Only in recent years have histories of 1968 begun to consider the interplay among social movements globally. The essays in this volume, edited by Christina Gerhardt and Sara Saljoughi, cover a breadth of cinematic movements that were part of the era's radical politics and independence movements. Focusing on history, aesthetics, and politics, each contribution illuminates conventional understandings of the relationship of cinema to the events of 1968, or \"the long Sixties.\"\u003c\/p\u003e\u003cp\u003eThe volume is organized chronologically, highlighting the shifts and developments in ideology in different geographic contexts. The first section, \"The Long Sixties: Cinematic New Waves,\" examines both the visuals of new cinemas, as well as new readings of the period's politics in various geopolitical iterations. This half of the book begins with an argument that while the impact of Italian Neorealism and the French New Wave on subsequent global new waves is undeniable, the influence of cinemas of the so-called Global South is pivotal for the era's cinema as well. The second section, \"Aftershocks,\" considers the lasting impact of 1968 and related cinematic new waves into the 1970s. The essays in this section range from China's Cultural Revolution in cinema to militancy and industrial struggle in 1970s worker's films in Spain. In these ways, the volume provides fresh takes and allows for new discoveries of the cinemas of the long 1968.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e1968 and Global Cinema\u003c\/em\u003e aims to achieve balance between new readings of well-known films, filmmakers, and movements, as well as new research that engages lesser-known bodies of films and film texts. The volume is ideal for graduate and u\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653598015855,"sku":"9780814342930","price":283.8,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814342930.jpg?v=1770741000"},{"product_id":"robin-wood-on-the-horror-film","title":"Robin Wood on the Horror Film","description":"\u003cp\u003eRobin Wood-one of the foremost critics of cinema-has laid the groundwork for anyone writing about the horror film in the last half-century. Wood's interest in horror spanned his entire career and was a form of popular cinema to which he devoted unwavering attention. \u003cem\u003eRobin Wood on the Horror Film: Collected Essays and Reviews\u003c\/em\u003e compiles over fifty years of his groundbreaking critiques.\u003c\/p\u003e\u003cp\u003eIn September 1979, Wood and Richard Lippe programmed an extensive series of horror films for the Toronto International Film Festival and edited a companion piece: \u003cem\u003eThe American Nightmare: Essays on the Horror Film\u003c\/em\u003e - the first serious collection of critical writing on the horror genre. \u003cem\u003eRobin Wood on the Horror Film\u003c\/em\u003e now contains all of Wood's writings from \u003cem\u003eThe American Nightmare\u003c\/em\u003e and nearly everything else he wrote over the years on horror-published in a range of journals and magazines-gathered together for the first time. It begins with the first essay Wood ever published, \"Psychoanalysis of \u003cem\u003ePsycho\u003c\/em\u003e,\" which appeared in 1960 and already anticipated many of the ideas explored later in his touchstone book, \u003cem\u003eHitchcock's Films\u003c\/em\u003e. The volume ends, fittingly, with, \"What Lies Beneath?,\" written almost five decades later, an essay in which Wood reflects on the state of the horror film and criticism since the genre's renaissance in the 1970s. Wood's prose is eloquent, lucid, and convincing as he brings together his parallel interests in genre, authorship, and ideology. Deftly combining Marxist, Freudian, and feminist theory, Wood's prolonged attention to classic and contemporary horror films explains much about the genre's meanings and cultural functions.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eRobin Wood on the Horror Film\u003c\/em\u003e will be an essential addition to the library of anyone interested in horror, science fiction, and film genre.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653598081391,"sku":"9780814345238","price":327.02,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814345239.jpg?v=1770741009"},{"product_id":"african-american-cinema-through-black-lives-consciousness","title":"African American Cinema Through Black Lives Consciousness","description":"\u003cp\u003e\u003cem\u003eAfrican American Cinema through Black Lives Consciousness \u003c\/em\u003euses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class, and gender. Its linear history chronicles black-oriented narrative film from post-World War II through the presidential administration of Barack Obama. Editor Mark A. Reid has assembled a stellar list of contributors who approach their film analyses as an intersectional practice that combines queer theory, feminism\/womanism, and class analytical strategies alongside conventional film history and theory. Taken together, the essays invigorate a \"Black Lives Consciousness,\" which speaks to the value of black bodies that might be traumatized and those bodies that are coming into being-ness through intersectional theoretical analysis and everyday activism.\u003c\/p\u003e\u003cp\u003eThe volume includes essays such as Gerald R. Butters's, \"Blaxploitation Film,\" which charts the genre and its uses of violence, sex, and misogyny to provoke a realization of other philosophical and sociopolitical themes that concern intersectional praxis. Dan Flory's \"African-American Film Noir\" explains the intertextual-fictional and socio-ecological-dynamics of black action films. Melba J. Boyd's essay, \"'Who's that Nigga on that Nag?': \u003cem\u003eDjango Unchained\u003c\/em\u003e and the Return of the Blaxploitation Hero,\" argues that the film provides cultural and historical insight, \"signifies\" on blackface stereotypes, and chastises Hollywood cinema's misrepresentation of slavery. \u003cem\u003eAfrican American Cinema through Black Lives Consciousness\u003c\/em\u003e embraces varied social experiences within a cinematic Black Lives Consciousness intersectionality.\u003c\/p\u003e\u003cp\u003eThe interdisciplinary quality of the anthology makes it approachable to students and scholars of fields ranging from film to culture to African American studies alike.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653598179695,"sku":"9780814345481","price":261.15,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814345484.jpg?v=1770741034"},{"product_id":"song-of-the-nibelungs","title":"Song of the Nibelungs","description":"\u003cp\u003eWritten around the year 1200 by an unknown Middle High German poet, probably an Austrian knight-cleric, The Song of the Nibelungs is composed of thirty-nine adventures and is divided into two major parts. Two great complexes of epic action are joined together: the life and death of Sigfrid, his glory, fault, and betrayal, and the massive destruction of those who betrayed him, engineered by Kriemhild, Sigfrid's wife.\u003c\/p\u003e\u003cp\u003eThe translator has reproduced the principal characteristics of style and language, in a verse form approximating that of the original. This modern translation, with its naturalness of language, will appeal to the general reader and scholar alike.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653795934575,"sku":"9780814311929","price":284.38,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/081431192X.jpg?v=1770742164"},{"product_id":"new-diaspora","title":"New Diaspora","description":"\u003cp\u003eThe Edward Lewis Wallant Award was founded by the family of Dr. Irving and Fran Waltman in 1963 and is supported by the University of Hartford’s Maurice Greenberg Center for Judaic Studies. It is given annually to an American writer, preferably early in his or her career, whose fiction is considered significant for American Jews. In \u003cem\u003eThe New Diaspora: The Changing Landscape of American Jewish Fiction,\u003c\/em\u003e editors Victoria Aarons, Avinoam J. Patt, and Mark Shechner, who have all served as judges for the award, present vital, original, and wide-ranging fiction by writers whose work has been considered or selected for the award. The resulting collection highlights the exemplary place of the Wallant Award in Jewish literature.\u003cbr\u003e\n  \u003cbr\u003e\n With a mix of stories and novel chapters, \u003cem\u003eThe New Diaspora\u003c\/em\u003e reprints selections of short fiction from such well-known writers as Rebecca Goldstein, Nathan Englander, Jonathan Safran Foer, Dara Horn, and Julie Orringer. The first half of the anthology presents pieces by winners of the Wallant award, focusing on the best work of recent winners. \u003cem\u003eThe New Diaspora\u003c\/em\u003e’s second half reflects the evolving landscape of American Jewish fiction over the last fifty years, as many authors working in America are not American by birth, and their fiction has become more experimental in nature. Pieces in this section represent authors with roots all over the world—including Russia (Maxim Shrayer, Nadia Kalman, and Lara Vapnyar), Latvia (David Bezmozgis), South Africa (Tony Eprile), Canada (Robert Majzels), and Israel (Avner Mandelman, who now lives in Canada).\u003cbr\u003e\n  \u003cbr\u003e\n This collection offers an expanded canon of Jewish writing in North America and foregrounds a vision of its variety, its uniqueness, its cosmopolitanism, and its evolving perspectives on Jewish life. It celebrates the continuing vitality and fresh visions of contemporary Jewish writing, even as it highlights\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653804323183,"sku":"9780814340554","price":295.77,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814340555.jpg?v=1770742773"},{"product_id":"cinderella-across-cultures","title":"Cinderella Across Cultures","description":"\u003cp\u003eThe Cinderella story is retold continuously in literature, illustration, music, theatre, ballet, opera, film, and other media, and folklorists have recognized hundreds of distinct forms of Cinderella plots worldwide. The focus of this volume, however, is neither Cinderella as an item of folklore nor its alleged universal meaning. In \u003cem\u003eCinderella across Cultures\u003c\/em\u003e, editors Martine Hennard Dutheil de la Rochère, Gillian Lathey, and Monika Wozniak analyze the Cinderella tale as a fascinating, multilayered, and ever-changing story constantly reinvented in different media and traditions.\u003cbr\u003e\n\u003cbr\u003e\nThe collection highlights the tale’s reception and adaptation in cultural and national contexts across the globe, including those of Italy, France, Germany, Britain, the Netherlands, Poland, and Russia.  Contributors shed new light on classic versions of Cinderella by examining the material contexts that shaped them (such as the development of glass artifacts and print techniques), or by analyzing their reception in popular culture (through cheap print and mass media). The first section, “Contextualizing Cinderella,” investigates the historical and cultural contexts of literary versions of the tale and their diachronic transformations. The second section, “Regendering Cinderella,” tackles innovative and daring literary rewritings of the tale in the twentieth and twenty-first centuries, in particular modern feminist and queer takes on the classic plot. Finally, the third section, “Visualising Cinderella,” concerns symbolic transformations of the tale, especially the interaction between text and image and the renewal of the tale’s iconographic tradition.\u003cbr\u003e\n\u003cbr\u003e\nThe volume offers an invaluable contribution to the study of this particular tale and also to fairy­­-tale studies overall.  Readers interested in the visual arts, in translation studies, or in popular culture, as well as a wider audi\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653804454255,"sku":"9780814341551","price":316.86,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814341551.jpg?v=1770742790"},{"product_id":"reclaiming-the-archive","title":"Reclaiming the Archive","description":"\u003cp\u003eReclaiming the Archive: Feminism and Film History brings together a diverse group of international feminist scholars to examine the intersections of feminism, history, and feminist theory in film. Editor Vicki Callahan has assembled essays that reflect a range of methodological approaches-including archival work, visual culture, reception studies, biography, ethno-historical studies, historiography, and textual analysis-by a diverse group of film and media studies scholars to prove that feminist theory, film history, and social practice are inevitably and productively intertwined.\u003c\/p\u003e\u003cp\u003eEssays in Reclaiming the Archive investigate the different models available in feminist film history and how those feminist strategies might serve as paradigmatic for other sites of feminist intervention. Chapters have an international focus and range chronologically from early cinema to post-feminist texts, organized around the key areas of reception, stars, and authorship. A final section examines the very definitions of feminism (post-feminism), cinema (transmedia), and archives (virtual and online) in place today.\u003c\/p\u003e\u003cp\u003eThe essays in Reclaiming the Archive prove that a significant heritage of film studies lies in the study of feminism in film and feminist film theory. Scholars of film history and feminist studies will appreciate the breadth of work in this volume.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653843284335,"sku":"9780814333006","price":311.13,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814333001.jpg?v=1770744016"}],"url":"https:\/\/internacional.umlivro.com.br\/collections\/wayne-state-university-press.oembed?page=8","provider":"UmLivro Internacional","version":"1.0","type":"link"}