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His study challenges accepted notions of Oglethorpe's intentions and makes a compelling case for understanding the urban plan of Savannah as part of an integrated system of land use planning. This book will be a valuable resource to anyone interested in the history and planning of American cities.\u003c\/p\u003e\u003cp\u003e-Robin Williams, Savannah College of Art and Design\u003c\/p\u003e\u003cp\u003eWilson is deeply familiar with Savannah.... [His] detailing of this history is serious but accessible, not stuffy or academic. It's a fascinating tour of the potential, and the limits, of design.\u003c\/p\u003e\u003cp\u003e-Landscape Architecture Magazine\u003c\/p\u003e\u003cp\u003eTo make the familiar unfamiliar is one of the most powerful acts of a historian and Wilson does this. His carefully researched story describes both Oglethorpe's contribution to the Enlightenment and the rich intellec- tual context for both the idea's initial generation and its manifestation in Georgia. 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More significantly, he has reacted to the negative effect that all the busy business of urban development is having on our daily lives and he has had the courage to offer concrete remedial plans. If, as Kemble (quoting Ruskin), reminds us: 'Architecture is the mother of the arts', then time spent with his bold, imaginative, idiosyncratic view of the making (and unmaking) of cities-drawn with passionate hindsight and compassionate foresight-will be a moving and healing experience.\u003c\/p\u003e\u003cp\u003eThrough the beckoning text of The Canadian City and its 144 illustrations, we will come to know the map of our own country and city as never before. The long shadow cast by this knowledge will make us more aware travellers abroad, too. Principles of city living and city building will accompany us everywhere, with an unsuspecting vividness. 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