{"title":"University Press Of Mississippi","description":null,"products":[{"product_id":"conversations-with-sam-shepard","title":"Conversations with Sam Shepard","description":"A prolific playwright, Sam Shepard (1943-2017) wrote fifty-six produced plays, for which he won many awards, including a Pulitzer Prize. He was also a compelling, Oscar-nominated film actor, appearing in scores of films. Shepard also published eight books of prose and poetry and was a director (directing the premiere productions of ten of his plays as well as two films); a musician (a drummer in three rock bands); a horseman; and a plain-spoken intellectual. The famously private Shepard gave a significant number of interviews over the course of his public life, and the interviewers who respected his boundaries found him to be generous with his time and forthcoming on a wide range of topics. \u003cp\u003e\u003c\/p\u003e The selected interviews in \u003ci\u003eConversations with Sam Shepard\u003c\/i\u003e begin in 1969 when Shepard, already a multiple Obie winner, was twenty-six and end in 2016, eighteen months before his death from complications of ALS at age seventy-three. In the interim, the voice, the writer, and the man evolved, but there are themes that echo throughout these conversations: the indelibility of family; his respect for stage acting versus what he saw as far easier film acting; and the importance of music to his work. He also speaks candidly of his youth in California, his early days as a playwright in New York City, his professionally formative time in London, his interests and influences, the mythology of the American Dream, his own plays, and more. In \u003ci\u003eConversations with Sam Shepard\u003c\/i\u003e, the playwright reveals himself in his own words.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52633836650863,"sku":"9781496836618","price":140.88,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496836618.jpg?v=1770146692"},{"product_id":"conversations-with-william-faulkner","title":"Conversations with William Faulkner","description":"William Faulkner was not keen on giving interviews. More often than not, he refused, as when he wrote an aspiring interviewer in 1950, \"Sorry but no. Am violently opposed to interviews and publicity.\" Yet during the course of his prolific writing career, the truth is that he submitted to the ordeal on numerous occasions in the United States and abroad. \u003cp\u003e\u003c\/p\u003e Although three earlier volumes were thought to have gathered most of Faulkner's interviews, continued research has turned up many more. Ranging from 1916, when he was a shabbily dressed young Bohemian poet to the last year of his life when he was putting finishing touches on his final novel \u003ci\u003eThe Reivers\u003c\/i\u003e, they are collected here for the first time. Many of these articles and essays provide descriptions of Faulkner, his home, and his daily world. They report not only on the things that he said but on the attitudes and poses he adopted. Some capture him making up tall tales about himself, several of which gained credibility and became a part of the Faulkner mythology. Included too are the interviews from \u003ci\u003eFaulkner at West Point\u003c\/i\u003e. Taken together, this material provides a revealing and lively portrait of a Nobel Prize winner who many believe to be the century's greatest writer.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52633837470063,"sku":"9781578061365","price":229.16,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1578061369.jpg?v=1770147605"},{"product_id":"john-waters","title":"John Waters","description":"\u003cp\u003eAs a film director, artist, and personality, John Waters (b. 1946) has worked at the forefront of American cinema for nearly forty years. Waters began making films in his hometown of Baltimore in 1964. His first shorts such as Hag in a Black Leather Jacket and Mondo Trasho demonstrated an innate talent at capturing the hideous and crude and elevating it to art. His cast of actors, the Dreamlanders, were featured in every subsequent film. The Dreamlanders would include his diva and partner-in-film, Divine, who would go on to star in Waters's most familiar works.\u003c\/p\u003e\u003cp\u003eWaters broke through to national acclaim with his \"trash trio,\" Pink Flamingos (1972), Female Trouble (1974), and Desperate Living (1977). These films showcased poor taste, obscene cinema, and transformative approaches to politics, gender, and art. The films cemented Waters's status as a cult favorite and continue to play at college campuses and art house theaters to this day.\u003c\/p\u003e\u003cp\u003eWaters soon entered the mainstream with Polyester, the first movie filmed in a revolutionary new process: smell-o-vision. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters's commercial breakthrough, Hairspray (1988) told the story of Baltimore's televised sock-hop program, The Corny Collins Show, and how one brave girl (Ricki Lake) used her platform as a dancer to end segregation in her town.\u003c\/p\u003e\u003cp\u003eWaters would continue to write and direct films that pleased the mainstream but also showcased his unique approach to filmmaking. These would include Cry-Baby, Serial Mom, and Pecker. His recent work, such as A Dirty Shame, has veered toward his earlier obsessions with trash and obscenity. As a visual artist, he was given a retrospective at the New Museum of Contemporary Art in 2004 and shown at galleries around the world.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52633843335535,"sku":"9781617031816","price":326.09,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/161703181X.jpg?v=1770146854"},{"product_id":"otto-preminger","title":"Otto Preminger","description":"Otto Preminger (1905-1986), whose Hollywood career spanned the 1930s through the 1970s, is popularly remembered for the acclaimed films he directed, among which are the classic film noir \u003ci\u003eLaura\u003c\/i\u003e, the social-realist melodrama \u003ci\u003eThe Man with the Golden Arm\u003c\/i\u003e, the CinemaScope musical \u003ci\u003eCarmen Jones\u003c\/i\u003e, and the riveting courtroom drama \u003ci\u003eAnatomy of a Murder\u003c\/i\u003e. As a screen actor, he forged an indelible impression as a sadistic Nazi in Billy Wilder's \u003ci\u003eStalag 17\u003c\/i\u003e and as the diabolical Mr. Freeze in television's \u003ci\u003eBatman\u003c\/i\u003e. \u003cp\u003e\u003c\/p\u003eHe is remembered, too, for drastically transforming Hollywood's industrial practices. With \u003ci\u003eExodus\u003c\/i\u003e, Preminger broke the Hollywood blacklist, controversially granting screen credit to Dalton Trumbo, one of the exiled \"Hollywood Ten.\" Preminger, a committed liberal, consistently shattered Hollywood's conventions. He routinely tackled socially progressive yet risqué subject matter, pressing the Production Code's limits of permissibility. He mounted Black-cast musicals at a period of intense racial unrest. And he embraced a string of other taboo topics--heroin addiction, rape, incest, homosexuality--that established his reputation as a trailblazer of adult-centered storytelling, an enemy of Hollywood puritanism, and a crusader against censorship. \u003cp\u003e\u003c\/p\u003e \u003ci\u003eOtto Preminger: Interviews \u003c\/i\u003ecompiles nineteen interviews from across Preminger's career, providing fascinating insights into the methods and mindset of a wildly polarizing filmmaker. With remarkable candor, Preminger discusses his filmmaking practices, his distinctive film style, his battles against censorship and the Hollywood blacklist, his clashes with film critics, and his turbulent relationships with a host of well-known stars, from Marilyn Monroe and Frank Sinatra to Jane Fonda and John Wayne.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52633849626991,"sku":"9781496835192","price":141.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496835190.jpg?v=1770147922"},{"product_id":"transforming-girls","title":"Transforming Girls","description":"\u003ci\u003eTransforming Girls: The Work of Nineteenth-Century Adolescence\u003c\/i\u003e explores the paradox of the nineteenth-century girls' book. On the one hand, early novels for adolescent girls rely on gender binaries and suggest that girls must accommodate and support a patriarchal framework to be happy. On the other, they provide access to imagined worlds in which teens are at the center. The early girls' book frames female adolescence as an opportunity for productive investment in the self. This is a space where mentors who trust themselves, the education they provide, and the girl's essentially good nature neutralize the girl's own anxieties about maturity. \u003cp\u003e\u003c\/p\u003e These mid-nineteenth-century novels focus on female adolescence as a social category in unexpected ways. They draw not on a twentieth-century model of the alienated adolescent, but on a model of collaborative growth. The purpose of these novels is to approach adolescence--a category that continues to engage and perplex us--from another perspective, one in which fluid identity and the deliberate construction of a self are celebrated. They provide alternatives to cultural beliefs about what it was like to be a white, middle-class girl in the nineteenth century and challenge the assumption that the evolution of the girls' book is always a movement towards less sexist, less restrictive images of girls. \u003cp\u003e\u003c\/p\u003eDrawing on forgotten bestsellers in the United States and Germany (where this genre is referred to as \u003ci\u003eBackfischliteratur\u003c\/i\u003e), \u003ci\u003eTransforming Girls \u003c\/i\u003eoffers insightful readings that call scholars to reexamine the history of the girls' book. It also outlines an alternate model for imagining adolescence and supporting adolescent girls. The awkward adolescent girl--so popular in mid-nineteenth-century fiction for girls--remains a valuable resource for understanding contemporary girls and stories about them.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52633853297007,"sku":"9781496836274","price":267.18,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496836278.jpg?v=1770147538"},{"product_id":"reconstructing-southern-rhetoric","title":"Reconstructing Southern Rhetoric","description":"Contributions by Whitney Jordan Adams, Wendy Atkins-Sayre, Jason Edward Black, Patricia G. Davis, Cassidy D. Ellis, Megan Fitzmaurice, Michael L. Forst, Jeremy R. Grossman, Cynthia P. King, Julia M. Medhurst, Ryan Neville-Shepard, Jonathan M. Smith, Ashli Quesinberry Stokes, Dave Tell, and Carolyn Walcott \u003cp\u003e\u003c\/p\u003eSouthern rhetoric is communication's oldest regional study. During its initial invention, the discipline was founded to justify the study of rhetoric in a field of white male scholars analyzing significant speeches by other white men, yielding research that added to myths of Lost Cause ideology and a uniquely oratorical culture. \u003ci\u003eReconstructing Southern Rhetoric \u003c\/i\u003etakes on the much-overdue task of reconstructing the way southern rhetoric has been viewed and critiqued within the communication discipline. The collection reveals that southern rhetoric is fluid and migrates beyond geography, is constructed in weak counterpublic formation against legitimated power, creates a region that is not monolithic, and warrants activism and healing. \u003cp\u003e\u003c\/p\u003eContributors to the volume examine such topics as political campaign strategies, memorial and museum experiences, television and music influences, commemoration protests, and ethnographic experiences in the South. The essays cohesively illustrate southern identity as manifested in various contexts and ways, considering what it means to be a part of a region riddled with slavery, Jim Crow laws, and other expressions of racial and cultural hierarchy. Ultimately, the volume initiates a new conversation, asking what would southern rhetorical critique be like if it included the richness of the southern culture from which it came?","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52633866699119,"sku":"9781496836151","price":261.46,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496836154.jpg?v=1770147872"},{"product_id":"black-panther","title":"Black Panther","description":"\u003ci\u003eBlack Panther\u003c\/i\u003e is one of the most financially successful and culturally impactful films to emerge from the American film industry in recent years. When it was released in 2018 it broke numerous records and resonated with audiences all around the world in ways that transcended the dimensions of the superhero film. In \u003ci\u003eBlack Panther: Interrogating a Cultural Phenomenon \u003c\/i\u003eauthor Terence McSweeney explores the film from a diverse range of perspectives, seeing it not only as a comic book adaptation and a superhero film, but also a dynamic contribution to the discourse of both African and African American studies. \u003cp\u003e\u003c\/p\u003e McSweeney argues that \u003ci\u003eBlack Panther\u003c\/i\u003e is one of the defining American films of the last decade and the most remarkable title in the Marvel Cinematic Universe (2008-). The MCU has become the largest film franchise in the history of the medium and has even shaped the contours of the contemporary blockbuster, but the narratives within it have almost exclusively perpetuated largely unambiguous fantasies of American heroism and exceptionalism. In contrast, \u003ci\u003eBlack Panther\u003c\/i\u003e complicates this by engaging in an entirely different mythos in its portrayal of an African nation--never colonized by Europe--as the most powerful and technologically advanced in the world. McSweeney charts how and why \u003ci\u003eBlack Panther\u003c\/i\u003e became a cultural phenomenon and also a battleground on which a war of meaning was waged at a very particular time in American history.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52633866862959,"sku":"9781496836090","price":131.81,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/149683609X.jpg?v=1770147881"},{"product_id":"films-of-fred-schepisi","title":"Films of Fred Schepisi","description":"Fred Schepisi is one of the crucial names associated with the revival of the Australian film industry in the 1970s. \u003ci\u003eThe Films of Fred Schepisi\u003c\/i\u003e traces the lead-up to his critical successes in feature filmmaking, via his earlier award-winning success as a producer in advertising commercials in the 1960s and the setting up of his own company. Unlike some directors, he derived from this experience a sure sense of the commercial aspects of filmmaking, as well as its aesthetic considerations. The volume also considers stories of his early education in a Catholic seminary, which he drew on in his semiautobiographical film, \u003ci\u003eThe Devil's Playground\u003c\/i\u003e, the success of which launched him as an exciting new feature director. \u003cp\u003e\u003c\/p\u003e The volume expands on Schepisi's success story to chart his development as a director in demand in other countries, notably in the US and the UK, as well as continuing to make major films in Australia. Brian McFarlane argues that Schepisi's career is symptomatic of Australian directors who have made their presences felt on the international stage. Whereas other key directors of the Australian film revival, such as Peter Weir and Bruce Beresford, have been the subject of book-length critical studies, Schepisi's career has not to-date been so explored. McFarlane takes a critical account of Schepisi's film output--including such standouts as \u003ci\u003eThe Chant of Jimmie Blacksmith\u003c\/i\u003e, \u003ci\u003ePlenty\u003c\/i\u003e, \u003ci\u003eRoxanne\u003c\/i\u003e, \u003ci\u003eSix Degrees of Separation\u003c\/i\u003e, \u003ci\u003eMr. Baseball\u003c\/i\u003e, and \u003ci\u003eLast Orders\u003c\/i\u003e--and he augments analysis with interviews with the director. By discussing the production histories and both critical and popular receptions, McFarlane's study shines a new light on Schepisi's work and his rise to prominence in the global film industry.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52633867026799,"sku":"9781496835307","price":269.8,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496835301.jpg?v=1770147909"},{"product_id":"recovered-life-of-isaac-anderson","title":"Recovered Life of Isaac Anderson","description":"Owned by his father, Isaac Harold Anderson (1835-1906) was born a slave but went on to become a wealthy businessman, grocer, politician, publisher, and religious leader in the African American community in the state of Georgia. Elected to the state senate, Anderson replaced his white father there, and later shepherded his people as a founding member and leader of the Colored Methodist Episcopal church. He helped support the establishment of Lane College in Jackson, Tennessee, where he subsequently served as vice president. \u003cp\u003e\u003c\/p\u003e Anderson was instrumental in helping freed people leave Georgia for the security of progressive safe havens with significantly large Black communities in northern Mississippi and Arkansas. Eventually under threat to his life, Anderson made his own exodus to Arkansas, and then later still, to Holly Springs, Mississippi, where a vibrant Black community thrived. \u003cp\u003e\u003c\/p\u003e Much of Anderson's unique story has been lost to history--until now. In \u003ci\u003eThe Recovered Life of Isaac Anderson\u003c\/i\u003e, author Alicia K. Jackson presents a biography of Anderson and in it a microhistory of Black religious life and politics after emancipation. A work of recovery, the volume captures the life of a shepherd to his journeying people, and of a college pioneer, a CME minister, a politician, and a former slave. Gathering together threads from salvaged details of his life, Jackson sheds light on the varied perspectives and strategies adopted by Black leaders dealing with a society that was antithetical to them and to their success.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52633867157871,"sku":"9781496835130","price":228.09,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496835131.jpg?v=1770147917"},{"product_id":"curious-about-george","title":"Curious about George","description":"In 1940, Hans Augusto Rey and Margret Rey built two bikes, packed what they could, and fled wartime Paris. Among the possessions they escaped with was a manuscript that would later become one of the most celebrated books in children's literature--\u003ci\u003eCurious George\u003c\/i\u003e. Since his debut in 1941, the mischievous icon has only grown in popularity. After being captured in Africa by the Man in the Yellow Hat and taken to live in the big city's zoo, Curious George became a symbol of curiosity, adventure, and exploration. In \u003ci\u003eCurious about George: Curious George, Cultural Icons, Colonialism, and US Exceptionalism\u003c\/i\u003e, author Rae Lynn Schwartz-DuPre argues that the beloved character also performs within a narrative of racism, colonialism, and heroism. \u003cp\u003e\u003c\/p\u003e Using theories of colonial and rhetorical studies to explain why cultural icons like Curious George are able to avoid criticism, Schwartz-DuPre investigates the ways these characters operate as capacious figures, embodying and circulating the narratives that construct them, and effectively argues that discourses about George provide a rich training ground for children to learn US citizenship and become innocent supporters of colonial American exceptionalism. By drawing on postcolonial theory, children's criticisms, science and technology studies, and nostalgia, Schwartz-DuPre's critical reading explains the dismissal of the monkey's 1941 abduction from Africa and enslavement in the US, described in the first book, by illuminating two powerful roles he currently holds: essential STEM ambassador at a time when science and technology is central to global competitiveness and as a World War II refugee who offers a \"deficient\" version of the Holocaust while performing model US immigrant. Curious George's twin heroic roles highlight racist science and an Americanized Holocaust narrative. By situating George as a representation of enslaved Africans and Holocaust refugees, \u003ci\u003eCurious about George\u003c\/i\u003e illuminates the danger of con","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52633867288943,"sku":"9781496837349","price":227.02,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496837347.jpg?v=1770150366"},{"product_id":"woody-allen","title":"Woody Allen","description":"In this extended essay, Vittorio Hösle develops a theory of the comical and applies it to interpret both the recurrent personae played by Woody Allen the actor and the philosophical issues addressed by Woody Allen the director in his films. Taking Henri Bergson's analysis of laughter as a starting point, Hösle integrates aspects of other theories of laughter to construct his own more finely-articulated and expanded model. With this theory in hand, Hösle discusses the incongruity in the characters played by Woody Allen and describes how these personae are realized in his work.\n \nHösle focuses on the philosophical issues in Allen's major films by exploring the identity problem in \u003ci\u003ePlay It Again, Sam\u003c\/i\u003e and \u003ci\u003eZelig\u003c\/i\u003e, the shortcomings of the positivist concept of reality in \u003ci\u003eA Midsummer Night's Sex Comedy\u003c\/i\u003e, the relation between reality and art in \u003ci\u003eThe Purple Rose of Cairo\u003c\/i\u003e, the objective validity of morality in \u003ci\u003eCrimes and Misdemeanors\u003c\/i\u003e, the power of evil in \u003ci\u003eShadows and Fog\u003c\/i\u003e, and the relation between art and morality in \u003ci\u003eBullets over Broadway\u003c\/i\u003e. He cites Allen's virtuosic reinterpretation of older forms of expression and his integration of the fantastic into the comic universe-elements like the giant breasts, anxious sperm, extraterrestrials, ghosts, and magicians that populate his movies-as formal moves akin to those of Aristophanes. Both an overview of Allen's work and a philosophical analysis of laughter, Hösle's study demonstrates why Allen's films have more to offer us-morally, philosophically, and artistically-than just a few laughs.\n\n\"In Woody Allen, Vittorio Hösle goes a long way toward explaining everything you wanted to know about Allen but were afraid to ask. Just why exactly is he funny, and why does his humor have a strong appeal for academics? In his comprehensive analysis of Allen's work, Hösle outlines a workable theory of humor, illustrates his conclusions by referring to the films and prose, and points out several philos","brand":"Longleaf Services Univ of Notre Dame du Lac","offers":[{"title":"Default Title","offer_id":52633871090031,"sku":"9780268031046","price":143.19,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0268031045.jpg?v=1770740817"},{"product_id":"jim-jarmusch","title":"Jim Jarmusch","description":"\u003cp\u003ePerhaps the most gifted and invigorating of the American independent film directors of the past two decades, Jim Jarmusch (b. 1953) has presented moviegoers with his uniquely personal vision, from his first feature film, Permanent Vacation (1980), to his latest, Ghost Dog: The Way of the Samurai (1999).\u003c\/p\u003e\u003cp\u003eAs the interviews in this volume reveal, Jarmusch has always been interested in mixing very different cultural ingredients to form something uncategorizably new in films that transcend the boundaries between high and low cultures. Jarmusch half-mockingly described his movie Stranger Than Paradise (1984), the film that first brought him substantial notice, as \"a semi-neorealist black comedy in the style of an imaginary Eastern European film director obsessed with Ozu, and familiar with the 1950s American television show The Honeymooners.\"\u003c\/p\u003e\u003cp\u003eHis unique approach to movie making jump-started the low-budget American independent film movement with Stranger Than Paradise, which won the Camera d'Or for best first feature at the Cannes Film Festival.\u003c\/p\u003e\u003cp\u003eRanging from 1981 to 2000 this collection chronicles the career and sensibility of a thoroughly independent filmmaker. It features one previously unpublished interview, two that have never appeared in English, and another two which are presented in their entirety rather than in the abridged forms in which they were published.\u003c\/p\u003e\u003cp\u003eJarmusch discusses the actors with whom he has worked (Johnny Depp, Forest Whitaker, and Roberto Benigni among them), the progression of his camera and editing techniques, his fascination with the co-existence of disparate and often opposing cultures, and his cult status as an independent movie director. He comes across as kind, modest, and attentive, with a warm sense of humor and an ever-glowing affection for and dedication to his art, and for all the small and marginalized aspects of the world.\u003c\/p\u003e\u003cp\u003eLudvig Hertzberg is a freelance film critic and a doctoral candidate in cinema studies at Stockholm Universit\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52633882952047,"sku":"9781578063796","price":322.26,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1578063795.jpg?v=1770147419"},{"product_id":"joss-whedon","title":"Joss Whedon","description":"\u003cp\u003eNo recent television creator has generated more critical, scholarly, and popular discussion or acquired as devoted a cult following as Joss Whedon (b. 1964). No fewer than thirty books concerned with his work have now been published (a forthcoming volume even offers a book-length bibliography), and ten international conferences on his work have convened in the U.K., the U.S., Australia, and Turkey. Fitting then that this first volume in the University Press of Mississippi's Television Conversations Series is devoted to the writer, director, and showrunner who has delivered Buffy the Vampire Slayer ( WB, 1997-2001; UPN, 2001-3); Angel ( WB, 1999-2004); Firefly (FOX, 2002); Dr. Horrible's Sing-Along Blog (webcast, 2008);and Dollhouse (FOX, 2009-10).\u003c\/p\u003e\u003cp\u003eIf Whedon has shown himself to be a virtuoso screenwriter\/script doctor, director, comic book author, and librettist, he is as well a masterful conversationalist. As a DVD commentator, for example, the consistently hilarious, reliably insightful, frequently moving Whedon has few rivals. In his many interviews he likewise shines. Whether answering a hundred rapid-fire, playful questions from fans on the Internet, fielding serious inquiries about his craft and career from television colleagues, or assessing his disappointments, Whedon seldom fails to provoke laughter and reflection.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52634314834287,"sku":"9781604739244","price":141.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/160473924X.jpg?v=1770149509"},{"product_id":"where-misfits-fit","title":"Where Misfits Fit","description":"All regions and places are unique in their own way, but the Ozarks have an enduring place in American culture. Studying the Ozarks offers the ability to explore American life through the lens of one of the last remaining cultural frontiers in American society. Perhaps because the Ozarks were relatively isolated from mainstream American society, or were at least relegated to the margins of it, their identity and culture are liminal and oftentimes counter to mainstream culture. Whatever the case, looking at the Ozarks offers insights into changing ideas about what it means to be an American and, more specifically, a special type of southerner. \u003cp\u003e\u003c\/p\u003e In \u003ci\u003eWhere Misfits Fit: Counterculture and Influence in the Ozarks\u003c\/i\u003e, Thomas Michael Kersen explores the people who made a home in the Ozarks and the ways they contributed to American popular culture. Drawing on a wide variety of sources, Kersen argues the area attracts and even nurtures people and groups on the margins of the mainstream. These include UFO enthusiasts, cults, musical troupes, and back-to-the-land groups. Kersen examines how the Ozarks became a haven for creative, innovative, even nutty people to express themselves--a place where community could be reimagined in a variety of ways. It is in these communities that \u003ci\u003ecommunitas, \u003c\/i\u003eor a deep social connection, emerges. Each of the nine chapters focuses on a facet of the Ozarks, and Kersen often compares two or more cases to generate new insights and questions. Chapters examine real and imagined identity and highlight how the area has contributed to popular culture through analysis of the Eureka Springs energy vortex, fictional characters like Li'l Abner, cultic activity, environmentally minded communes, and the development of rockabilly music and near-communal rock bands such as Black Oak Arkansas.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52634315751791,"sku":"9781496835437","price":231.3,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496835433.jpg?v=1770149671"},{"product_id":"artistic-activism-of-elombe-brath","title":"Artistic Activism of Elombe Brath","description":"In 1963, at the height of the southern civil rights movement, Cecil Brathwaite (1936-2014), under the pseudonym Cecil Elombe Brath, published a satire of Black leaders entitled \u003ci\u003eColor Us Cullud! The American Negro Leadership Official Coloring Book\u003c\/i\u003e. The book pillories a variety of Black leaders--from political figures like Adam Clayton Powell and Whitney Young to civil rights activists like Martin Luther King, Bayard Rustin, and John Lewis, and even entertainers like Sammy Davis Jr., Lena Horne, and Dick Gregory--critiquing the inauthenticity of movement leaders while urging a more radical approach to Black activism. Despite the strong illustrations and unique commentary presented in the coloring book, it has virtually disappeared from histories of the movement. \u003cp\u003e\u003c\/p\u003e \u003ci\u003eThe Artistic Activism of Elombe Brath\u003c\/i\u003e restores the coloring book and its creator to a place of prominence in the historiography of the Black left. It begins with an analysis of Brath's influences, describing his life and work including his development as a Black nationalist thinker and Black satirist. This volume includes Brath's early works--illustrations for \u003ci\u003eDownBeat\u003c\/i\u003e magazine and \u003ci\u003eBeat Jokes, Bop Humor, \u0026amp; Cool Cartoons\u003c\/i\u003e--as well as the full run of his comic strip \"Congressman Carter and Beat Nick Jackson\" from the New York \u003ci\u003eCitizen-Call\u003c\/i\u003e and a complete edition of \u003ci\u003eColor Us Cullud!\u003c\/i\u003e itself. These illustrations are followed by annotations that frame and contextualize each of the coloring book's entries. The book closes with selections from Brath's art and political thinking via archival material and samples of his written work. Ultimately, this volume captures and restores a unique perspective on the civil rights movement often omitted from the historiography but vital to understanding its full scope.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52634323648879,"sku":"9781496835376","price":292.27,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496835379.jpg?v=1770149661"},{"product_id":"conversations-with-colum-mccann","title":"Conversations with Colum McCann","description":"\u003ci\u003eConversations with Colum McCann\u003c\/i\u003e brings together eighteen interviews with a world-renowned fiction writer. Ranging from his 1994 literary debut, \u003ci\u003eFishing the Sloe-Black River\u003c\/i\u003e, to a previously unpublished interview conducted in 2016, these interviews represent the development as well as the continuation of McCann's interests. The number and length of the later conversations attest to his star-power. \u003ci\u003eLet the Great World Spin\u003c\/i\u003e earned him the National Book Award and promises to become a major motion picture. His most recent novel, \u003ci\u003eTransAtlantic\u003c\/i\u003e, has awed readers with its dynamic yoking of the 1845-46 visit of Frederick Douglass to Ireland, the 1919 first nonstop transatlantic flight of Alcock and Brown, and Senator George Mitchell's 1998 efforts to achieve a peace accord in Northern Ireland. An extensive interview by scholar Cécile Maudet is included here, as is an interview by John Cusatis, who wrote \u003ci\u003eUnderstanding Colum McCann\u003c\/i\u003e, the first extensive critical analysis of McCann's work. \u003cp\u003e\u003c\/p\u003e An author who actually enjoys talking about his work, McCann (b. 1965) offers insights into his method of writing, what he hopes to achieve, as well as the challenge of writing each novel to go beyond his accomplishments in the novel before. Readers will note how many of his responses include stories in which he himself is the object of the humor and how often his remarks reveal insights into his character as a man who sees the grittiness of the urban landscape but never loses faith in the strength of ordinary people and their capacity to prevail.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52634323943791,"sku":"9781496837912","price":144.22,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496837916.jpg?v=1770149679"},{"product_id":"dis-orienting-planets","title":"Dis-Orienting Planets","description":"Contributions by Suparno Banerjee, Cait Coker, Jeshua Enriquez, Joan Gordon, Veronica Hollinger, Malisa Kurtz, Stephanie Li, Bradford Lyau, Uppinder Mehan, Graham J. Murphy, Baryon Tensor Posadas, Amy J. Ransom, Robin Anne Reid, Haerin Shin, Stephen Hong Sohn, Takayuki Tatsumi, and Timothy J. Yamamura \u003cp\u003e\u003c\/p\u003e Isiah Lavender III's \u003ci\u003eDis-Orienting Planets\u003c\/i\u003e amplifies critical issues surrounding the racial and ethnic dimensions of science fiction. This edited volume explores depictions of Asia and Asians in science fiction literature, film, and fandom with particular regard to China, Japan, India, and Korea. \u003cp\u003e\u003c\/p\u003e \u003ci\u003eDis-Orienting Planets\u003c\/i\u003e highlights so-called yellow and brown peoples from the constellation of a historically white genre. The collection launches into political representations of Asian identity in science fiction's imagination, from fear of the Yellow Peril and its racist stereotypes to techno-Orientalism and the remains of a postcolonial heritage. Thus the essays, by contributors such as Takayuki Tatsumi, Veronica Hollinger, Uppinder Mehan, and Stephen Hong Sohn, reconfigure the very study of race in science fiction. \u003cp\u003e\u003c\/p\u003e A follow-up to Lavender's \u003ci\u003eBlack and Brown Planets\u003c\/i\u003e, this collection expands the racial politics governing the renewed visibility of Asia in science fiction. One of the few on this subject, the volume probes Gary Shteyngart's novel \u003ci\u003eSuper Sad True Love Story\u003c\/i\u003e, the acclaimed film \u003ci\u003eCloud Atlas\u003c\/i\u003e, and Guillermo del Toro's monster film \u003ci\u003ePacific Rim\u003c\/i\u003e, among others. \u003ci\u003eDis-Orienting Planets\u003c\/i\u003e embarks on a wide-ranging assessment of Asian representations in science fiction, upon the determination that our visions of the future must include all people of color.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52634330497391,"sku":"9781496837943","price":274.49,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496837940.jpg?v=1770150050"},{"product_id":"maria-w-stewart-and-the-roots-of-black-political-thought","title":"Maria W. Stewart and the Roots of Black Political Thought","description":"\u003ci\u003eMaria W. Stewart and the Roots of Black Political Thought\u003c\/i\u003e tells a crucial, almost-forgotten story of African Americans of early nineteenth-century America. In 1833, Maria W. Stewart (1803-1879) told a gathering at the African Masonic Hall on Boston's Beacon Hill: \"African rights and liberty is a subject that ought to fire the breast of every free man of color in these United States.\" She exhorted her audience to embrace the idea that the founding principles of the nation must extend to people of color. Otherwise, those truths are merely the hypocritical expression of an ungodly white power, a travesty of original democratic ideals. Like her mentor, David Walker, Stewart illustrated the practical inconsistencies of classical liberalism as enacted in the US and delivered a call to action for ending racism and addressing gender discrimination. \u003cp\u003e\u003c\/p\u003eBetween 1831 and 1833, Stewart's \u003ci\u003eintelle\u003c\/i\u003e\u003ci\u003ectual productions, \u003c\/i\u003eas she called them, ranged across topics from true emancipation for African Americans, the Black convention movement, the hypocrisy of white Christianity, Black liberation theology, and gender inequity. Along with Walker's \u003ci\u003eAppeal to the Coloured Citizens of the World\u003c\/i\u003e, her body of work constitutes a significant foundation for a moral and political theory that is finding new resonance today--insurrectionist ethics. \u003cp\u003e\u003c\/p\u003eIn this work of recovery, author Kristin Waters examines the roots of Black political activism in the petition movement; Prince Hall and the creation of the first Black masonic lodges; the Black Baptist movement spearheaded by the brothers Thomas, Benjamin, and Nathaniel Paul; writings; sermons; and the practices of festival days, through the story of this remarkable but largely unheralded woman and pioneering public intellectual.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52634330628463,"sku":"9781496836755","price":262.13,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496836758.jpg?v=1770150059"},{"product_id":"faulkner-and-ideology","title":"Faulkner and Ideology","description":"\u003cp\u003eFaulkner and Ideology\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52634341015919,"sku":"9781617037078","price":306.82,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1617037079.jpg?v=1770150254"},{"product_id":"critical-essays-on-the-writings-of-lillian-smith","title":"Critical Essays on the Writings of Lillian Smith","description":"Contributions by Tanya Long Bennett, David Brauer, Cameron Williams Crawford, Emily Pierce Cummins, April Conley Kilinski, Justin Mellette, and Wendy Kurant Rollins \u003cp\u003e\u003c\/p\u003e As a white woman of means living in segregated Georgia in the first half of the twentieth century, Lillian Smith (1897-1966) surprised readers with stories of mixed-race love affairs, mob attacks on \"outsiders,\" and young female campers exploring their sexuality. \u003cp\u003e\u003c\/p\u003e \u003ci\u003eCritical Essays on the Writings of Lillian Smith\u003c\/i\u003e tracks the evolution of Smith from a young girls' camp director into a courageous artist who could examine controversial topics frankly and critically while preserving a lifelong connection to the north Georgia mountains and people. She did not pull punches in her portrayals of the South and refused to obsess on an idealized past. Smith took seriously the artist's role as she saw it--to lead readers toward a better understanding of themselves and a more fulfilling existence. \u003cp\u003e\u003c\/p\u003e Smith's perspective cut straight to the core of the neurotic behaviors she observed and participated in. To draw readers into her exploration of those behaviors, she created compelling stories, using carefully chosen literary techniques in powerful ways. With words as her medium, she drew maps of her fictionalized southern places, revealing literally and metaphorically society's disfunctions. Through carefully crafted points of view, she offers readers an intimate glimpse into her own childhood as well as the psychological traumas that all southerners experience and help to perpetuate. \u003cp\u003e\u003c\/p\u003e Comprised of seven essays by contemporary Smith scholars, this volume explores these fascinating aspects of Smith's writings in an attempt to fill in the picture of this charismatic figure, whose work not only was influential in her time but also is profoundly relevant to ours.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52634344391023,"sku":"9781496836854","price":226.61,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496836855.jpg?v=1770150318"},{"product_id":"taking-a-stand","title":"Taking a Stand","description":"Contributions by Jared N. Champion, Miriam M. Chirico, Thomas Clark, David R. Dewberry, Christopher J. 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Stand-up comedians deploy humor to open up difficult topics for broader examination, which only underscores the social and cultural importance of their work. \u003cp\u003e\u003c\/p\u003e \u003ci\u003eTaking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals \u003c\/i\u003edraws together essays that contribute to the analysis of the stand-up comedian as public intellectual since the 1980s. The chapters explore stand-up comedians as contributors to and shapers of public discourse via their live performances, podcasts, social media presence, and political activism. \u003cp\u003e\u003c\/p\u003e Each chapter highlights a stand-up comedian and their ongoing discussion of a cultural issue or expression of a political ideology\/standpoint: Lisa Lampanelli's use of problematic postracial humor, Aziz Ansari's merging of sociology and technology, or Maria Bamford's emphasis on mental health, to name just a few. \u003ci\u003eTaking a Stand\u003c\/i\u003e offers a starting point for understanding the work stand-up comedians do as well as its reach beyond the stage. Comedians influence discourse, perspectives, even public policy on myriad issues, and this book sets out to take those jokes seriously.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52634346094959,"sku":"9781496835499","price":276.36,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496835492.jpg?v=1770150359"},{"product_id":"drum-is-a-wild-woman","title":"Drum Is a Wild Woman","description":"In 1957, Duke Ellington released the influential album \u003ci\u003eA Drum Is a Woman\u003c\/i\u003e. This musical allegory revealed the implicit truth about the role of women in jazz discourse--jilted by the musician and replaced by the drum. Further, the album's cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. \u003cp\u003e\u003c\/p\u003e\u003ci\u003e The Drum Is a Wild Woman: Jazz and Gender in African Diaspora Literature\u003c\/i\u003e challenges that image but also defines a counter-tradition within women's writing that involves the reinvention and reclamation of a modern jazz discourse. Despite their alienation from bebop, women have found jazz music empowering and have demonstrated this power in various ways. \u003ci\u003eThe Drum Is a Wild Woman\u003c\/i\u003e explores the complex relationship between women and jazz music in recent African diasporic literature. The book examines how women writers from the African diaspora have challenged and revised major tropes and concerns of jazz literature since the bebop era in the mid-1940s. Black women writers create dissonant sounds that broaden our understanding of jazz literature. By underscoring the extent to which gender is already embedded in jazz discourse, author Patricia G. Lespinasse responds to and corrects narratives that tell the story of jazz through a male-centered lens. She concentrates on how the Wild Woman, the female vocalist in classic blues, used blues and jazz to push the boundaries of Black womanhood outside of the confines of respectability. In texts that refer to jazz in form or content, the Wild Woman constitutes a figure of resistance who uses language, image, and improvisation to refashion herself from object to subject. \u003cp\u003e\u003c\/p\u003e This book breaks new ground by comparing the politics of","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52634377945455,"sku":"9781496836021","price":265.92,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496836022.jpg?v=1770151255"},{"product_id":"performing-racial-uplift","title":"Performing Racial Uplift","description":"In \u003ci\u003ePerforming Racial Uplift: E. Azalia Hackley and African American Activism in the Postbellum to Pre-Harlem Era\u003c\/i\u003e, Juanita Karpf rediscovers the career of Black activist E. Azalia Hackley (1867-1922), a concert artist, nationally famous music teacher, and charismatic lecturer. Growing up in Black Detroit, she began touring as a pianist and soprano soloist while only in her teens. By the late 1910s, she had toured coast-to-coast, earning glowing reviews. Her concert repertoire consisted of an innovative blend of spirituals, popular ballads, virtuosic showstoppers, and classical pieces. She also taught music while on tour and visited several hundred Black schools, churches, and communities during her career. She traveled overseas and, in London and Paris, studied singing with William Shakespeare and Jean de Reszke--two of the classical music world's most renowned teachers. \u003cp\u003e\u003c\/p\u003e Her acceptance into these famous studios confirmed her extraordinary musicianship, a \"first\" for an African American singer. She founded the Normal Vocal Institute in Chicago, the first music school founded by a Black performer to offer teacher training to aspiring African American musicians. \u003cp\u003e\u003c\/p\u003e Hackley's activist philosophy was unique. Unlike most activists of her era, she did not align herself unequivocally with either Booker T. Washington or W. E. B. Du Bois. Instead, she created her own mediatory philosophical approach. To carry out her agenda, she harnessed such strategies as giving music lessons to large audiences and delivering lectures on the ecumenical religious movement known as New Thought. In this book, Karpf reclaims Hackley's legacy and details the talent, energy, determination, and unprecedented worldview she brought to the cause of racial uplift.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52634378404207,"sku":"9781496836793","price":270.21,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496836790.jpg?v=1770151263"},{"product_id":"conversations-with-dave-eggers","title":"Conversations with Dave Eggers","description":"It's been barely twenty years since Dave Eggers (b. 1970) burst onto the American literary scene with the publication of his memoir, \u003ci\u003eA Heartbreaking Work of Staggering Genius\u003c\/i\u003e. In that time, he has gone on to publish several books of fiction, a few more books of nonfiction, a dozen books for children, and many harder-to-classify works. In addition to his authorship, Eggers has established himself as an influential publisher, editor, and designer. He has also founded a publishing company, McSweeney's; two magazines, \u003ci\u003eMight \u003c\/i\u003eand\u003ci\u003e McSweeney's Quarterly Concern\u003c\/i\u003e; and several nonprofit organizations. This whirlwind of productivity, within publishing and beyond, gives Eggers a unique standing among American writers: jack of all trades, master of same. \u003cp\u003e\u003c\/p\u003eThe interviews contained in \u003ci\u003eConversations with Dave Eggers \u003c\/i\u003esuggest the range of Eggers's pursuits--a range that is reflected in the variety of the interviews themselves. In addition to the expected interviews with major publications, Eggers engages here with obscure magazines and blogs, trade publications, international publications, student publications, and children from a mentoring program run by one of his nonprofits. To read the interviews in sequence is to witness Eggers's rapid evolution. The cultural hysteria around Eggers's memoir and his complicated relationship with celebrity are clear in many of the earlier interviews. From there, as the buzz around him mellows, Eggers responds in kind, allowing writing and his other endeavors to come to the fore of his conversations. 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These designations in media can have far-reaching repercussions in shaping not only language, but also cognitive activity and behavior. The meaning attached to biological, numerical age--even the mere fact that we calculate a numerical age at all--is culturally determined, as is the way people \"act their age.\" \u003cp\u003e\u003c\/p\u003e With populations aging all around the world, awareness of intergenerational relationships and associations surrounding old age is becoming urgent. \u003ci\u003eConnecting Childhood and Old Age in Popular Media\u003c\/i\u003e caters to this urgency and contributes to age literacy by supplying insights into the connection between childhood and senescence to show that people are aged by culture. \u003cp\u003e\u003c\/p\u003e Treating classic stories like the Brothers Grimm's fairy tales and \u003ci\u003eHeidi\u003c\/i\u003e; pop culture hits like \u003ci\u003eThe Simpsons\u003c\/i\u003e and \u003ci\u003eMad Men\u003c\/i\u003e; and international productions, such as Turkish television cartoons and South Korean films, contributors explore the recurrent idea that \"children are like old people,\" as well as other relationships between children and elderly characters as constructed in literature and media from the mid-nineteenth century to the present. 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I am proud of your paper.\"\u003c\/p\u003e\u003cp\u003eWeaver's story, though, like many of the contributions of early black literature outside of the urban Northeast, has almost vanished. Unexpected Places: Relocating Nineteenth- Century African American Literature recovers the work of early African American authors and editors such as Weaver who have been left off maps drawn by historians and literary critics. Individual chapters restore to consideration black literary locations in antebellum St. Louis, antebellum Indiana, Reconstruction-era San Francisco, and several sites tied to the Philadelphia-based Recorder during and after the Civil War.\u003c\/p\u003e\u003cp\u003eIn conversation with both archival sources and contemporary scholarship, Unexpected Places calls for a large-scale rethinking of the nineteenth-century African American literary landscape. 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The folk artist followed a musical tradition in danger of dying out. The Swede Sven Scholander was the last European proponent of minstrelsy and served as Dyer-Bennet's inspiration after the young singer traveled to Stockholm to meet him one year before Scholander's death.\u003c\/p\u003e\u003cp\u003eDyer-Bennet's achievements were many. Nine years after his meeting with Scholander, he became the first solo performer of his kind to appear in Carnegie Hall. This book argues Dyer- Bennet helped pave the way for the folk boom of the mid-1950s and early 1960s, finding his influence in the work of Joan Baez, Judy Collins, and many others. It also posits strong evidence that Dyer-Bennet would certainly be much better known today had his career not been interrupted midstream by the anticommunist, Red-scare blacklist and its ban on his performances.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52635664023919,"sku":"9781617032059","price":267.0,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1617032050.jpg?v=1770210777"},{"product_id":"sitting-in-darkness","title":"Sitting in Darkness","description":"\u003cp\u003eSitting in Darkness explores how fiction of the Reconstruction and the New South intervenes in debates over black schools, citizen-building, Jim Crow discrimination, and U.S. foreign policy towards its territories and dependencies. The author urges a reexamination not only of the contents and formal innovations of New South literature but also its importance in U.S. literary history.\u003c\/p\u003e\u003cp\u003eMany rarely studied fiction authors (such as Ellwood Griest, Ellen Ingraham, George Marion McClellan, and Walter Hines Page) receive generous attention here, and well-known figures such as Albion Tourgée, Frances E. W. Harper, Sutton Griggs, George Washington Cable, Mark Twain, Thomas Dixon, Owen Wister, and W. E. B. Du Bois are illuminated in significant new ways. The book's readings seek to synthesize developments in literary and cultural studies, ranging through New Criticism, New Historicism, postcolonial studies, black studies, and \"whiteness\" studies.\u003c\/p\u003e\u003cp\u003eThis volume posits and answers significant questions. In what ways did the \"uplift\" projects of Reconstruction-their ideals and their contradictions-affect U.S. colonial policies in the new territories after 1898? How can fiction that treated these historical changes help us understand them? What relevance does this period have for us in the present, during a moment of great literary innovation and strong debate over how well the most powerful country in the world uses its resources?\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52635664187759,"sku":"9781617032073","price":273.78,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1617032077.jpg?v=1770210812"},{"product_id":"recess-battles","title":"Recess Battles","description":"\u003cp\u003eAs children wrestle with culture through their games, recess itself has become a battleground for the control of children's time. Based on dozens of interviews and the observation of over a thousand children in a racially integrated, working-class public school, Recess Battles is a moving reflection of urban childhood at the turn of the millennium. The book debunks myths about recess violence and challenges the notion that schoolyard play is a waste of time. The author videotaped and recorded children of the Mill School in Philadelphia from 1991 to 2004 and asked them to offer comments as they watched themselves at play. These sessions raise questions about adult power and the changing frames of class, race, ethnicity, and gender. The grownups' clear misunderstanding of the complexity of children's play is contrasted with the richness of the children's folk traditions.\u003c\/p\u003e\u003cp\u003eRecess Battles is an ethnographic study of lighthearted games, a celebratory presentation of children's folklore and its conflicts, and a philosophical text concerning the ironies of everyday childhood. Rooted in video micro-ethnography and the traditions of theorists such as Bourdieu, Willis, and Bateson, Recess Battles is written for a lay audience with extensive academic footnotes. Folklorist Brian Sutton-Smith contributes a foreword, and the children themselves illustrate the text with black and white paintings.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52635664253295,"sku":"9781617032042","price":310.31,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1617032042.jpg?v=1770210819"},{"product_id":"brian-de-palma","title":"Brian de Palma","description":"\u003cp\u003e\"My view of the world is ironic, bitter, acid but basically funny, too. I'm a real gallows humorist. 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De Palma sought the refuge of Alfred Hitchcock until the late 1970s (Sisters, Obsession), when his surreal approach to horror became a genre unto itself (Carrie, The Fury, Dressed to Kill). Ironically, just as De Palma achieved the success that his fellow Movie Brats George Lucas, Martin Scorsese, and Steven Spielberg had enjoyed since the mid-1970s, he could not hide his resentment toward Hollywood. After battling with the MPAA in the 1980s, he gradually became part of the mainstream with the success of The Untouchables and Mission: Impossible, although he never suppressed his desire to make audiences aware of his camera-eye and his dark, penetrating worldview.\u003c\/p\u003e\u003cp\u003eBrian De Palma: Interviews follows De Palma's fortunes as he makes the difficult transition from underground filmmaker to celebrity auteur. In profiles and q\u0026amp;a interviews, he emerges as a fascinating figure of excess and ambivalence. De Palma is not afraid to share his opinions about censorship, violence, feminism, American culture, and the fate of cinema in the twenty-first century.\u003c\/p\u003e\u003cp\u003eLaurence F. Knapp, an instructor of film studies at Northwestern University, is the author of Directed\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52635665236335,"sku":"9781578065165","price":270.39,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/157806516X.jpg?v=1770211024"},{"product_id":"absalom-absalom","title":"Absalom, Absalom!","description":"\u003cp\u003eFor teachers and students, a guide to understanding one of Faulkner's masterpieces\u003c\/p\u003e\u003cp\u003eAbsalom, Absalom! has long been regarded as one of William Faulkner's most\u003c\/p\u003e\u003cp\u003edifficult, dense, and multilayered novels. It is, on one level, the story of Thomas Sutpen, an enigmatic stranger who came to Jefferson in the early 1830s to wrest his mansion out of the muddy bottoms of the north Mississippi wilderness. He was a man, Faulkner said, \"who wanted sons and the sons destroyed him.\" On another level, the book narrates the tragedy that befalls the entire Sutpen family and that tragedy's legacy that continues well into the twentieth century and beyond. The novel's intricate, demanding prose style and its haunting dramatization of the South's intricate history make it a masterpiece of twentieth-century American literature.\u003c\/p\u003e\u003cp\u003eReading Faulkner: Absalom, Absalom! offers a close examination and interpretation of the novel. Here difficult words and cultural terms that might prove to be a problem for general readers are explained and keyed to page numbers in the definitive Faulkner text (Library of America and Vintage editions). The authors place Faulkner's novel in its historical context, while also connecting it to his other works.\u003c\/p\u003e\u003cp\u003eJoseph R. Urgo is dean of faculty at Hamilton College. With Ann J. Abadie,\u003c\/p\u003e\u003cp\u003ehe has co-edited several books in the Faulkner and Yoknapatawpha Series, all available from University Press of Mississippi. Noel Polk is professor emeritus of English at Mississippi State University and editor of The Mississippi Quarterly. He is the author, most recently, of Faulkner and Welty and the Southern Literary Tradition (University Press of Mississippi). 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Thrilled by the danger, the immediacy, and the virtuosity of improv-comedy, spectators laugh and cheer.\u003c\/p\u003e\u003cp\u003eAmerican improv-comedy burst onto the scene in the 1950s with Chicago's the Compass Players (best known for the brilliant comedy duo Mike Nichols and Elaine May) and the Second City, which launched the careers of many popular comedians, including Gilda Radner, John Belushi, and Mike Myers. Chicago continues to be a mecca for young performers who travel from faraway places to study improv. At the same time, the techniques of Chicago improv have infiltrated classrooms, workshops, rehearsals, and comedy clubs across North and South America, Europe, Australia, and Japan. Improv's influence is increasingly evident in contemporary films and in interactive entertainment on the internet.\u003c\/p\u003e\u003cp\u003eDrawing on the experiences of working improvisers, Whose Improv Is It Anyway? provides a never-before-published account of developments beyond Second City's mainstream approach to the genre. This fascinating history chronicles the origins of \"the Harold,\" a sophisticated new \"long-form\" style of improv developed in the '80s at ImprovOlympic, and details the importance and pitfalls of ComedySports. Here also is a backstage glimpse at the Annoyance Theatre, best known on the national scene for its production of The Real Live Brady Bunch. Readers will get the scoop on the recent work of players who, feeling excluded by early improv's \"white guys in ties,\" created such independent groups as the Free Associates and the African American troupe Oui Be Negroes.\u003c\/p\u003e\u003cp\u003eThere is far more to the art of improv than may be suggested by the sketches on Saturday\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52635666481519,"sku":"9781578063413","price":317.68,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1578063418.jpg?v=1770211258"},{"product_id":"guiltless-pleasures","title":"Guiltless Pleasures","description":"\u003cp\u003eDavid Sterritt, film critic for the Christian Science Monitor and professor of film at Long Island University, is one of the most astute, acclaimed, and thought-provoking critics in America. Sterritt's sharp eye for telling detail and deep understanding of cinema and its history make his work appealing to scholars and lay audiences.\u003c\/p\u003e\u003cp\u003eGuiltless Pleasures: A David Sterritt Film Reader collects his most incisive essays from 1970 to the present. The collection emphasizes films and filmmakers that are often overlooked or undervalued because they stray from ordinary norms of commercial cinema. While focusing on such rewarding challenges as the avant-garde masterpieces of Stan Brakhage, the unsettling videos of Robert Wilson, and the violent, disturbing films of Gaspar Noé, Sterritt writes equally well and insightfully on mainstream Hollywood films.\u003c\/p\u003e\u003cp\u003eAt a time when admitting to \"guilty pleasures\" has become a common pastime among serious moviegoers, Sterritt argues that there's no reason to feel guilty about the alchemy of cinema. After all, he maintains, the inner journeys we take by means of movies and other cultural works are a large part of what makes life worth living.\u003c\/p\u003e\u003cp\u003eDavid Sterritt is chairman of the National Society of Film Critics. He is the author of Screening the Beats: Media Culture and the Beat Sensibility, The Films of Jean-Luc Godard, and Mad to Be Saved: The Beats, the '50s, and Film, and his work has appeared in the New York Times, the Chronicle of Higher Education, Film Comment, and Cineaste. 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The slaves then emigrated to their new home, where they battled the local tribes and built vast plantations with Greek Revival-style mansions in a region the Americo-Africans renamed \"Mississippi in Africa.\" In the late twentieth century, the seeds of resentment sown over a century of cultural conflict between the colonists and tribal people exploded, begetting two decades of civil war that ended in 2003. Tracking down Prospect Hill's living descendants, deciphering a history ruled by rumor, and delivering the complete chronicle in riveting prose, journalist Alan Huffman has rescued a lost chapter of American history whose aftermath is far from over.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52635668414831,"sku":"9781604737530","price":220.15,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1604737530.jpg?v=1770211560"},{"product_id":"caribbean-visionary","title":"Caribbean Visionary","description":"\u003cp\u003eCaribbean Visionary: A. R. F. Webber and the Making of the Guyanese Nation traces the life of Albert Raymond Forbes Webber (1880-1932), a distinguished Caribbean scholar, statesman, legislator, and novelist. Using Webber as a lens, the book outlines the Guyanese struggle for justice and equality in an age of colonialism, imperialism, and indentureship. In this fascinating work, Selwyn R. Cudjoe examines Webber's emergence from the interior of Guyana to become a major presence in Caribbean politics.\u003c\/p\u003e\u003cp\u003eCaribbean Visionary examines Webber's insightful novel, Those That Be in Bondage, his travel writings, and his poetry. The book chronicles his formation of the West Indian Press Association, his work on British Guiana's constitution, and his championing of its people's causes. Cudjoe studies Webber's work with the British Guiana Labour Union to improve the conditions of the Guyanese working people and Webber's authorship of the Centenary History and Handbook of British Guiana.\u003c\/p\u003e\u003cp\u003eAn important addition to Caribbean intellectual history, Caribbean Visionary is an indispensable work for scholars interested in the region's literature, political science, and economic thought. It is also an invaluable resource for those who wish to understand the genesis of contemporary Guyana and the English-speaking Caribbean.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52635669135727,"sku":"9781617031977","price":318.3,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1617031976.jpg?v=1770211747"},{"product_id":"on-the-ground","title":"On the Ground","description":"\u003cp\u003eEssays by Reynaldo Anderson, Orissa Arend, Omari Dyson, Bruce Fehn, Robert Jefferson, Judson L. Jeffries, Charles E. Jones, Ryan Nissim-Sabat, Joel P. Rhodes, and Jeffrey Zane\u003c\/p\u003e\u003cp\u003eThe Black Panther Party suffers from a distorted image largely framed by television and print media, including the Panthers' own newspaper. These sources frequently reduced the entire organization to the Bay Area where the Panthers were founded, emphasizing the Panthers' militant rhetoric and actions rather than their community survival programs. This image, however, does not mesh with reality.\u003c\/p\u003e\u003cp\u003eThe Panthers worked tirelessly at improving the life chances of the downtrodden regardless of race, gender, creed, or sexual orientation. In order to chronicle the rich history of the Black Panther Party, this anthology examines local Panther activities throughout the United States--in Seattle, Washington; Kansas City, Missouri; New Orleans, Louisiana; Houston, Texas; Des Moines, Iowa; and Detroit, Michigan.\u003c\/p\u003e\u003cp\u003eThis approach features the voices of people who served on the ground--those who kept the offices in order, prepared breakfasts for school children, administered sickle cell anemia tests, set up health clinics, and launched free clothing drives. The essays shed new light on the Black Panther Party, re-evaluating its legacy in American cultural and political history. 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This migration of approximately five million people helped improve the financial prospects of black Americans, who, in the next generation, moved increasingly into the middle class.\u003c\/p\u003e\u003cp\u003eOver seven years, Lisa Krissoff Boehm gathered oral histories with women migrants and their children, two groups largely overlooked in the story of this event. She also utilized existing oral histories with migrants and southerners in leading archives. In extended excerpts from the oral histories, and in thoughtful scholarly analysis of the voices, this book offers a unique window into African American women's history.\u003c\/p\u003e\u003cp\u003eThese rich oral histories reveal much that is surprising. Although the Jim Crow South presented persistent dangers, the women retained warm memories of southern childhoods. Notwithstanding the burgeoning war industry, most women found themselves left out of industrial work. The North offered its own institutionalized racism; the region was not the promised land. Additionally, these African American women juggled work and family long before such battles became a staple of mainstream discussion. In the face of challenges, the women who share their tales here crafted lives of great meaning from the limited options available, making a way out of no way.\u003c\/p\u003e\u003cp\u003eLisa Krissoff Boehm is associate professor of urban studies and director of the Commonwealth Honors Program at Worcester State College. 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Among them were some of Hollywood's most enduring works -- Hud, Hombre, The Spy Who Came in from the Cold, The Molly Maguires, The Front, and Norma Rae.\u003c\/p\u003e\u003cp\u003eIn addition to displaying a passionate commitment to social issues, Ritt's body of work represents a sustained exploration of the American myth and American national character. This study of his films shows how his work articulates the communal, agrarian ideal and its perversion as industrialism and urbanism have denatured the landscape.\u003c\/p\u003e\u003cp\u003eEncompassing a hundred years of American life, these films follow the common man through the chronology of social history, including the arrival of the railroads in the West, coal mining in nineteenth-century Pennsylvania, Jack Johnson's rise as the first black heavyweight champion of the boxing world, the television blacklist, spying and the Cold War, trade unions, and the war in Vietnam. The subjects he treats project a cultural framework for examining what America means as a nation and as an experience.\u003c\/p\u003e\u003cp\u003eThe sixties was the decade of Ritt's most sustained achievement. This period culminated in his masterpiece, The Molly Maguires, perhaps the finest film ever made on the subject of American labor. In the first detailed analysis of this great realistic film The Films of Martin Ritt: Fanfare for the Common Man shows that its greatness lies in Ritt's complex interweaving of love and friendship, the labor struggle, the story of the immigrant dream, and the ideal of upward mobility.\u003c\/p\u003e\u003cp\u003eThe book includes analyses of all twenty-six films, including such early works as Edge of the City and The Long Hot Summer, as well as such later successes as Norma Rae, Sounder, and Murphy's Romance. 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In her fiction, Pollard discusses the gender gaps in employment and the demands of marriage and the special contributions of women to family and community. \u003cp\u003e\u003c\/p\u003e Many scholars have also explored the significance of spirit in Brodber's work, including the topics of \"spirit theft,\" \"spirit possession,\" and spirits existing through time, from Africa to the present. Brodber's narratives also show communication between the living and the dead, from \u003ci\u003eJane and Louisa\u003c\/i\u003e (1980) to \u003ci\u003eNothing's Mat\u003c\/i\u003e (2014). Yet, few scholars have examined Brodber's work on par with her sister's writing. 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Demographic projections make it easy now to imagine a future majority population of color in the United States. \u003ci\u003eMinority Relations: Intergroup Conflict and Cooperation\u003c\/i\u003e sets forth some of the issues involved in the interplay among members of various racial, ethnic, and sexual minorities. \u003cp\u003e\u003c\/p\u003e Robert S. Chang initiated the Intergroup Conflict and Cooperation Project and invited historian Greg Robinson to collaborate. The two brought together scholars from different backgrounds and disciplines to engage a set of interrelated questions confronting groups generally considered minorities. \u003cp\u003e\u003c\/p\u003e This collection strives to stimulate further thinking and writing by social scientists, legal scholars, and policymakers on inter-minority connections. Particularly, scholars test the limits of intergroup cooperation and coalition building. For marginalized groups, coalition building seems to offer a pathway to addressing economic discrimination and reaching some measure of justice with regard to opportunities. The need for coalitions also acknowledges a democratic process in which racialized groups face significant difficulty gaining real political power, despite such legislation as the Voting Rights Act.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52635685388655,"sku":"9781496837950","price":302.48,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496837959.jpg?v=1770213457"},{"product_id":"drawing-the-past-volume-2","title":"Drawing the Past, Volume 2","description":"Contributions by Dorian L. Alexander, Chris Bishop, David Budgen, Lewis Call, Lillian Céspedes González, Dominic Davies, Sean Eedy, Adam Fotos, Michael Goodrum, Simon Gough, David Hitchcock, Robert Hutton, Iain A. MacInnes, Malgorzata Olsza, Philip Smith, Edward Still, and Jing Zhang \u003cp\u003e\u003c\/p\u003e In \u003ci\u003eDrawing the Past, Volume 2: Comics and the Historical Imagination in the World\u003c\/i\u003e, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of imagination, reality, and manipulation. Through a close analysis of such works as \u003ci\u003eV for Vendetta\u003c\/i\u003e, \u003ci\u003eMaus\u003c\/i\u003e, and \u003ci\u003ePersepolis\u003c\/i\u003e, this volume contends that comics are a form of mediation between sources (both primary and secondary) and the reader. Historical comics are not drawn from memory but offer a nonliteral interpretation of an object (re)constructed in the creator's mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to aid in our understanding of the past and, through that understanding, shape ourselves and our futures. \u003cp\u003e\u003c\/p\u003e This volume, the second in a two-volume series, is divided into three sections: History and Form, Historical Trauma, and Mythic Histories. The first section considers the relationship between history and the comic book form. The second section engages academic scholarship on comics that has recurring interest in the representation of war and trauma. The final section looks at mythic histories that consciously play with events that did not occur but nonetheless inflect our understanding of history. Contributors to the volume also explore questions of diversity and relationality, addressing differences between nations and the cultural, historical, and economic threads that bind them together, however loosely, and however much those bonds might chafe. \u003cp\u003e\u003c\/p\u003eTogether, both volumes bring together a range of different approaches to diverse material and feat","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52635694334319,"sku":"9781496837226","price":303.87,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496837223.jpg?v=1770214350"},{"product_id":"black-man-in-the-netherlands","title":"Black Man in the Netherlands","description":"Francio Guadeloupe has lived in both the Dutch Antilles and the Netherlands. An anthropologist by vocation, he is a keen observer by honed habit. In his new book, he wields both personal and anthropological observations. Simultaneously memoir and astute exploration, \u003ci\u003eBlack Man in the Netherlands\u003c\/i\u003e charts Guadeloupe's coming of age and adulthood in a Dutch world and movingly makes a global contribution to the understanding of anti-Black racism. \u003cp\u003e\u003c\/p\u003e Guadeloupe identifies the intersections among urban popular culture, racism, and multiculturalism in youth culture in the Netherlands and the wider Dutch Kingdom. He probes the degrees to which traditional ethnic division collapses before a rising Dutch polyethnicity. What comes to light, given the ethnic multiplicity that Afro-Antilleans live, is their extraordinarily successful work in forging an anti-racist Dutch identity via urban popular culture. This alternative way of being Dutch welcomes the Black experience as global and increasingly local Black artists find fame and even idolization. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eBlack Man in the Netherlands \u003c\/i\u003eis a vivid extension of renowned critical race studies by such Marxist theorists as Achille Mbembe, Paul Gilroy, Stuart Hall, and C. L. R. James, and it bears a palpable connection to such Black Atlantic artists as Peter Tosh, Juan Luis Guerra, and KRS-One. Guadeloupe explores the complexities of Black life in the Netherlands and shows that within their means, Afro-Antilleans often effectively contest Dutch racism in civic and work life.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52635694367087,"sku":"9781496837011","price":310.99,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496837010.jpg?v=1770214380"},{"product_id":"the-berimbau","title":"The Berimbau","description":"\u003cp\u003eThe Brazilian berimbau, a musical bow, is most commonly associated with the energetic martial art\/dance\/game of capoeira. This study explores the berimbau's stature from the 1950s to the present in diverse musical genres including bossa nova, samba-reggae, MPB (Popular Brazilian Music), electronic dance music, Brazilian art music, and more. Berimbau music spans oral and recorded historical traditions, connects Latin America to Africa, juxtaposes the sacred and profane, and unites nationally constructed notions of Brazilian identity across seemingly impenetrable barriers.\u003c\/p\u003e\u003cp\u003eThe Berimbau: Soul of Brazilian Music is the first work that considers the berimbau beyond the context of capoeira, and explores the bow's emergence as a national symbol. Throughout, this book engages and analyzes intersections of musical traditions in the Black Atlantic, North American popular music, and the rise of global jazz. This book is an accessible introduction to Brazilian music for musicians, Latin American scholars, capoeira practitioners, and other people who are interested in Brazil's music and culture.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52635703214447,"sku":"9781617031953","price":312.68,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/161703195X.jpg?v=1770215276"},{"product_id":"calling-out-liberty","title":"Calling Out Liberty","description":"\u003cp\u003eOn Sunday, September 9, 1739, twenty Kongolese slaves armed themselves by breaking into a storehouse near the Stono River south of Charleston, South Carolina. They killed twenty-three white colonists, joined forces with other slaves, and marched toward Spanish Florida. There they expected to find freedom. One report claims the rebels were overheard shouting, \"Liberty!\" Before the day ended, however, the rebellion was crushed, and afterwards many surviving rebels were executed. South Carolina rapidly responded with a comprehensive slave code. The Negro Act reinforced white power through laws meant to control the ability of slaves to communicate and congregate. It was an important model for many slaveholding colonies and states, and its tenets greatly inhibited African American access to the public sphere for years to come.\u003c\/p\u003e\u003cp\u003eThe Stono Rebellion serves as a touchstone for Calling Out Liberty, an exploration of human rights in early America. Expanding upon historical analyses of this rebellion, Jack Shuler suggests a relationship between the Stono rebels and human rights discourse in early American literature. Though human rights scholars and policy makers usually offer the European Enlightenment as the source of contemporary ideas about human rights, this book repositions the sources of these important and often challenged American ideals.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52635703247215,"sku":"9781617031960","price":311.61,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1617031968.jpg?v=1770215274"},{"product_id":"big-band-jazz-in-black-west-virginia-1930-1942","title":"Big Band Jazz in Black West Virginia, 1930 1942","description":"\u003cp\u003eA study of how jazz greats dazzled and enlivened coal towns during the Great Depression\u003c\/p\u003e\u003cp\u003eThe coal fields of West Virginia would seem an unlikely market for big band jazz during the Great Depression. That a prosperous African American audience dominated by those involved with the coal industry was there for jazz tours would seem equally improbable. Big Band Jazz in Black West Virginia, 1930-1942 shows that, contrary to expectations, black Mountaineers flocked to dances by the hundreds, in many instances traveling considerable distances to hear bands led by Count Basie, Duke Ellington, Andy Kirk, Jimmie Lunceford, and Chick Webb, among numerous others. Indeed, as one musician who toured the state would recall, \"All the bands were goin' to West Virginia.\"\u003c\/p\u003e\u003cp\u003eThe comparative prosperity of the coal miners, thanks to New Deal industrial policies, was what attracted the bands to the state. This study discusses that prosperity as well as the larger political environment that provided black Mountaineers with a degree of autonomy not experienced further south. Author Christopher Wilkinson demonstrates the importance of radio and the black press both in introducing this music and in keeping black West Virginians up to date with its latest developments. The book explores connections between local entrepreneurs who staged the dances and the national management of the bands that played those engagements. In analyzing black audiences' aesthetic preferences, the author reveals that many black West Virginians preferred dancing to a variety of music, not just jazz. Finally, the book shows bands now associated almost exclusively with jazz were more than willing to satisfy those audience preferences with arrangements in other styles of dance music.\u003c\/p\u003e\u003cp\u003eChristopher Wilkinson, Morgantown, West Virginia, is professor of music history at West Virginia University. He is the author of Jazz on the Road: Don Albert's Musical Life. His journal articles have appeared in American Music, Black Music Re\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52635706032495,"sku":"9781617038228","price":309.74,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1617038229.jpg?v=1770215639"},{"product_id":"transatlantic-history-of-haitian-vodou","title":"Transatlantic History of Haitian Vodou","description":"Connecting four centuries of political, social, and religious history with fieldwork and language documentation, \u003ci\u003eA Transatlantic History of Haitian Vodou\u003c\/i\u003e analyzes Haitian Vodou's African origins, transmission to Saint-Domingue, and promulgation through song in contemporary Haiti. \u003cp\u003e\u003c\/p\u003eSplit into two sections, the African chapters focus on history, economics, and culture in Dahomey, Allada, and Hueda while scrutinizing the role of Europeans in fomenting tensions. The political, military, and slave trading histories of the kingdoms in the Bight of Benin reveal the circumstances of enslavement, including the geographies, ethnicities, languages, and cultures of enslavers and enslaved. The study of the spirits, rituals, structure, and music of the region's religions sheds light on important sources for Haitian Vodou. Having royal, public, and private expressions, Vodun spirit-based traditions served as cultural systems that supported or contested power and enslavement. At once suppliers and victims of the European slave trade, the people of Dahomey, Allada, and Hueda deeply shaped the emergence of Haiti's creolized culture. \u003cp\u003e\u003c\/p\u003e The Haitian chapters focus on Vodou's Rada Rite (from Allada) and Gede Rite (from Abomey) through the songs of Rasin Figuier's \u003ci\u003eVodou Lakay\u003c\/i\u003e and Rasin Bwa Kayiman's \u003ci\u003eGuede\u003c\/i\u003e, legendary \u003ci\u003erasin \u003c\/i\u003ecompact discs released on Jean Altidor's Miami label, Mass Konpa Records. All the Vodou songs on the discs are analyzed with a method dubbed \"Vodou hermeneutics\" that harnesses history, religious studies, linguistics, literary criticism, and ethnomusicology in order to advance a scholarly approach to Vodou songs.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52635709374831,"sku":"9781496835611","price":275.56,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496835611.jpg?v=1770216017"},{"product_id":"fiddle-tunes-from-mississippi","title":"Fiddle Tunes from Mississippi","description":"In 2015 University Press of Mississippi published \u003ci\u003eMississippi Fiddle Tunes and Songs from the 1930s\u003c\/i\u003e by Harry Bolick and Stephen T. Austin to critical acclaim and commercial success. Roughly half of Mississippi's rich, old-time fiddle tradition was documented in that volume and Harry Bolick has spent the intervening years working on this book, its sequel. \u003cp\u003e\u003c\/p\u003e Beginning with Tony Russell's original mid-1970s fieldwork as a reference, and later working with Russell, Bolick located and transcribed all of the Mississippi 78 rpm string band recordings. Some of the recording artists like the Leake County Revelers, Hoyt Ming and His Pep Steppers, and Narmour \u0026amp; Smith had been well known in the state. Others, like the Collier Trio, were obscure. This collecting work was followed by many field trips to Mississippi searching for and locating the children and grandchildren of the musicians. Previously unheard recordings and stories, unseen photographs and discoveries of nearly unknown local fiddlers, such as Jabe Dillon, John Gatwood, Claude Kennedy, and Homer Grice, followed. The results are now available in this second, companion volume, \u003ci\u003eFiddle Tunes from Mississippi: Commercial and Informal Recordings, 1920-2018\u003c\/i\u003e. \u003cp\u003e\u003c\/p\u003e Two hundred and seventy musical examples supplement the biographies and photographs of the thirty-five artists documented here. Music comes from commercial recordings and small pressings of 78 rpm, 45 rpm, and LP records; collectors' field recordings; and the musicians' own home tape and disc recordings. Taken together, these two volumes represent a delightfully comprehensive survey of Mississippi's fiddle tunes.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52635709407599,"sku":"9781496835895","price":329.48,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496835891.jpg?v=1770216012"}],"url":"https:\/\/internacional.umlivro.com.br\/collections\/university-press-of-mississippi.oembed?page=27","provider":"UmLivro Internacional","version":"1.0","type":"link"}