{"title":"Teoria Da Arte","description":null,"products":[{"product_id":"art-education-in-a-climate-of-reform","title":"Art Education in a Climate of Reform","description":"\u003cp\u003eThis book presents changes in the art world, art education, art theory, social theory, and aesthetics from the beginning of art education to the present in order to build a case for the combination of social theory and art education.\u003c\/p\u003e","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":52634298122607,"sku":"9781578867899","price":459.03,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1578867894.jpg?v=1770148392"},{"product_id":"another-aesthetics-is-possible","title":"Another Aesthetics Is Possible","description":"In \u003ci\u003eAnother Aesthetics Is Possible\u003c\/i\u003e Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. 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Exposing the anxiety in film's relation to its rival arts, Brigitte Peucker analyzes central issues involved in generic boundary crossing as they pertain to film and situates them in a theoretical framework. The figure of the human body takes center stage in Peucker's innovative study, for it is through this figure that the conjunction of literary and painterly discourses persistently articulates itself. It is through the human body, too, that film's consciousness of itself as a hybrid text and as a \"machine for simulation\" makes itself deeply felt.\u003cbr\u003e\u003cbr\u003eIn films ranging from Weimar cinema through Griffith, Hitchcock, and Greenaway, Peucker probes issues in aesthetics problematized by Diderot and Kleist, among others. She argues that the introduction of movement into visual representation occasioned by film brings with it an underlying tension suggestive of castration and death. Peucker goes on to demonstrate how the encounter between narrative and image is both gendered and sexualized, rendering film a \"monstrous\" hybrid. In a final section, she explores in specific cinematic texts the permeable boundary between the real and representation, suggesting how effects such as \u003ci\u003etableau vivant\u003c\/i\u003e and \u003ci\u003etrompe l'oeil\u003c\/i\u003e figure sexuality and death.\u003cbr\u003e\u003cbr\u003eOriginally published in 1995.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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It enacts a mode of conceiving history that is neither linear nor successive, but rather discontinuous--constructed from what Benjamin calls \"dialectical images.\" In this way, it not only suggests the essential rapport between the fragmentary form of Benjamin's writing and his effort to write a history of modernity but it also skillfully clarifies the relation between Benjamin and his contemporaries, the relation between fascism and aesthetic ideology. 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