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Yet bromance requires an expression of intimacy that always toys with being coded as something other than “straight” male behavior, even as it insists that such intimacy must never be misinterpreted. In \u003cem\u003eReading the Bromance: Homosocial Relationships in Film and Television,\u003c\/em\u003e editor Michael DeAngelis has compiled a diverse group of essays that address the rise of this tricky phenomenon and explore the social and cultural functions it serves.\u003cbr\u003e\n\u003cbr\u003e\nContributors consider selected contemporary film and television texts, as well as the genres that historically inspired them, in order to explore what needs bromance attempts to fulfill in relationships between men—straight or otherwise. Essays analyze films ranging from \u003cem\u003eI Love You, Man \u003c\/em\u003eto\u003cem\u003e Superbad, Humpday, I Now Pronounce You Chuck and Larry, The Hangover,\u003c\/em\u003e and the \u003cem\u003eJackass\u003c\/em\u003e films, and include studies of representative examples in international cinema such as \u003cem\u003eY tu mama tambien \u003c\/em\u003eand classic and contemporary films of the Bollywood genre. The volume also examines the increasingly prevalent appearance of the bromance phenomenon in television narratives, from the “male bonding” rituals of \u003cem\u003eFriends\u003c\/em\u003e and \u003cem\u003eSeinfeld \u003c\/em\u003eto more recent manifestations in \u003cem\u003eHouse, The Wire,\u003c\/em\u003e and the MTV reality series \u003cem\u003eBromance.\u003c\/em\u003e\u003cbr\u003e\n\u003cbr\u003e\nFrom historical analysis to discourse analysis, sociological analysis, and queer theory, this volume provides a broad range of methodological and theoretical approaches to the phenomenon in the first booklength study of the bromance genre. 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Its subject matter was ambitious and germane, its cast star-studded, its production team acclaimed. In this volume, Janet McCabe explores \u003cem\u003eThe West Wing\u003c\/em\u003e as both a space for political and social discourse and a force that reshaped contemporary television.\u003cbr\u003e\n\u003cbr\u003e\nMcCabe begins by examining the series' broadcasting history, including its scheduling in the United States and around the world, and how the show defines channels and television markets. McCabe goes on to explore the role of the show's creator Aaron Sorkin as a TV auteur and investigates the program's aesthetic principles, including the distinctive look, feel, and sounds of the series. 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The evolution of Perry Mason is charted here in an inclusive manner, discussing the show’s broadcast history (ending with the series of two-hour telemovies that aired nearly twenty years after the original series ended) alongside its generic nature and place within popular culture, the show’s ideological dynamic, and issues of authorship in the context of television. This concise study is an excellent tool for television and media scholars as well as fans of the Perry Mason series.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52668291154287,"sku":"9780814331217","price":182.86,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814331211.jpg?v=1770934254"},{"product_id":"gilligans-island","title":"Gilligan's Island","description":"\u003cp\u003eGilligan’s Island, created by Sherwood Schwartz, aired for three seasons between 1964 and 1967 on the CBS network. 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Through this discussion, Metz examines the literacy of Gilligan’s Island and the way it knowingly returns to certain tropes from high literature, masking their expression in a distinctly populist American idiom. Metz also addresses the legacy of Gilligan’s Island and its profound effect on American television, as evidenced by popular contemporary shows like Survivor and Lost.\u003cbr\u003e\n\u003cbr\u003e\nAt one point in time, Gilligan’s Island was the most syndicated show around the world, but few scholarly articles exist about it. Fans of the show and those interested in television history and popular culture will enjoy this playful and informative study that fills a gap in television history.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52668292530543,"sku":"9780814333723","price":180.57,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814333729.jpg?v=1770934304"},{"product_id":"have-gun-will-travel","title":"Have Gun--Will Travel","description":"\u003cp\u003eOne of the most successful series of its time, \u003cem\u003eHave Gun—Will Travel\u003c\/em\u003e became a cultural phenomenon in the late 1950s and made its star, Richard Boone, a nationwide celebrity. The series offered viewers an unusual hero in the mysterious, Shakespeare-spouting gunfighter known only as “Paladin” and garnered a loyal fan base, including a large female following. 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Yockey then looks at the show’s experimentation with the superhero genre’s conservative gender and racial politics in “Bat-Difference” and investigates the significance of the show’s choices of stars and guest stars in “Bat-Casting.” Finally, he considers how the series’ dual identity as straightforward crime serial and subversive mass culture text set it up for extratextual production in “Bat-Being.”\u003cbr\u003e\n  \u003cbr\u003e\n The superhero is a conflicted symbol of American identity—representing both excessive individualism and the status quo—making it an especially useful figure for the kind of cultural work that \u003cem\u003eBatman\u003c\/em\u003e undertook. \u003cem\u003eBatman\u003c\/em\u003e fans, from popular culture enthusiasts to television history scholars, will enjoy this volume.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52668293611887,"sku":"9780814338179","price":180.53,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814338178.jpg?v=1770934365"},{"product_id":"m-a-s-h","title":"M*A*S*H","description":"\u003cp\u003eFew American television series are as deeply entrenched in twentieth-century popular culture as M*A*S*H, a Korean War medical comedy characterized by its dark tone and finesse in tackling serious social and political issues. 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Students and teachers of film and television studies, as well as readers interested in M*A*S*H will enjoy this installment in the TV Milestones Series.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52668295709039,"sku":"9780814333471","price":181.82,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814333478.jpg?v=1770934429"},{"product_id":"the-donna-reed-show","title":"The Donna Reed Show","description":"\u003cp\u003eAt a time when television offered limited opportunities for women, Donna Reed was an Oscar-winning Hollywood actress who became both producer (though largely uncredited) and star of her own television show. Distinct from the patriarchal family sitcoms of the era, \u003cem\u003eThe Donna Reed Show\u003c\/em\u003e's storylines focused on the mother instead of the father, and its production brought a cinematic aesthetic to television situation comedy. 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