{"title":"Técnicas Artísticas","description":null,"products":[{"product_id":"the-art-spirit","title":"The Art Spirit","description":"\u003cp\u003e2019 Reprint of 1923 Edition.  From 1915 to 1927, Henri was a popular and influential teacher at the \u003cem\u003eArt Students League\u003c\/em\u003e of New York.  He provided for each student not a style so much as an attitude, an approach to art.  Henri's philosophical and practical musings were collected by former pupil Margery Ryerson and published as \u003cem\u003eThe Art Spirit \u003c\/em\u003e(1923), a book that remained in print for several decades. Henri's other students include George Bellows, Arnold Franz Brasz, Stuart Davis, Edward Hopper, Rockwell Kent, Henry Ives Cobb, Jr., Lillian Cotton, John Sloan, Minerva Teichert and Yasuo Kuniyoshi.  Filled with valuable technical advice as well as wisdom about the place of art and the artist in American society, this classic work continues to be a guide for artists concerned with the process of artistic creation.\u003c\/p\u003e","brand":"Martino Fine Books","offers":[{"title":"Default Title","offer_id":52657160716655,"sku":"9781684222926","price":141.93,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1684222923.jpg?v=1770809189"},{"product_id":"the-materials-of-medieval-painting","title":"The Materials of Medieval Painting","description":"\u003cp\u003e2019 Reprint of 1936 U.S. Edition.  Full facsimile of the original edition, not reproduced with Optical Recognition software.  Professor Thompson has written an extremely interesting and valuable book on a subject very rarely dealt with, the materials used by medieval painters, or as he calls it, \" the cookery of art.\" In the first chapter the author discusses the various types of surfaces employed by the medieval painters, such as parchment, vellum, wood, walls, and canvas.  In chapter two he deals with the different binding media that had to be used to bind the pigments to the different types of surfaces.  The third and longest chapter deals with the pigments themselves.  This book, written in a very pleasing style, will appeal not only to those interested in medieval painting itself, but to anyone who wishes further knowledge on various medieval plants, and on certain chemical problems of the Middle Ages.\u003c\/p\u003e","brand":"Martino Fine Books","offers":[{"title":"Default Title","offer_id":52657631560047,"sku":"9781684223688","price":133.13,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1684223687.jpg?v=1770817135"}],"url":"https:\/\/internacional.umlivro.com.br\/collections\/tecnicas-artisticas.oembed","provider":"UmLivro Internacional","version":"1.0","type":"link"}