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Considering the last decade's scholarship, Austin E. Quigley attributes the impasse in Pinter criticism to the failure of Pinter's readers to appreciate the diversity of ways in which language can transmit information. This explanation places recent commentaries in a new light and enables the author to take a fresh approach to the plays themselves.\u003cbr\u003e\u003cbr\u003eOriginally published in 1975.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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Derived from the dark legends of one of Rome's great families, the \u003ci\u003eCenci\u003c\/i\u003e records a history of sadism, incest, and murder.\u003cbr\u003e\u003cbr\u003eShelley's one actable play has received little attention in modern times. Professor Curran studies it first as a poem-its patterns, themes, imagery-then as a play. After showing its relationship to England's Regency theater, he analyzes the fascinating course of its stage history, and finds Shelley foreshadowing such modern emphases as psychodrama, the existential vision, the Theatre of Cruelty.\u003cbr\u003e\u003cbr\u003eOriginally published in 1970.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.\u003c\/p\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":52640698302831,"sku":"9780691620824","price":367.5,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0691620822.jpg?v=1770397004"},{"product_id":"a-stage-for-poets","title":"A Stage For Poets","description":"\u003cp\u003eIn the nineteenth century, the French lyric poets imposed their diction on the theatrical genre and thus illuminated the essence of both poetry and theatre. 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Taking a broad view of closure as a developing process in which narrative structures, generic signs, and rhetorical conventions play contributory, and often contradictory, roles, she also considers how theatrical representations interpret, or reinterpret, closural features to recuperate and redirect their social energies. By giving special emphasis to theatrical reproduction as a form of textuality and to the intertextual relations between drama and other forms of history writing, Hodgdon situates performance as a type of new historicism and shows how theatrical productions, like critical discourse, participate in cultural work. 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It provides a reliable introduction to the genre's main features and raises questions and problems in the genre's interpretation that remain relevant today....We could use such a classic on the shelf.\"-Sander M. Goldberg, University of California, Los Angeles\u003c\/p\u003e\u003cp\u003eOriginally published in 1952, The Nature of Roman Comedy is still the fullest and most accessible introduction to the plays of Plautus and Terence, which constitute the corpus of Roman comedy. With attention to the specific aspects (such as staging conventions, plot structure, and character delineation) of each play, George E. Duckworth provides a readable synthesis that emphasizes the dramatic and humorous significance of the Roman comedies.\u003c\/p\u003e\u003cp\u003eDuckworth explains why these plays are important -and funny through discussion of suspense and irony, moral tone, and the humorous aspects of situation, character, and language. 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