{"title":"Quadrinhos E Graphic Novels","description":null,"products":[{"product_id":"pregnancy-does-not-equal-childbearing-project","title":"Pregnancy [does-not-equal] Childbearing Project","description":"\u003cp\u003ePart graphic novel, part feminist and philosophical analysis, The Pregnancy \u0026amp;ne; Childbearing Project explores how pregnancy can be a meaningful and distinct phenomenon from childbirth and does not equate with childbearing or the production of children.\u003c\/p\u003e","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":52636085256559,"sku":"9781786602930","price":468.4,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1786602938.jpg?v=1770236886"},{"product_id":"the-cartoon-history-of-the-modern-world-part-ii","title":"The Cartoon History of the Modern World, Part II","description":"\u003cp\u003e\"From the Bastille to Baghdad,\" \u003cem\u003eThe Cartoon History of the World Part 2 \u003c\/em\u003eis the conclusion (for the moment) of Larry Gonick's award-winning and bestselling annals of humankind presented in graphic novel form. Picking up after the American Revolution, where Part 1 left off, Part 2 opens with the Enlightenment and rolls across Napoleon, the fall of the Ottoman Empire, World War I and II, and all the way to our recent imbroglios in Iraq and Afghanistan. \u003cem\u003eThe Cartoon History of the Modern World Part 2 \u003c\/em\u003eis a monumental, one might say \"historic\" achievement, at once edifying, irreverent, and wildly entertaining. Terry Jones of Monty Python said of the first volume of this series, \u003cstrong\u003e\"\u003c\/strong\u003eObviously one of the great books of all time.\" And modern civilization's most recent act is no less enthralling.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"HarperCollins","offers":[{"title":"Default Title","offer_id":52640970965359,"sku":"9780060760083","price":154.97,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0060760087.jpg?v=1770403605"},{"product_id":"battle-of-blood-and-ink","title":"BATTLE OF BLOOD AND INK","description":"\u003cp\u003eBATTLE OF BLOOD AND INK\u003c\/p\u003e","brand":"St. Martins Press-3PL","offers":[{"title":"Default Title","offer_id":52649262317935,"sku":"9780765331311","price":117.7,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0765331314.jpg?v=1770646198"},{"product_id":"the-zabime-sisters","title":"The Zabime Sisters","description":"\u003cp\u003eThe Zabime Sisters\u003c\/p\u003e","brand":"St. Martins Press-3PL","offers":[{"title":"Default Title","offer_id":52649276899695,"sku":"9781596436381","price":114.18,"currency_code":"BRL","in_stock":true}]},{"product_id":"little-things","title":"Little Things","description":"\u003cp\u003eLittle Things\u003c\/p\u003e","brand":"Simon \u0026 Schuster","offers":[{"title":"Default Title","offer_id":52649303834991,"sku":"9781416549468","price":144.59,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1416549463.jpg?v=1770648223"},{"product_id":"visible-cities-global-comics","title":"Visible Cities, Global Comics","description":"\u003cp\u003eMore and more people are noticing links between urban geography and the spaces within the layout of panels on the comics page. Benjamin Fraser explores the representation of the city in a range of comics from across the globe. Comics address the city as an idea, a historical fact, a social construction, a material-built environment, a shared space forged from the collective imagination, or as a social arena navigated according to personal desire. Accordingly, Fraser brings insights from urban theory to bear on specific comics.\u003c\/p\u003e\u003cp\u003eThe works selected comprise a variety of international, alternative, and independent small-press comics artists, from engravings and early comics to single-panel work, graphic novels, manga, and trading cards, by artists such as Will Eisner, Tsutomu Nihei, Hariton Pushwagner, Julie Doucet, Frans Masereel, and Chris Ware.\u003c\/p\u003e\u003cp\u003eIn the first monograph on this subject, Fraser touches on many themes of modern urban life: activism, alienation, consumerism, flânerie, gentrification, the mystery story, science fiction, sexual orientation, and working-class labor. He leads readers to images of such cities as Barcelona, Buenos Aires, London, Lyon, Madrid, Montevideo, Montreal, New York, Oslo, Paris, São Paolo, and Tokyo.\u003c\/p\u003e\u003cp\u003eThrough close readings, each chapter introduces readers to specific comics artists and works and investigates a range of topics related to the medium's spatial form, stylistic variation, and cultural prominence. Mainly, Fraser mixes interest in urbanism and architecture with the creative strategies that comics artists employ to bring their urban images to life.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52653456163183,"sku":"9781496825049","price":302.32,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496825047.jpg?v=1770727598"},{"product_id":"alison-bechdel","title":"Alison Bechdel","description":"\u003cp\u003eDue to the huge success of her graphic memoir Fun Home: A Family Tragicomic in 2006 and its subsequent Tony Award-winning musical adaptation in 2009, Alison Bechdel (b. 1960) has recently become a household name. However, Bechdel, who has won numerous awards including a MacArthur Fellowship, has been writing and drawing comics since the early 1980s. Her comic strip Dykes to Watch Out For (DTWOF) stood out as one of the first to depict lesbians in popular culture and is widely hailed as an essential LGBTQ resource.\u003c\/p\u003e\u003cp\u003eIt is also from this comic strip that the wildly popular Bechdel Test--a test to gauge positive female representation in film--obtained its name. While DTWOF secured Bechdel's role in the comics world and queer community long before her mainstream success, Bechdel now experiences notoriety that few comics artists ever achieve and that women cartoonists have never attained.\u003c\/p\u003e\u003cp\u003eSpanning from 1990 to 2017, Alison Bechdel: Conversations collects ten interviews that illustrate how Bechdel uses her own life, relationships, and contemporary events to expose the world to what she has referred to as the \"fringes of acceptability\"--the comics genre as well as queer culture and identity. These interviews reveal her intentionality in the use of characters, plots, structure, and cartooning to draw her readers toward disrupting the status quo.\u003c\/p\u003e\u003cp\u003eStarting with her earliest interviews on public access television and in little-known comics and queer presses, Rachel R. Martin traces Bechdel's career from her days with DTWOF to her popularity with Fun Home and Are You My Mother? This volume includes her \"one-off\" DTWOF strips from November 2016 and March 2017 (not anthologized anywhere else) and in-depth discussions of her laborious creative process as well as upcoming projects.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52653519208815,"sku":"9781496819277","price":265.61,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496819276.jpg?v=1770732738"},{"product_id":"helluva-town","title":"HELLUVA TOWN","description":"\u003cp\u003eHELLUVA TOWN\u003c\/p\u003e","brand":"Simon \u0026 Schuster","offers":[{"title":"Default Title","offer_id":52653888373103,"sku":"9781439196687","price":137.89,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1439196680.jpg?v=1770744838"},{"product_id":"garry-trudeau","title":"Garry Trudeau","description":"\u003cp\u003eSince 1968, Garry Trudeau (b. 1948) has brought his brand of political satire to bear on public figures, movie stars, heads of state, and even on himself. Trudeau has also advocated for artists' rights and challenged industry norms while keeping a decidedly low profile. In \u003cem\u003eGarry Trudeau: \"Doonesbury\" and the Aesthetics of Satire\u003c\/em\u003e, Kerry D. Soper traces the contribution of this groundbreaking artist.\u003c\/p\u003e\u003cp\u003eTrudeau is arguably the premier American political and social satirist of the last forty years. Amazingly, he achieved this on the comics page, rather than the editorial page. By defying convention, Trudeau has established a hybrid form of popular satire that capitalizes on the narrative continuity and broad reach of the comic strip form, while operating according to the rules of combative political commentary.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eGarry Trudeau: \"Doonesbury\" and the Aesthetics of Satire\u003c\/em\u003e is divided into chapters that offer a history of \u003cem\u003eDoonesbury\u003c\/em\u003e; an analysis of Trudeau's effective satiric methods; a discussion of the methods whereby he challenged the business practices of the comic strip industry; an examination of the aesthetics of \u003cem\u003eDoonesbury\u003c\/em\u003e; and a consideration of Trudeau's significance as a social chronicler through an analysis of his character construction, narrative practices, and documentation of the American zeitgeist. 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In the mid-1990s, NPR ran audio versions of several Julius Knipl stories, narrated by Katchor and starring Jerry Stiller in the title role.\u003c\/p\u003e\u003cp\u003eAn early contributor to RAW, Katchor also contributed to Forward, the New Yorker, Slate, and weekly newspapers. He edited and published two issues of Picture Story, which featured his own work, with articles and stories by Peter Blegvad, Jerry Moriarty, and Mark Beyer. In addition to being a dramatist, Katchor has been the subject of profiles in the New Yorker, a recipient of a MacArthur \"Genius Grant\" and a Guggenheim Fellowship, and a fellow at both the American Academy in Berlin and the New York Public Library.\u003c\/p\u003e\u003cp\u003eKatchor's work is often described as zany or bizarre, and author Douglas Wolk has characterized his work as \"one or two notches too far\" beyond an absurdist reality. And yet the work resonates with its audience because, as was the case with Knipl's journey through the wilderness of a decaying city, absurdity was only what was usefully available; absurdity was the reality. Julius Knipl, Real Estate Photographer presaged the themes of Katchor's work: a concern with the past, an interest in the intersection of Jewish identity and a secular commercial culture, and the limits and possibilities of urban life.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52657525555567,"sku":"9781496823359","price":270.21,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496823354.jpg?v=1770815089"},{"product_id":"steve-gerber","title":"Steve Gerber","description":"\u003cp\u003eSteve Gerber (1947-2008) is among the most significant comics writers of the modern era. Best known for his magnum opus Howard the Duck, he also wrote influential series such as Man-Thing, Omega the Unknown, The Phantom Zone, and Hard Time, expressing a combination of intelligence and empathy rare in American comics.\u003c\/p\u003e\u003cp\u003eGerber rose to prominence during the 1970s. His work for Marvel Comics during that era helped revitalize several increasingly clichéd generic conventions of superhero, horror, and funny animal comics by inserting satire, psychological complexity, and existential absurdism. Gerber's scripts were also often socially conscious, confronting, among other things, capitalism, environmentalism, political corruption, and censorship. His critique also extended into the personal sphere, addressing such taboo topics as domestic violence, racism, inequality, and poverty.\u003c\/p\u003e\u003cp\u003eThis volume follows Gerber's career through a range of interviews, beginning with his height during the 1970s and ending with an interview with Michael Eury just before Gerber's death in 2008. Among the pieces featured is a 1976 interview with Mark Lerer, originally published in the low-circulation fanzine Pittsburgh Fan Forum, where Gerber looks back on his work for Marvel during the early to mid-1970s, his most prolific period. This volume concludes with selections from Gerber's dialogue with his readers and admirers in online forums and a Gerber-based Yahoo Group, wherein he candidly discusses his many projects over the years.\u003c\/p\u003e\u003cp\u003eGerber's unique voice in comics has established his legacy. Indeed, his contribution earned him a posthumous induction into the Will Eisner Comic Book Hall of Fame.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52657545412975,"sku":"9781496823014","price":274.85,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/149682301X.jpg?v=1770816165"},{"product_id":"daniel-clowes","title":"Daniel Clowes","description":"\u003cp\u003eDaniel Clowes (b. 1961) emerged from the \"alternative comics\" boom of the 1980s as one of the most significant cartoonists and most distinctive voices in the development of the graphic novel. His serialized Eightball comics, collected in such books as David Boring, Ice Haven, and Like a Velvet Glove Cast in Iron, helped to set the standards of sophistication and complexity for the medium. The screenplay for Ghost World, which Clowes co-adapted (with Terry Zwigoff) from his graphic novel of the same name, was nominated for an Academy Award.\u003c\/p\u003e\u003cp\u003eSince his early, edgy Lloyd Llewellyn and Eightball comics, Clowes has developed along with the medium, from a satirical and sometimes vituperative surrealist to an unmatched observer of psychological and social subtleties. In this collection of interviews reaching from 1988 to 2009, the cartoonist discusses his earliest experiences reading superhero comics, his time at the Pratt Institute, his groundbreaking comics career, and his screenplays for Ghost World and Art School Confidential. Several of these pieces are drawn from rare small-press or self-published zines, including Clowes's first published interview. He talks at length about the creative process, from the earliest traces of a story, to his technical approaches to layout, drawing, inking, lettering, and coloring. These interviews reveal a thoughtful artist, deeply interested in the history of comics and the potential of the medium.\u003c\/p\u003e\u003cp\u003eAn assistant professor of English at East Carolina University, Ken Parille is the author of Boys at Home: Discipline, Masculinity, and 'The Boy-Problem' in Nineteenth-Century American Literature. A lecturer in English at the University of Vermont, Isaac Cates has published in Indy Magazine, International Journal of Comic Art, ImageText, and many other periodicals.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52657687593327,"sku":"9781604734416","price":268.43,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1604734418.jpg?v=1770818208"},{"product_id":"degrassi-extra-credit-04-safety-dance","title":"Degrassi Extra Credit #04 Safety Dance","description":"\u003cp\u003eDegrassi Extra Credit #04 Safety Dance\u003c\/p\u003e","brand":"Simon \u0026 Schuster","offers":[{"title":"Default Title","offer_id":52665626526063,"sku":"9781416530794","price":93.74,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1416530797.jpg?v=1770903858"},{"product_id":"comics-trauma-and-the-new-art-of-war","title":"Comics, Trauma, and the New Art of War","description":"\u003cp\u003eConflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research--trauma studies and comics studies--to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible.\u003c\/p\u003e\u003cp\u003eUsing texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms.\u003c\/p\u003e\u003cp\u003eWith themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":53189255692655,"sku":"9781496825636","price":313.13,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496825632.jpg?v=1783452857"},{"product_id":"the-graphic-novel","title":"The Graphic Novel","description":"\u003cp\u003eThe Graphic Novel\u003c\/p\u003e","brand":"Cambridge University Press","offers":[{"title":"Default Title","offer_id":53493286273391,"sku":"9781107655768","price":236.64,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1107655765.jpg?v=1789725945"},{"product_id":"graphic-novels-as-philosophy","title":"Graphic Novels as Philosophy","description":"\u003cp\u003eContributions by Eric Bain-Selbo, Jeremy Barris, Maria Botero, Manuel \"Mandel\" Cabrera Jr., David J. Leichter, Ian MacRae, Jeff McLaughlin, Alfonso Muñoz-Corcuera, Corry Shores, and Jarkko Tuusvuori\u003c\/p\u003e\u003cp\u003eIn a follow-up to Comics as Philosophy, international contributors address two questions: Which philosophical insights, concepts, and tools can shed light on the graphic novel? And how can the graphic novel cast light on the concerns of philosophy? Each contributor ponders a well-known graphic novel to illuminate ways in which philosophy can untangle particular combinations of image and written word for deeper understanding.\u003c\/p\u003e\u003cp\u003eJeff McLaughlin collects a range of essays to examine notable graphic novels within the framework posited by these two questions. One essay discusses how a philosopher discovered that the panels in Jeff Lemire's Essex County do not just replicate a philosophical argument, but they actually give evidence to an argument that could not have existed otherwise. Another essay reveals how Chris Ware's manipulation of the medium demonstrates an important sense of time and experience. Still another describes why Maus tends to be more profound than later works that address the Holocaust because of, not in spite of, the fact that the characters are cartoon animals rather than human.\u003c\/p\u003e\u003cp\u003eOther works contemplated include Will Eisner's A Contract with God, Alan Moore and David Lloyd's V for Vendetta, Alison Bechdel's Fun Home, and Joe Sacco's Footnotes in Gaza. Mainly, each essay, contributor, graphic novelist, and artist is doing the same thing: trying to tell us how the world is--at least from their point of view.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":53509918196079,"sku":"9781496825629","price":311.26,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496825624.jpg?v=1789989289"},{"product_id":"monstrous-women-in-comics","title":"Monstrous Women in Comics","description":"\u003cp\u003eContributions by Novia Shih-Shan Chen, Elizabeth Rae Coody, Keri Crist-Wagner, Sara Durazo-DeMoss, Charlotte Johanne Fabricius, Ayanni C. Hanna, Christina M. Knopf, Tomoko Kuribayashi, Samantha Langsdale, Jeannie Ludlow, Marcela Murillo, Sho Ogawa, Pauline J. Reynolds, Stefanie Snider, J. Richard Stevens, Justin Wigard, Daniel F. Yezbick, and Jing Zhang\u003c\/p\u003e\u003cp\u003eMonsters seem to be everywhere these days, in popular shows on television, in award-winning novels, and again and again in Hollywood blockbusters. They are figures that lurk in the margins and so, by contrast, help to illuminate the center--the embodiment of abnormality that summons the definition of normalcy by virtue of everything they are not.\u003c\/p\u003e\u003cp\u003eSamantha Langsdale and Elizabeth Rae Coody's edited volume explores the coding of woman as monstrous and how the monster as dangerously evocative of women\/femininity\/the female is exacerbated by the intersection of gender with sexuality, race, nationality, and disability. To analyze monstrous women is not only to examine comics, but also to witness how those constructions correspond to women's real material experiences.\u003c\/p\u003e\u003cp\u003eEach section takes a critical look at the cultural context surrounding varied monstrous voices: embodiment, maternity, childhood, power, and performance. Featured are essays on such comics as Faith, Monstress, Bitch Planet, and Batgirl and such characters as Harley Quinn and Wonder Woman.\u003c\/p\u003e\u003cp\u003eThis volume probes into the patriarchal contexts wherein men are assumed to be representative of the normative, universal subject, such that women frequently become monsters.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":53511039582575,"sku":"9781496827630","price":318.48,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496827635.jpg?v=1790006579"},{"product_id":"mysterious-travelers","title":"Mysterious Travelers","description":"Steve Ditko (1927-2018) is one of the most important contributors to American comic books. As the cocreator of Spider-Man and sole creator of Doctor Strange, Ditko made an indelible mark on American popular culture. Mysterious Travelers: Steve Ditko and the Search for a New Liberal Identity resets the conversation about his heady and powerful work. Always inward facing, Ditko's narratives employed superhero and supernatural fantasy in the service of self-examination, and with characters like the Question, Mr. A, and Static, Ditko turned ordinary superhero comics into philosophic treatises. Many of Ditko's philosophy-driven comics show a clear debt to ideas found in Ayn Rand's Objectivism. Unfortunately, readers often reduce Ditko's work to a mouthpiece for Rand's vision. Mysterious Travelers unsettles this notion. \u003cp\u003e\u003c\/p\u003e In this book, Zack Kruse argues that Ditko's philosophy draws on a complicated network of ideas that is best understood as mystic liberalism. Although Ditko is not the originator of mystic liberalism, his comics provide a unique window into how such an ideology operates in popular media. Examining selections of Ditko's output from 1953 to 1986, Kruse demonstrates how Ditko's comics provide insight into a unique strand of American thought that has had a lasting impact.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":53511892926831,"sku":"9781496830548","price":317.41,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496830547.jpg?v=1790034348"},{"product_id":"seth","title":"Seth","description":"\u003cp\u003e\u0026lt;Canadian cartoonist Gregory Gallant, (b. 1962), pen name Seth, emerged as a cartoonist in the fertile period of the 1980s, when the alternative comics market boomed. Though he was influenced by mainstream comics in his teen years and did his earliest comics work on Mister X, a mainstream-style melodrama, Seth remains one of the least mainstream-inflected figures of the alternative comics' movement. His primary influences are underground comix, newspaper strips, and classic cartooning.\u003c\/p\u003e\u003cp\u003eThese interviews, including one career-spanning, definitive interview between the volume editors and the artist published here for the first time, delve into Seth's output from its earliest days to the present. Conversations offer insight into his influences, ideologies of comics and art, thematic preoccupations, and major works, from numerous perspectives--given Seth's complex and multifaceted artistic endeavours. Seth's first graphic novel, It's a Good Life, If You Don't Weaken, announced his fascination with the past and with earlier cartooning styles. Subsequent works expand on those preoccupations and themes. Clyde Fans, for example, balances present-day action against narratives set in the past. The visual style looks polished and contemplative, the narrative deliberately paced; plot seems less important than mood or characterization, as Seth deals with the inescapable grind of time and what it devours, themes which recur to varying degrees in George Sprott, Wimbledon Green, and The Great Northern Brotherhood of Canadian Cartoonists.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":67589622038895,"sku":"9781496807885","price":271.64,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/149680788X.jpg?v=1790502394"},{"product_id":"on-the-graphic-novel","title":"On the Graphic Novel","description":"\u003cp\u003eA noted comics artist himself, Santiago Garcia follows the history of the graphic novel from early nineteenth-century European sequential art, through the development of newspaper strips in the United States, to the development of the twentieth-century comic book and its subsequent crisis. He considers the aesthetic and entrepreneurial innovations that established the conditions for the rise of the graphic novel all over the world.\u003c\/p\u003e\n\n\u003cp\u003eGarcia not only treats the formal components of the art, but also examines the cultural position of comics in various formats as a popular medium. Typically associated with children, often viewed as unedifying and even at times as a threat to moral character, comics art has come a long way. With such examples from around the world as Spain, France, Germany, and Japan, Garcia illustrates how the graphic novel, with its increasingly global and aesthetically sophisticated profile, represents a new model for graphic narrative production that empowers authors and challenges longstanding social prejudices against comics and what they can achieve.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":67589623120239,"sku":"9781496813183","price":303.51,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496813189.jpg?v=1790502486"},{"product_id":"graphic-novels-for-children-and-young-adults","title":"Graphic Novels for Children and Young Adults","description":"\u003cp\u003e\u003cbr\u003e\nWith contributions by:\u003cbr\u003e\n\u003cbr\u003e\nEti Berland, Rebecca A. Brown, Christiane Buuck, Joanna C. 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