{"title":"Performance","description":null,"products":[{"product_id":"movement-and-performance-in-berlin-school-cinema","title":"Movement and Performance in Berlin School Cinema","description":"\u003cp\u003eThrough a study of the contemporary German film movement the Berlin School, Olivia Landry examines how narrative film has responded to our highly digitalized and mediatized age, not with a focus on stasis and realism, but by turning back to movement, spectacle, and performance. She argues that a preoccupation with presence, liveness, and affect--all of which are viewed as critical components of live performance--can be found in many of the films of the Berlin School. Challenging the perception that the Berlin School is a sheer adherent of \"slow cinema,\" Landry closely analyzes the use of movement, dynamism, presence, and speed in a broad selection of films to show how filmmakers such as Christian Petzold, Angela Schanelec, Thomas Arslan, and Christoph Hochhäusler invoke the pulse of the kinesthetic and the tangibly affective. Her analysis draws on an array of film theories from early materialism to body theories, phenomenology, and contemporary affect theories. Arguing that these theories readily and energetically forge a path from film to performance, Landry traces a trajectory between the two through which live experience, presence, spectacle, intersubjectivity, and the body in motion emerge and powerfully intersect. Ultimately, \u003cem\u003eMovement and Performance in Berlin School Cinema\u003c\/em\u003e expands the methodological and disciplinary boundaries of film studies by offering new ways of articulating and understanding movement in cinema.\u003c\/p\u003e","brand":"Indiana University Press (IPS)","offers":[{"title":"Default Title","offer_id":52657162682735,"sku":"9780253038036","price":311.72,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0253038030.jpg?v=1770809305"},{"product_id":"african-drama-and-performance","title":"African Drama and Performance","description":"\u003cp\u003eAfrican Drama and Performance is a collection of innovative and wide-ranging essays that bring conceptually fresh perspectives, from both renowned and emerging voices, to the study of drama, theatre, and performance in Africa. Topics range from studies of major dramatic authors and formal literary dramas to improvisational theatre and popular video films. South Africa's Truth and Reconciliation Commissions are analyzed as a kind of social performance, and aspects of African performance in the diaspora are also considered. This dynamic volume underscores theatre's role in postcolonial society and politics and reexamines performance as a form of high art and everyday social ritual.\u003c\/p\u003e\u003cp\u003eContributors are Akin Adesokan, Daniel Avorgbedor, Karin Barber, Nicholas Brown, Catherine Cole, John Conteh-Morgan, Johannes Fabian, Joachim Fiebach, Marie-José Hourantier, Loren Kruger, Pius Ngandu Nkashama, Isidore Okpewho, Tejumola Olaniyan, Ato Quayson, Sandra L. Richards, Wole Soyinka, Dominic Thomas, and Bob W. White.\u003c\/p\u003e","brand":"Indiana University Press (IPS)","offers":[{"title":"Default Title","offer_id":52657694048623,"sku":"9780253217011","price":233.17,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0253217016.jpg?v=1770818566"}],"url":"https:\/\/internacional.umlivro.com.br\/collections\/performance.oembed","provider":"UmLivro Internacional","version":"1.0","type":"link"}