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For scholar and critic Regina N. Bradley, Outkast's work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. Andre 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eChronicling Stankonia\u003c\/i\u003e reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. 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In texts that refer to jazz in form or content, the Wild Woman constitutes a figure of resistance who uses language, image, and improvisation to refashion herself from object to subject. \u003cp\u003e\u003c\/p\u003e This book breaks new ground by comparing the politics of","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52634377945455,"sku":"9781496836021","price":265.92,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496836022.jpg?v=1770151255"},{"product_id":"so-you-want-to-sing-chamber-music","title":"So You Want to Sing Chamber Music","description":"\u003cp\u003eAs a comprehensive guide to learning, rehearsing, and performing vocal chamber music, this volume explores such critical skills as choosing repertoire appropriate for one\u0026amp;rsquo;s voice type, communicating with your ensemble, performance style, preparing for a successful rehearsal, staging considerations, and recital programming.\u003c\/p\u003e","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":52634380730735,"sku":"9781538105160","price":425.29,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1538105160.jpg?v=1770151353"},{"product_id":"rumba","title":"Rumba","description":"\u003cp\u003eRumba\u003c\/p\u003e","brand":"Indiana University Press (IPS)","offers":[{"title":"Default Title","offer_id":52634383876463,"sku":"9780253209481","price":182.77,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/025320948X.jpg?v=1770151464"},{"product_id":"janacek-and-his-world","title":"Janácek and His World","description":"\u003cp\u003eOnce thought to be a provincial composer of only passing interest to eccentrics, Leos Janácek (1854-1928) is now widely acknowledged as one of the most powerful and original creative figures of his time. 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Author Christopher Wilkinson demonstrates the importance of radio and the black press both in introducing this music and in keeping black West Virginians up to date with its latest developments. The book explores connections between local entrepreneurs who staged the dances and the national management of the bands that played those engagements. In analyzing black audiences' aesthetic preferences, the author reveals that many black West Virginians preferred dancing to a variety of music, not just jazz. Finally, the book shows bands now associated almost exclusively with jazz were more than willing to satisfy those audience preferences with arrangements in other styles of dance music.\u003c\/p\u003e\u003cp\u003eChristopher Wilkinson, Morgantown, West Virginia, is professor of music history at West Virginia University. He is the author of Jazz on the Road: Don Albert's Musical Life. 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Stimeling. \u003cp\u003e\u003c\/p\u003e In 1977 Ellesa Clay High thought she would spend an afternoon interviewing Lily May Ledford, best known as the lead performer of an all-female string band that began playing on the radio in the 1930s. That meeting began an unexpected journey leading into the mountains of eastern Kentucky and a hundred years into the past. Set in Red River Gorge, an area of steep ridges and box canyons, \u003ci\u003ePast Titan Rock\u003c\/i\u003e is a multigenre, multivocal re-creation of life in that region. With Ledford's guidance, High traveled and lived in the gorge, visiting with people who could remember life there before the Works Progress Administration built roads across the ridges and into the valleys during the New Deal. What emerges through a unique combination of personal essay, oral history, and short fiction is a portrait of a mountain culture rich in custom, oral tradition, and song. \u003ci\u003ePast Titan Rock\u003c\/i\u003e demonstrates the depth of community ties in the Red River Gorge and raises important questions about how to resist destructive forces today.","brand":"West Virginia University Press","offers":[{"title":"Default Title","offer_id":52635708326255,"sku":"9781952271175","price":198.56,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1952271177.jpg?v=1770215877"},{"product_id":"fiddle-tunes-from-mississippi","title":"Fiddle Tunes from Mississippi","description":"In 2015 University Press of Mississippi published \u003ci\u003eMississippi Fiddle Tunes and Songs from the 1930s\u003c\/i\u003e by Harry Bolick and Stephen T. Austin to critical acclaim and commercial success. Roughly half of Mississippi's rich, old-time fiddle tradition was documented in that volume and Harry Bolick has spent the intervening years working on this book, its sequel. \u003cp\u003e\u003c\/p\u003e Beginning with Tony Russell's original mid-1970s fieldwork as a reference, and later working with Russell, Bolick located and transcribed all of the Mississippi 78 rpm string band recordings. Some of the recording artists like the Leake County Revelers, Hoyt Ming and His Pep Steppers, and Narmour \u0026amp; Smith had been well known in the state. Others, like the Collier Trio, were obscure. This collecting work was followed by many field trips to Mississippi searching for and locating the children and grandchildren of the musicians. Previously unheard recordings and stories, unseen photographs and discoveries of nearly unknown local fiddlers, such as Jabe Dillon, John Gatwood, Claude Kennedy, and Homer Grice, followed. The results are now available in this second, companion volume, \u003ci\u003eFiddle Tunes from Mississippi: Commercial and Informal Recordings, 1920-2018\u003c\/i\u003e. \u003cp\u003e\u003c\/p\u003e Two hundred and seventy musical examples supplement the biographies and photographs of the thirty-five artists documented here. Music comes from commercial recordings and small pressings of 78 rpm, 45 rpm, and LP records; collectors' field recordings; and the musicians' own home tape and disc recordings. Taken together, these two volumes represent a delightfully comprehensive survey of Mississippi's fiddle tunes.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52635709407599,"sku":"9781496835895","price":329.48,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496835891.jpg?v=1770216012"},{"product_id":"pressed-for-all-time","title":"Pressed for All Time","description":"In histories of music, producers tend to fall by the wayside--generally unknown and seldom acknowledged. But without them and their contributions to the art form, we'd have little on record of some of the most important music ever created. Discover the stories behind some of jazz's best-selling and most influential albums in this collection of oral histories gathered by music scholar and writer Michael Jarrett. Drawing together interviews with over fifty producers, musicians, engineers, and label executives, Jarrett shines a light on the world of making jazz records by letting his subjects tell their own stories and share their experiences in creating the American jazz canon. \u003cbr\u003e\u003cbr\u003ePacked with fascinating stories and fresh perspectives on over 200 albums and artists, including legends such as Louis Armstrong, John Coltrane, and Miles Davis, as well as contemporary artists such as Diana Krall and Norah Jones, \u003ci\u003ePressed for All Time\u003c\/i\u003e tells the unknown stories of the men and women who helped to shape the quintessential American sound.\u003cbr\u003e\u003cbr\u003e","brand":"Longleaf Services on behalf of Univ of N. 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Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock--biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies--to examine the development of a relatively new literary genre dubbed by the authors as \"poetic song verse.\" They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. \u003cp\u003e\u003c\/p\u003e Among the questions asked in \u003ci\u003ePoetic Song Verse\u003c\/i\u003e are: What, exactly, is this new genre? 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This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influ","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52635717960047,"sku":"9781496837288","price":314.02,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496837282.jpg?v=1770216785"},{"product_id":"jazz-masters","title":"Jazz Masters","description":"\u003ci\u003eThe Jazz Masters: Setting the Record Straight \u003c\/i\u003efeatures twenty-one conversations with musicians who have had at least fifty years of professional experience, and several as many as seventy-five. In all, these voices reflect some seventeen hundred years' worth of paying dues. Appealing to casual fans and jazz aficionados alike, these interviews have been carefully, but minimally edited by Peter Zimmerman for sense and clarity, without changing any of the musicians' actual words. \u003cp\u003e\u003c\/p\u003e Five of the interviewees--Dick Hyman, Jimmy Owens, Sonny Rollins, Clark Terry, and Yusef Lateef--have received the National Endowment for the Arts' prestigious Jazz Masters Fellowship, attesting to their importance and ability. While not official masters, the rest are veteran performers willing to share their experiences and knowledge. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. \u003cp\u003e\u003c\/p\u003e The musicians interviewed for the book range in age from their early seventies to mid-nineties. Older musicians started their careers during the segregation of the Jim Crow era, while the youngest came up during the struggle for civil rights. All grapple with issues of race, performance, and jazz's rich legacies. In addition to performing, touring, and recording, many have composed and arranged, and others have contributed as teachers, historians, studio musicians, session players, producers, musicians' advocates, authors, columnists, poets, and artists. The interviews in \u003ci\u003eThe Jazz Masters\u003c\/i\u003e are invaluable primary material for scholars and will appeal to musicians inspired by these veterans' stories and their different approaches to music.","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52635717992815,"sku":"9781496837431","price":219.34,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496837436.jpg?v=1770216793"},{"product_id":"keeping-the-faith","title":"Keeping the faith","description":"\u003cp\u003eThis book examines the development of northern soul, its clubs, publications, and practices by locating it in the shifting economic and social context of the English midlands and north in the 1970s. 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Stan BH Tan-Tangbau details Minh's life story, telling how Minh pioneered jazz as an original genre even while navigating the trials and tribulations of a fervent socialist revolution, of the ideological battle that was the Cold War, of Vietnam's war against the United States, and of the political changes during the Ð?i M?i period between the mid-1980s and the 1990s. \u003cp\u003e\u003c\/p\u003eMinh worked tirelessly and delivered two breakthrough solo recitals in 1988 and 1989, marking the first time jazz was performed in the public sphere in the socialist state. To gain jazz acceptance as a mainstream musical art form, Minh founded \u003ci\u003eMinh Jazz Club\u003c\/i\u003e. 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From studies of how popular musical styles from the Americas and Europe were adapted to meet local exigencies to how socialist-bloc and nonaligned Cold War organizations facilitated the circulation of popular music throughout the region, the contributors outline how music forged and challenged alliances, revolutions, and countercultures. They also show how the Cold War's legacy shapes contemporary culture, particularly in the ways 1990s and 2000s J-pop and K-pop are rooted in American attempts to foster economic exchange in East Asia in the 1960s.Throughout, \u003ci\u003eSound Alignments\u003c\/i\u003e demonstrates that the experiences of the Cold War in Asia were as diverse and dynamic as the music heard and performed in it.\u003cbr\u003e\u003cbr\u003eContributors. Marié Abe, Michael K. Bourdaghs, Paola Iovene, Nisha Kommattam, Jennifer Lindsay, Kaley Mason, Anna Schultz, Hyunjoon Shin, C. J. W.-L. Wee, Hon-Lun (Helan) Yang, Christine R. 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The demimonde of the traditional Nashville venues (Tootsie's Orchid Lounge, Robert's Western World, and the Ryman Auditorium) and first-wave artists (Roy Acuff, Ernest Tubb, and Lefty Frizzell) are shown coming into first contact, if not conflict, with a new wave of pop-influenced and business savvy country performers (Jeannie C. \"Harper Valley PTA\" Riley, Johnny Ryles, and Glen Campbell) and rock performers (Bob Dylan, Gram Parsons, the Byrds, and the Grateful Dead) as they took the form well beyond Music City. Originally published in 1970, \u003ci\u003eThe Nashville Sound\u003c\/i\u003e shows the resulting identity crisis as a fascinating, even poignant, moment in country music and entertainment history.","brand":"Longleaf Services on behalf of Univ of Georgia Pre","offers":[{"title":"Default Title","offer_id":52635767374191,"sku":"9780820348575","price":178.83,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0820348570.jpg?v=1770218754"},{"product_id":"orlando-di-lassos-imitation-magnificats-for-counter-reformation-munich","title":"Orlando di Lasso's Imitation Magnificats for Counter-Reformation Munich","description":"\u003cp\u003eAfter the Mass Ordinary, the Magnificat was the liturgical text most frequently set by Renaissance composers, and Orlando di Lasso's 101 polyphonic settings form the largest and most varied repertory of Magnificats in the history of European music. 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Without relying on professional jargon, he lucidly and succinctly explains Babbitt's complexities. A catalog of compositions, a discography, and a bibliography complete a book that will interest performers, music theorists, and music historians, as well as other readers who are enthusiastic or curious about contemporary musical works.\u003cbr\u003e\u003cbr\u003eOriginally published in 1994.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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Aficionados of the blues will find plenty to pique their interest, but the book truly shines because of the portrait itpaints of a man who has made kindness and respect a lifelong philosophy.\" -- \u003cstrong\u003eBillboard\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\"B.B. King is the preeminent living practioner of the blues...Blues All Around Me is a treasure trove of informatino...told with real feeling\" -- \u003cstrong\u003e\u003ci\u003eWashinton Post Book World\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\"An excellent musical life...dotted with encounters from everyone from Sonny Boy Williamson and Miles Davis to Stevie Ray Vaughn\" -- \u003cstrong\u003e\u003ci\u003ePhiladelphia Inquirer\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\"Candid...heartbreaking...deceptively and disarmingly casual and controversial...King's book is as self-questioningly honest as any blues song.\" -- \u003cstrong\u003e\u003ci\u003eHouston Chronicle\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\"B.B.'s life and 50-year career is a precious piece of American history that no one could have told better--except maybe Lucille.\" -- \u003cstrong\u003e\u003ci\u003eVibe\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\"An amazing success story...an eminently entertaining tale of a true American hero.\" -- \u003cstrong\u003e\u003ci\u003eAustin American-Statesman\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\"For almost 50 years, King has let his guitar, Lucille, do the talking. Now the celebrated bluesman tells his own gutsy story.\" -- \u003cstrong\u003e\u003ci\u003eBuzz\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\"A classy book from a classy man...straightforward, frank, unaffected, and breezy, with many funny, insightful stories and anecdotes.\" -- \u003cstrong\u003e\u003ci\u003eSeattle Times\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\"King tells his very American success story with the lyricism and leisurely pace of a born storyteller...with warmth and sincerity.\" -- \u003cstrong\u003e\u003ci\u003eRolling Stone\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\"This is one of the best recent pop-music bios. King speaks straight from the soul, it seems, just like he plays guitar.\" -- \u003cstrong\u003e\u003ci\u003eBooklist\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\"Excellent...provocative...King comes off in print\u003c\/p\u003e","brand":"HarperCollins","offers":[{"title":"Default Title","offer_id":52636035449199,"sku":"9780062061034","price":122.42,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0062061038.jpg?v=1770232030"},{"product_id":"dream-brother","title":"Dream Brother","description":"\u003cp\u003eWhen Jeff Buckley drowned at the age of thirty in 1997, he not only left behind a legacy of brilliant music -- he brought back haunting memories of his father, '60s troubadour Tim Buckley, a gifted musician who barely knew his son and who himself died at twenty-eight. Both father and son made transcendent music that mixed rock, jazz, and folk; both amassed a cadre of obsessive, adoring fans.\u003c\/p\u003e\u003cp\u003eThis absorbing dual biography -- based on interviews with more than one hundred friends, family members, and business associates as well as access to journals and unreleased recordings -- tells for the first time the intriguing, often heartbreaking story of these two musicians. It offers a new understanding of the Buckleys' parallel lives -- and tragedies -- while exploring the changing music business between the '60s and the '90s. 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In this fresh exploration of Rameau's compositional aesthetic, Charles Dill depicts a much more complicated figure: one obsessed with tradition, music theory, his own creative instincts, and the public's expectations of his music. Dill examines the ways Rameau mediated among these often competing values and how he interacted with his critics and with the public. The result is a sophisticated rethinking of Rameau as a musical innovator.\u003cbr\u003e\u003cbr\u003eIn his compositions, Rameau tried to highlight music's potential for dramatic meanings. But his listeners, who understood lyric tragedy to be a poetic rather than musical genre, were generally frustrated by these attempts. In fact, some described Rameau's music as monstrous--using an image of deformity to represent the failure of reason and communication. Dill shows how Rameau answered his critics with rational, theoretical arguments about the role of music in lyric tragedy. 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