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These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.\u003c\/p\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":52635732410735,"sku":"9780691611280","price":367.28,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0691611289.jpg?v=1770217598"},{"product_id":"noh-drama-and-the-tale-of-the-genji","title":"Noh Drama and The Tale of the Genji","description":"\u003cp\u003eThe Japanese noh theater has enjoyed a rich, continuous history dating back to the Muromachi period (1336-1573), when virtually the entire repertoire was written. Some of the finest plays were inspired by the eleventh-century masterpiece of court literature, \u003ci\u003eThe Tale of Genji\u003c\/i\u003e. In this detailed study of fifteen noh plays based upon the Genji, Janet Goff looks at how the novel was understood and appreciated by Muromachi audiences. A work steeped in the court poetry, or waka, tradition, the Genji in turn provided a source of inspiration and allusion for later poets, who produced a variety of handbooks and digests on the work as an aid in composing poetry. Drawing on such sources from the Muromachi period, Goff shows how playwrights reflected contemporary attitudes toward the Genji, even as they transformed its material to suit the demands of the noh as a theatrical form. This book includes annotated translations of the plays, many of them appearing in English for the first time. The translations are preceded by essays covering the history of each play and its use of Genji material.\u003cbr\u003e\u003cbr\u003eOriginally published in 1991.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.\u003c\/p\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":52635925774703,"sku":"9780691604404","price":333.43,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0691604401.jpg?v=1770227938"},{"product_id":"virgils-elements","title":"Virgil's Elements","description":"\u003cp\u003eProfessor Ross presents the Georgics as a poem of science, of the power and ultimate failure of knowledge. Exploring the science that Virgil knew and used, he analyzes the oppositions and balances of lire and water, of the qualities of hot and cold, wet and dry, throughout the poem. These the farmer manipulates to create the balance necessary for growth, yet, in Virgil's universe, the potential for destruction inevitably results in a profound pessimism.\u003cbr\u003e\u003cbr\u003eOriginally published in 1987.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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This close study of the language and rhetorical context of the prophecies reveals that they regularly suppress discouraging material: the gods send promising messages to Aeneas and others to spur them on in their struggles, but these struggles often lead to untimely deaths or other disasters only darkly hinted at by the prophecies. O'Hara finds in these prophecies a persistent subtext that both stresses the human cost of Aeneas' mission and casts doubt on Jupiter's promise to Venus of an \"endless empire\" for the Romans. O'Hara considers the major prophecies that look confidently toward Augustus' Rome from the standpoint of Vergil's readers, who, like the characters within the poem, must struggle with the possibility that the optimism of the prophecies of Rome is undercut by darker material partially suppressed. The study shows that Vergil links the deception of his characters to the deceptiveness of Roman oratory, politics, and religion, and to the artifice of poetry itself. In response to recent debates about whether the Aeneid is optimistic or pessimistic, O'Hara argues that Vergil expresses both the Romans' hope for the peace of a Golden Age under Augustus and their fear that this hope might be illusory.\u003cbr\u003e\u003cbr\u003eOriginally published in 1990.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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Classics of Puritan expression, like Mary Rowlandson's captivity narrative, Anne Bradstreet's poetry, and William Bradford's \u003ci\u003eOf Plymouth Plantation\u003c\/i\u003e appear alongside texts that are less well known but no less important: confessions of religious experience by lay people, the \"diabolical\" possession of a young woman, and the testimony of Native Americans who accept Christianity. Hall's chapter introductions provide a running history of Puritanism in seventeenth-century New England and alert readers to important scholarship.\u003cbr\u003e\u003cbr\u003e Above all, this is a collection of texts that vividly illuminates the experience of being a Puritan in the New World. 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The play, Lawrence's first, is the alter ego of the story \"Odour of Chrysanthemums\" and, like the short story, deals with a catastrophe in the lives of a coal mining family. Drawing upon the intensity of events that unfold in the miner's kitchen, the play explores a marriage bowed under the weight of a husband's drinking and infidelity and peers into the strange, burgeoning relationship between the neglected wife, Mrs. Holroyd, and the young electrician in whom she seeks emotional refuge. First published in 1914, The \u003ci\u003eWidowing of Mrs. Holroyd\u003c\/i\u003e is a bare tracing of the ways in which a marriage has gone wrong.","brand":"University of Pennsylvania Press","offers":[{"title":"Default Title","offer_id":52640643055983,"sku":"9780812218176","price":122.59,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0812218175.jpg?v=1770395297"},{"product_id":"medea","title":"Medea","description":"\u003cp\u003eMedea\u003c\/p\u003e","brand":"Longleaf Services on behalf of Cornell University","offers":[{"title":"Default Title","offer_id":52640646332783,"sku":"9780801494321","price":116.57,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/080149432X.jpg?v=1770395527"},{"product_id":"the-satyrica-of-petronius","title":"The Satyrica of Petronius","description":"\u003cp\u003eThe Satyrica of Petronius\u003c\/p\u003e","brand":"University of Oklahoma Press","offers":[{"title":"Default Title","offer_id":52640848544111,"sku":"9780806144382","price":219.35,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0806144386.jpg?v=1770401418"},{"product_id":"why-we-fight","title":"Why We Fight","description":"\u003cp\u003eThis book draws on twenty-four academic disciplines to analyze some 100 theories that explain the origins, nature, and management of human conflict. 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Keats immortalized the work of the Renaissance dramatist and poet in the sonnet \"On First Looking into Chapman's Homer.\" Swinburne praised the translations for their \"romantic and sometimes barbaric grandeur,\" their \"freshness, strength, and inextinguishable fire.\" The great critic George Saintsbury (1845-1933) wrote: \"For more than two centuries they were the resort of all who, unable to read Greek, wished to know what Greek was. Chapman is far nearer Homer than any modern translator in any modern language.\" This volume presents the original text of Chapman's translation of the \u003ci\u003eOdyssey\u003c\/i\u003e (1614-15), making only a small number of modifications to punctuation and wording where they might confuse the modern reader. The editor, Allardyce Nicoll, provides an introduction, textual notes, a glossary, and a commentary. 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He shows that this poem, aimed at promoting spiritual tranquillity, confronts two anxieties about death not addressed in Epicurus's abstract treatment--the fear of the process of dying and the fear of nothingness. Lucretius, Segal argues, deals more specifically with the body in dying because he draws on the Roman concern with corporeality as well as on the rich traditions of epic and tragic poetry on mortality.\u003cbr\u003e\u003cbr\u003eSegal explains how Lucretius's sensitivity to the vulnerability of the body's boundaries connects the deaths of individuals with the deaths of worlds, thereby placing human death into the poem's larger context of creative and destructive energies in the universe. The controversial ending of the poem, which describes the plague at Athens, is thus the natural culmination of a theme developed over the course of the work.\u003cbr\u003e\u003cbr\u003eOriginally published in 1990.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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The more than two hundred fifty poems range from the lovely to the playful to the ribald, but all are, as an epigram should be, polished and elegant. 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