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He also undertakes briefer analysis of literature, drawn from both historians and political scientists of the Vietnam War, demonstrating that historical revisionism is not unique to the study of the Middle East.\u003c\/p\u003e","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":52634425196911,"sku":"9780739112731","price":429.98,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0739112732.jpg?v=1770152071"},{"product_id":"national-narratives-in-mexico","title":"National Narratives in Mexico","description":"\u003cp\u003eIf history is written by the victors, then as the rulers of a nation change, so too does the history. Mexico has had many distinct periods of history, demonstrating clearly that the tale changes with the writer. In National Narratives in Mexico, Enrique Florescano examines each historical vision of Mexico as it was interpreted in its own time, revealing the influences of national or ethnic identity, culture, and evolving concepts of history and national memory.\u003c\/p\u003e\u003cp\u003eFlorescano shows how the image of Mexico today is deeply rooted in ideas of past Mexicos-ancient Mexico, colonial Mexico, revolutionary Mexico-and how these ideas can be more fully understood by examining Mexico's past historians. An awareness of the historian's cultural perspective helps us to understand which types of evidence would be considered valid in constructing a national narrative. These considerations are important in modern Mexican historiography, as historians begin to question the validity of Mexico's \"collective memory.\"\u003c\/p\u003e\u003cp\u003eEnhanced by more than two hundred drawings, photographs, and maps, National Narratives in Mexico offers a new vision of Mexico's turbulent history.\u003c\/p\u003e\u003cp\u003eNancy Hancock has recently completed the translation of eight bilingual books written or edited by her husband on the Mexican state of Chihuahua.\u003c\/p\u003e\u003cp\u003eRaúl Velázquez, a gifted and versatile artist, has dedicated several years to drawing and reproducing a wide variety of pre-Hispanic Mesoamerican artwork.\u003c\/p\u003e\u003cp\u003eEnrique Florescano, a preeminent Mexican scholar, has written more than a dozen books on Mexico and is the editor of two book series on Mexican culture and history. His works previously translated into English include Memory, Myth, and Time in Mexico and The Myth of Quetzalcoatl.\u003c\/p\u003e","brand":"University of Oklahoma Press","offers":[{"title":"Default Title","offer_id":52635668939119,"sku":"9780806143187","price":267.18,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0806143185.jpg?v=1770211701"},{"product_id":"living-with-history-making-social-change","title":"Living with History \/ Making Social Change","description":"This stimulating collection of essays in an autobiographical framework spans the period from 1963 to the present. It encompasses Gerda Lerner's theoretical writing and her organizational work in transforming the history profession and in establishing Women's History as a mainstream field.\u003cbr\u003e\u003cbr\u003eSix of the twelve essays are new, written especially for this volume; the others have previously appeared in small journals or were originally presented as talks, and have been revised for this book. Several essays discuss feminist teaching and the problems of interpretation of autobiography and memoir for the reader and the historian. Lerner's reflections on feminism as a worldview, on the meaning of history writing, and on problems of aging lend this book unusual range and depth.  \u003cbr\u003e\u003cbr\u003eTogether, the essays illuminate how thought and action connected in Lerner's life, how the life she led before she became an academic affected the questions she addressed as a historian, and how the social and political struggles in which she engaged informed her thinking. Written in lucid, accessible prose, the essays will appeal to the general reader as well as to students at all levels. \u003ci\u003eLiving with History \/ Making Social Change\u003c\/i\u003e offers rare insight into the life work of one of the leading historians of the United States.\u003cbr\u003e\u003cbr\u003e","brand":"Longleaf Services on behalf of Univ of N. Carolina","offers":[{"title":"Default Title","offer_id":52635672936815,"sku":"9781469622019","price":244.06,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1469622017.jpg?v=1770212391"},{"product_id":"tacitus","title":"Tacitus","description":"\u003cp\u003eTacitus\u003c\/p\u003e","brand":"Cambridge University Press","offers":[{"title":"Default Title","offer_id":52635686338927,"sku":"9780521269391","price":252.93,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0521269393.jpg?v=1770213594"},{"product_id":"the-history-of-zonaras","title":"The History of Zonaras","description":"\u003cp\u003eWhile an exile from Constantinople, the twelfth-century Byzantine functionary and canonist John Zonaras culled earlier chronicles and histories to compose an account of events from creation to the reign of Alexius Comnenus. For topics where his sources are lost or appear elsewhere in more truncated form, his testimony and the identification of the texts on which he depends are of critical importance. \u003c\/p\u003e\n\u003cp\u003eFor his account of the first two centuries of the Principate, Zonaras employed now-lost portions of Cassius Dio. From the point where Dio's \u003cem\u003eHistory\u003c\/em\u003e ended, to the reign of Theodosius the Great (d. 395), he turned to other sources to produce a uniquely full historical narrative of the critical years 235-395, making Books XII.15-XIII.19 of the \u003cem\u003eEpitome\u003c\/em\u003e central to the study of both late Roman history and late Roman and Byzantine historiography.\u003c\/p\u003e\n\u003cp\u003eThis key section of the \u003cem\u003eEpitome\u003c\/em\u003e, together with Zonaras' \u003cem\u003ePrologue\u003c\/em\u003e, here appears in English for the first time, both complemented by a historical and historiographical commentary. A special feature of the latter is a first-ever English translation of a broad range of sources which illuminate Zonaras' account and the historiographical traditions it reflects. Among the authors whose newly translated works occupy a prominent place in the commentary are George Cedrenus, George the Monk, John of Antioch, Peter the Patrician, Symeon Magister, and Theodore Scutariotes. Specialized indices facilitate the use of the translations and commentary alike.\u003c\/p\u003e\n\u003cp\u003eThe result is an invaluable guide and stimulus to further research for scholars and students of the history and historiography of Rome and Byzantium.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e","brand":"Taylor \u0026 Francis Ltd","offers":[{"title":"Default Title","offer_id":52635686666607,"sku":"9780415694322","price":383.69,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0415694329.jpg?v=1770213650"},{"product_id":"history-as-a-visual-art-in-the-twelfth-century-renaissance","title":"History as a Visual Art in the Twelfth-Century Renaissance","description":"\u003cp\u003eKarl Morrison discusses historical writing at a turning point in European culture: the so-called Renaissance of the twelfth century. Why do texts considered at that time to be masterpieces seem now to be fragmentary and full of contradictions? Morrison maintains that the answer comes from ideas about art. Viewing histories as artifacts made according to the same aesthetic principles as paintings and theater, he shows that twelfth-century authors and audiences found unity not in what the reason read in a text but in what the imagination read into it: they prized visual over verbal imagination and employed a circular, or nuclear, spectator-centered perspective cast aside in the Renaissance of the fourteenth and fifteenth centuries.\u003cbr\u003e\u003cbr\u003eTwelfth-century writers assimilated and transformed a tradition of the conceptual unity of all the arts and attributed that unity to the fact that art both conceals and discloses. Recovering that tradition, especially the methods and motives of concealment, provides extraordinary insights into twelfth-century ideas about the kingdom of God, the status of women, and the nature of time itself. It also identifies a strain in European thought that had striking affinities to methods of perception familiar in Oriental religions and that proved to be antithetic to later humanist traditions in the West.\u003cbr\u003e\u003cbr\u003eOriginally published in 1990.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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Evans combines historical, anthropological, and literary techniques to show how the war affected not only the great thinker's view of Persian aggression and of the people involved in it but also the shape of the Histories themselves. The first essay discusses Herodotus' investigation of imperialism, and the second finds the beginnings of biography in his descriptions of individuals, particularly in his well-crafted portrait of Cyrus. The third essay describes the \"Father of History\" as a collector and evaluator of local oral stories, sources for the written work that was destined by its scope and unifying plan to introduce a new genre. Evans draws analogies between Herodotus' methods and those of oral historians in other cultures, particularly in precolonial Africa. He also explores comparisons between Herodotus in Egypt and sixteenth-and seventeenth-century European ethnologists in the Americas.\u003cbr\u003e\u003cbr\u003eOriginally published in 1990.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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Women praying for their dead, monks creating and re-creating their archives, scribes choosing which royal families of the past to applaud and which to forget: it is from such sources that most of our knowledge of the medieval period comes. 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The methods employed by the historians in studying ideas, as well as the substantive interpretations expressed in the histories, are analyzed in relation to the \"world-views\" or \"ideological positions\" of the historians themselves.\u003cbr\u003e\u003cbr\u003eOriginally published in 1966.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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Published in Beirut in 1960, Duri's book was the first comprehensive effort to trace the origins and early development of Arab historical writing, and to resolve some extremely complex and still debated questions about the reliability of the Arabic historical sources.\u003cbr\u003e\u003cbr\u003eOriginally published in 1984.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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Jeremy Black considers the interaction of history with knowledge and culture in eighteenth-century England and shows how this engagement with the past influenced English historical writing. The past was used as a tool to illustrate the contemporary religious, social, and political debates that shaped the revolutionary advances of the era. Black reveals this \"present-centered\" historical writing to be so valued and influential in the eighteenth-century that its importance is greatly underappreciated in current considerations of the period. 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In other words, historiography-the study of historians and their particular contributions to the body of historical records-must not be ignored by those who seriously wish to understand the past.\u003c\/p\u003e\u003cp\u003eWhen the first edition of Michael Kraus's Writing of American History was published, a reviewer for the New York Herald Tribune wrote: \"No serious study of our national origins and development can afford not to have such an aid as this at his elbow.\" The book quickly came to be regarded as one of the few truly standard general surveys of American historiography, invaluable as a reference book, as a textbook, and as a highly readable source of information for the interested general reader. This new edition with coauthor Davis D. Joyce confirms its position as the definitive work in the field.\u003c\/p\u003e\u003cp\u003eConcise yet comprehensive, here is an analysis of the writers and writings of American history from the Norse voyages to modern times. 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