{"title":"História Do Teatro","description":null,"products":[{"product_id":"shakespeare","title":"Shakespeare","description":"\u003cp\u003eWilliam Shakespeare, the most celebrated poet in the English language, left behind nearly a million words of text, but his biography has long been a thicket of wild supposition arranged around scant facts. With a steady hand and his trademark wit, Bill Bryson sorts through this colorful muddle to reveal the man himself. His Shakespeare is like no one else's the beneficiary of Bryson's genial nature, his engaging skepticism, and a gift for storytelling unrivaled in our time.\"\u003c\/p\u003e","brand":"HarperCollins","offers":[{"title":"Default Title","offer_id":52636024832367,"sku":"9780061673696","price":106.96,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0061673692.jpg?v=1770391733"},{"product_id":"ancient-scripts-and-modern-experience-on-the-english-stage-1500-1700","title":"Ancient Scripts and Modern Experience on the English Stage, 1500-1700","description":"\u003cp\u003eUnlike the contrast between the sacred and the taboo, the opposition of \"comic\" and \"tragic\" is not a way of categorizing experience that we find in cultures all over the world or even at different periods in Western civilization. Though medieval writers and readers distinguished stories with happy endings from stories with unhappy endings, it was not until the sixteenth and seventeenth centuries--fifteen hundred years after Sophocles, Euripides, Plautus, and Terence had last been performed in the theaters of the Roman Empire--that tragedy and comedy regained their ancient importance as ways of giving dramatic coherence to human events. Ancient Scripts and Modern Experience on the English Stage charts that rediscovery, not in the pages of scholars' books, but on the stages of England's schools, colleges, inns of court, and royal court, and finally in the public theaters of sixteenth-and seventeenth-century London.\u003cbr\u003e\u003cbr\u003eIn bringing to imaginative life the scripts, eyewitness accounts, and financial records of these productions, Bruce Smith turns to the structuralist models that anthropologists have used to explain how human beings as social creatures organize and systematize experience. He sets in place the critical, physical, and social structures in which sixteenth-and seventeenth-century Englishmen watched productions of classical comedy and classical tragedy. Seen in these three contexts, these productions play out a conflict between classical and medieval ways of understanding and experiencing comedy's interplay between satiric and romantic impulses and tragedy's clash between individuals and society.\u003cbr\u003e\u003cbr\u003eOriginally published in 1988.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcov\u003c\/p\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":52636025356655,"sku":"9780691606064","price":325.44,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0691606064.jpg?v=1770231406"},{"product_id":"court-and-country-politics-in-the-plays-of-beaumont-and-fletcher","title":"Court and Country Politics in the Plays of Beaumont and Fletcher","description":"\u003cp\u003eThe seventeenth-century English collaborative authors Francis Beaumont and John Fletcher were not only the most popular playwrights of their day but also literary figures highly esteemed by the great critics of the age, Jonson and Dryden. Concentrating on the passions of the royalty and high nobility in a courtly atmosphere, their dramas are now usually seen as epitomizing a decadent turn in theater at the end of the Jacobean period. Philip Finkelpearl sets out to change this view by revealing the subtle political challenges contained in the plays and by showing that they criticize rather than exemplify false values. The result is a wholly new conception of this pair of dramatists and of the entire question of the relationship between the Crown and the theater in their time. Finkelpearl presents new biographical material revealing that Beaumont and Fletcher had good and sufficient reasons to be critical of the court and the king, and he shows that their most important works--especially The Knight of the Burning Pestle, Philaster, A King and No King, and The Maid's Tragedy have such criticism as a central concern. Court and Country Politics in the Plays of Beaumont and Fletcher offers much information on the nature of the \"public\" and \"private\" theaters at which these plays were presented and on Jacobean censorship. The book is an impressive explanation of why Beaumont and Fletcher were a central force in the Age of Shakespeare.\u003cbr\u003e\u003cbr\u003eOriginally published in 1990.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Pre\u003c\/p\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":52636025717103,"sku":"9780691603827","price":332.21,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0691603820.jpg?v=1770231449"},{"product_id":"david-belasco","title":"David Belasco","description":"\u003cp\u003eA pioneer of stage naturalism, David Belasco has come to be universally recognized as one of the first important directors in the history of the American stage. Lise-Lone Marker's book is a full-length stylistic analysis and re-evaluation of his scenic art.\u003cbr\u003e\u003cbr\u003eBased on a rich body of primary sources, among which are Belasco's promptbooks and papers, the book synthesizes the aims, methods, and techniques inherent in the naturalistic production style that Belasco developed during the six decades of his career. The elements of that style-the magic reality of his stage settings, his innovations in plastic lighting, his directorial method-are also seen in the context of theatrical developments elsewhere.\u003cbr\u003e\u003cbr\u003eOn the basis of this synthesis. Professor Marker reconstructs and analyzes four of Belasco's most important productions, each representative of a distinct phase of his directorial art. Her explorations uncover much new information about Belasco and the American theatre around the turn of the century.\u003cbr\u003e\u003cbr\u003eOriginally published in 1975.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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Yet no single person has greater responsibility in what George Henry Lewes called the \"perilous game\" of play production. The essays in this volume examine five English and American theatrical managers, from the Elizabethan period to the twentieth century: Philip Henslowe, Tate Wilkinson, Stephen Price, Edwin Booth, and Charles Wyndham. The contributors, who evaluate the relationship of each manager to the drama of his time, include Bernard Beckerman, Charles Beecher Hogan, Benard Hewitt, Charles Shattuck, and George Rowell. Joseph Donohue's essay, \"The Theatrical Manager and the Uses of Theatrical Research,\" introduces the volume.\u003cbr\u003e\u003cbr\u003eOriginally published in 1971.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.\u003c\/p\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":52640408863087,"sku":"9780691620213","price":288.83,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0691620210.jpg?v=1770391533"},{"product_id":"rival-queens","title":"Rival Queens","description":"\u003cp\u003eIn eighteenth-century England, actresses were frequently dismissed as mere prostitutes trading on their sexual power rather than their talents. Yet they were, Felicity Nussbaum argues, central to the success of a newly commercial theater. Urban, recently moneyed, and thoroughly engaged with their audiences, celebrated actresses were among the first women to achieve social mobility, cultural authority, and financial independence. In fact, Nussbaum contends, the eighteenth century might well be called the \"age of the actress\" in the British theater, given women's influence on the dramatic repertory and, through it, on the definition of femininity.\u003c\/p\u003e\u003cp\u003eTreating individual star actresses who helped spark a cult of celebrity--especially Anne Oldfield, Susannah Cibber, Catherine Clive, Margaret Woffington, Frances Abington, and George Anne Bellamy--\u0026lt;i\u0026gt;Rival Queens\u0026lt;\/i\u0026gt; reveals the way these women animated issues of national identity, property, patronage, and fashion in the context of their dramatic performances. Actresses intentionally heightened their commercial appeal by catapulting the rivalries among themselves to center stage. They also boldly challenged in importance the actor-managers who have long dominated eighteenth-century theater history and criticism. Felicity Nussbaum combines an emphasis on the actresses themselves with close analysis of their diverse roles in works by major playwrights, including George Farquhar, Nicholas Rowe, Colley Cibber, Arthur Murphy, David Garrick, Isaac Bickerstaff, and Richard Sheridan. Hers is a comprehensive and original argument about the importance of actresses as the first modern subjects, actively shaping their public identities to make themselves into celebrated properties.\u003c\/p\u003e","brand":"University of Pennsylvania Press","offers":[{"title":"Default Title","offer_id":52640773439855,"sku":"9780812223019","price":238.03,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0812223012.jpg?v=1770398033"},{"product_id":"jonson-and-the-psychology-of-public-theater","title":"Jonson and the Psychology of Public Theater","description":"\u003cp\u003eThis book is a study of Ben Jonson's relationship with his audience in the public theater, as the relationship changed in the course of his career from the comical satires to Bartholomew Fair.\u003cbr\u003e\u003cbr\u003eOriginally published in 1984.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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Over the following two years, Brown expanded his enterprises, founding a series of theaters that featured African Americans playing a range of roles unprecedented on the American stage and that drew increasingly integrated audiences. \u003cbr\u003e\u003cbr\u003eMarvin McAllister explores Brown's pioneering career and reveals how each of Brown's ventures--the African Grove, the Minor Theatre, the American Theatre, and the African Company--explicitly cultivated an intercultural, multiracial environment. He also investigates the negative white reactions, verbal and physical, that led to Brown's managerial retirement in 1823. \u003cbr\u003e\u003cbr\u003eBrown left his mark on American theater by shaping the careers of his performers and creating new genres of performance. Beyond that legacy, says McAllister, this nearly forgotten theatrical innovator offered a blueprint for a truly inclusive national theater.\u003cbr\u003e\u003cbr\u003e","brand":"Longleaf Services on behalf of Univ of N. 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When young Buster was being hurled about the stage by his comically irate father in the family's vaudeville act, The Three Keatons, he was perfecting his acrobatic skills, timing, visual humor, and trademark \"stone face.\" As Knopf demonstrates, such theatrics would serve Keaton well as a film director and star. By isolating elements of vaudeville within works that have previously been considered \"classical,\" Knopf reevaluates Keaton's films and how they function.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e The book combines vivid visual descriptions and illustrations that enable us to see Keaton at work staging his memorable images and gags, such as a three-story wall collapsing on him (\u003ci\u003eSteamboat Bill, Jr.\u003c\/i\u003e, 1928) and an avalanche of boulders chasing him down a mountainside (\u003ci\u003eSeven Chances\u003c\/i\u003e, 1925). Knopf explains how Keaton's stunts and gags served as fanciful departures from his films' storylines and how they nonetheless reinforced a strange sense of reality, that of a machine-like world with a mind of its own. In comparison to Chaplin and Lloyd, Keaton made more elaborate use of natural locations. The scene in \u003ci\u003eThe Navigator, \u003c\/i\u003efor example\u003ci\u003e,\u003c\/i\u003e where Buster brandishes a swordfish to fend off another swordfish derives much of its power from actually being shot under water. Such \"hyper-literalism\" was but one element of Keaton's films that inspired the surrealists.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Exploring Keaton's influence on Salvador Dalí, Luis Buñuel, Federico García Lorca, and Robert Desnos, Knopf suggests that Keaton's achievement extends beyond Hollywood into the avant-garde. The book concludes wi\u003c\/p\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":52640810631535,"sku":"9780691004426","price":315.87,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0691004420.jpg?v=1770400345"},{"product_id":"pierrot","title":"Pierrot","description":"\u003cp\u003eRobert Storey's lively and gracefully written study of Pierrot is the first scholarly history of this fascinating popular figure. Unlike previous studies of commedia dell'arte characters; this book focuses as much on Pierrot as a literary metaphor and mask as on the roles and dimensions of his stage character.\u003cbr\u003e\u003cbr\u003eOriginally published in 1978.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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He asks the reader to commit himself to a variety of points of view-those of witnesses, actors, directors, and characters-as a series of \"critical fictions\" lead him toward the experience of each play in performance.\u003cbr\u003e\u003cbr\u003e The author supplies detailed readings of the plays in various modes. The styles of the chapters vary according to the issues dominant in the plays discussed, and the reader experiences simultaneously a sense of approaching the meaning of performance and of gaining a deeper understanding of the play through a subtle and allusive commentary.\u003cbr\u003e\u003cbr\u003eOriginally published in 1977.\u003cbr\u003e\u003cbr\u003eThe \u003cb\u003ePrinceton Legacy Library\u003c\/b\u003e uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. 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A chapter-by-chapter analysis looks at each play in detail and the appendices carry transcripts of interviews with colleagues and leading theatre practitioners involved with her productions. This book is the first study of the most significant British dramatist in post-war theatre and includes unpublished interview material with Sarah Kane herself.\u003c\/p\u003e","brand":"Manchester University Press (P648)","offers":[{"title":"Default Title","offer_id":52653439320431,"sku":"9780719059568","price":185.61,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0719059569.jpg?v=1770726309"},{"product_id":"readers-guide-to-modern-american-drama","title":"Reader's Guide to Modern American Drama","description":"\u003cp\u003eThis is a comprehensive survey of modern American drama beginning with its antecedents in Victorian melodrama through to the present. 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In addition, he describes the contributions of the early Experimental theatre, the Federal Theatre of the 1930s, African American, feminist, and gay and lesbian drama - and the joyous trends and triumphs of American musical theatre.\u003c\/p\u003e","brand":"Longleaf Services on behalf of Syracuse University","offers":[{"title":"Default Title","offer_id":52653507084655,"sku":"9780815629399","price":189.37,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0815629397.jpg?v=1770732263"},{"product_id":"singing-simpkin-and-other-bawdy-jigs","title":"Singing Simpkin and other Bawdy Jigs","description":"\u003cp\u003e\u003cbr\u003e\nA popular crowd-pleaser in the late 16\u003csup\u003eth\u003c\/sup\u003e and mid-17\u003csup\u003eth\u003c\/sup\u003e century, the dramatic jig was a short, comic, bawdy musical-drama which included elements of dance, slapstick and disguise. This performance edition presents for the first time nine examples of English dramatic jigs from the late sixteenth century through to the Restoration.\u003c\/p\u003e\n \u003cp\u003e \u003c\/p\u003e\n \u003cp\u003e \u003c\/p\u003e","brand":"University of Exeter Press","offers":[{"title":"Default Title","offer_id":52653521863023,"sku":"9780859898782","price":374.03,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0859898784.jpg?v=1770733009"},{"product_id":"the-nobler-pleasure","title":"The Nobler Pleasure","description":"The author traces Dryden's theory of comedy through two main stages of development, 1663-75 and 1675-1700. In the first stage, Dryden conceives of ideal comedy as a heightened mixture of Jonsonian humor and Fletcherian love and wit. 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