{"title":"Folclore E Contos De Fadas","description":null,"products":[{"product_id":"critical-and-creative-perspectives-on-fairy-tales","title":"Critical and Creative Perspectives on Fairy Tales","description":"\u003cp\u003eIn \u003cem\u003eCritical and Creative Perspectives on Fairy Tales: An Intertextual Dialogue between Fairy-Tale Scholarship and Postmodern Retellings\u003c\/em\u003e Vanessa Joosen broadens the traditional concept of intertextuality to include academic texts. With three key texts from the 1970s at the center of her discussion-Marcia K. Lieberman's \"Some Day My Prince Will Come,\" Bruno Bettelheim's The Uses of Enchantment, and Sandra Gilbert and Susan Gubar's The Madwoman in the Attic-Joosen connects the critical views expressed in these feminist and psychoanalytic interpretations with fictional fairy-tale retellings and illustrations that have been published in Dutch, English, and German since the 1970s.\u003cbr\u003e\n\u003cbr\u003e\nWhile readers may not automatically connect fairy-tale retellings and criticism, Joosen argues that they represent a similar conviction to understand, interpret, criticize, and experiment with the original tale. Moving through her three critical focus texts in chronological order, Joosen addresses fairy-tale retellings in prose, poetry, and pictures, including revisions of \"Snow White,\" \"Cinderella,\" \"Sleeping Beauty,\" \"Hansel and Gretel,\" \"Little Red Riding Hood,\" and \"Beauty and the Beast.\" Authors and illustrators whose work is discussed include Paul Biegel, Anthony Browne, Gillian Cross, Emma Donoghue, Iring Fetscher, Adèle Geras, Otto Gmelin, Wim Hofman, Anne Provoost, Anne Sexton, Barbara Walker, and Jane Yolen.\u003cbr\u003e\n\u003cbr\u003e\nJoosen argues that retellings and criticism participate in a continuous and dynamic dialogue about the traditional fairy tale, but on different terms.\u003cem\u003e Critical and Creative Perspectives on Fairy Tales\u003c\/em\u003e offers many insights into the workings of fiction and criticism that will appeal to fairy-tale scholars, literature scholars, and general readers interested in intertextuality and fairy tales.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52667655324015,"sku":"9780814334522","price":289.14,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814334520.jpg?v=1770926155"},{"product_id":"pleasures-of-metamorphosis","title":"Pleasures of Metamorphosis","description":"\u003cp\u003eLucy Fraser's \u003cem\u003eThe Pleasures of Metamorphosis: Japanese and English Fairy-Tale Transformations of -\u003c\/em\u003eThe Little Mermaid\u003cem\u003e- \u003c\/em\u003eexplores Japanese and English transformations of Hans Christian Andersen's 1837 Danish fairy tale -The Little Mermaid- by focusing on pleasure as a means to analyze the huge variety of texts that transform a canonical fairy tale such as Andersen's. Fraser examines over twenty Japanese and English transformations, including literary texts, illustrated books, films, and television series. This monograph also draws upon criticism in both Japanese and English, meeting a need in Western fairy-tale studies for more culturally diverse perspectives. Fraser provides a model for critical cross-cultural fairy tale analysis in her examination of the journey of a single fairy tale across two languages.\u003c\/p\u003e\u003cp\u003eThe book begins with the various approaches to reading and writing fairy tales, with a history of -The Little Mermaid- in Japanese and English culture. Disney's \u003cem\u003eThe Little Mermaid\u003c\/em\u003e and Studio Ghibli's \u003cem\u003ePonyo on the Cliff by the Sea\u003c\/em\u003e are discussed as examples that simulate pleasurable physical experiences through animation's tools of music and voice, and visual effects of movement and metamorphosis. Fraser then explores the literary effects of the fairy tale by male authors, such as Oscar Wilde, Tanizaki Jun'ichiro, and Abe Kobo, who invoke familiar fairy-tale conventions and delineate some of the pleasures of what can be painful enchantment with a mermaid or with the fairy tale itself. The author examines the portrayals of the mermaid in three short stories by Matsumoto Yuko, Kurahashi Yumiko, and Ogawa Yoko, engaging with familiar fairy tales, reference to fairy-tale research, and reflections on the immersive experience of reading. Women characters and authors are also hyperaware of the possible meanings of Andersen's -The Little Mermaid- and of the fairy tale itself, furthering the discussi\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52667898823023,"sku":"9780814342442","price":312.65,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814342442.jpg?v=1770926815"}],"url":"https:\/\/internacional.umlivro.com.br\/collections\/folclore-e-contos-de-fadas.oembed","provider":"UmLivro Internacional","version":"1.0","type":"link"}