{"title":"Filosofia Da Arte","description":null,"products":[{"product_id":"art-as-language","title":"Art as Language","description":"\u003cp\u003eArt as Language\u003c\/p\u003e","brand":"Longleaf Services on behalf of Cornell University","offers":[{"title":"Default Title","offer_id":52634450493807,"sku":"9780801485312","price":245.55,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0801485312.jpg?v=1770153149"},{"product_id":"bioart-and-the-vitality-of-media","title":"Bioart and the Vitality of Media","description":"\u003cp\u003eBioart and the Vitality of Media\u003c\/p\u003e","brand":"University of Washington Press","offers":[{"title":"Default Title","offer_id":52640140067183,"sku":"9780295990088","price":241.15,"currency_code":"BRL","in_stock":true}]},{"product_id":"listening-to-reason","title":"Listening to Reason","description":"\u003cp\u003eThis pathbreaking work reveals the pivotal role of music--musical works and musical culture--in debates about society, self, and culture that forged European modernity through the \"long nineteenth century.\" Michael Steinberg argues that, from the late 1700s to the early 1900s, music not only reflected but also embodied modern subjectivity as it increasingly engaged and criticized old regimes of power, belief, and representation. His purview ranges from Mozart to Mahler, and from the sacred to the secular, including opera as well as symphonic and solo instrumental music.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e  Defining subjectivity as the experience rather than the position of the \"I,\" Steinberg argues that music's embodiment of subjectivity involved its apparent capacity to \"listen\" to itself, its past, its desires. Nineteenth-century music, in particular music from a north German Protestant sphere, inspired introspection in a way that the music and art of previous periods, notably the Catholic baroque with its emphasis on the visual, did not.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e  The book analyzes musical subjectivity initially from Mozart through Mendelssohn, then seeks it, in its central chapter, in those aspects of Wagner that contradict his own ideological imperialism, before finally uncovering its survival in the post-Wagnerian recovery from musical and other ideologies.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e  Engagingly written yet theoretically sophisticated, \u003ci\u003eListening to Reason\u003c\/i\u003e represents a startlingly original corrective to cultural history's long-standing inhibition to engage with music while presenting a powerful alternative vision of the modern.\u003c\/p\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":52640925286767,"sku":"9780691126166","price":319.52,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/069112616X.jpg?v=1770402932"},{"product_id":"the-use-and-abuse-of-art","title":"The Use and Abuse of Art","description":"\u003cp\u003e\u003cb\u003eFrom the celebrated cultural historian and bestselling author, a provocative history of the evolution of our ideas about art since the early nineteenth century\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIn this witty, provocative, and learned book, acclaimed cultural historian and writer Jacques Barzun traces our changing attitudes to the arts over the past 150 years, suggesting that we are living in a period of cultural liquidation, nothing less than the ending of the modern age that began with the Renaissance. 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Specifically, what is it that fosters the intensity of listener engagement with the heroic style, the often overwhelming sense of identification with its musical process? Starting with the story of heroic quest heard time and again in the first movement of the \u003ci\u003eEroica\u003c\/i\u003e Symphony, Burnham suggests that Beethoven's music matters profoundly to its listeners because it projects an empowering sense of self, destiny, and freedom, while modeling ironic self-consciousness.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e In addition to thus identifying Beethoven's music as an overarching expression of values central to the age of Goethe and Hegel, the author describes and then critiques the process by which the musical values of the heroic style quickly became the controlling model of compositional logic in Western music criticism and analysis. Apart from its importance for students of Beethoven, this book will appeal to those interested in canon formation in the arts and in music as a cultural, ethical, and emotional force--and to anyone concerned with what we want from music and what music does for us.\u003c\/p\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":52649357672815,"sku":"9780691050584","price":335.64,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0691050589.jpg?v=1770650038"},{"product_id":"drawing-distinctions","title":"Drawing Distinctions","description":"\u003cp\u003eDrawing Distinctions\u003c\/p\u003e","brand":"Longleaf Services on behalf of Cornell University","offers":[{"title":"Default Title","offer_id":52653599424879,"sku":"9780801472800","price":325.57,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0801472806.jpg?v=1770741202"},{"product_id":"osmins-rage","title":"Osmin's Rage","description":"\u003cp\u003eOsmin's Rage\u003c\/p\u003e","brand":"Longleaf Services on behalf of Cornell University","offers":[{"title":"Default Title","offer_id":52653607944559,"sku":"9780801485893","price":272.03,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0801485894.jpg?v=1770741365"},{"product_id":"tragic-beauty-in-whitehead-and-japanese-aesthetics","title":"Tragic Beauty in Whitehead and Japanese Aesthetics","description":"\u003cp\u003eThis book examines Whitehead\u0026amp;rsquo;s process aesthetics focusing the penumbral beauty of darkness and the tragic beauty of perishability, while establishing parallels with the Japanese sense of evanescent beauty. 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George Kennedy offers the first English translation of this work, along with an introduction that places the play in its philosophical and literary context.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eThe Seven Strings of the Lyre\u003c\/i\u003e is Sand's response to Goethe's \u003ci\u003eFaust\u003c\/i\u003e and a reflection of her views of music as developed in conversations with Chopin and Franz Liszt.  Sand, unlike so many of her contemporaries, saw Goethe as a less-than-ideal poet.  She criticized him for lacking \"enthusiasm, belief, and passion,\" and she faulted him for being a proponent of the art-for-art's-sake movement, which Sand deplored for its lack of social conscience.\u003cbr\u003e\u003cbr\u003eSand's play describes the efforts of Mephistopheles to win the soul of Albertus, a teacher of philosophy and descendant of Faust.  Regarding Goethe's Mephistopheles as insufficiently wicked, Sand conjures up a devil truly worthy of the epithet.  For Faust, whom she considered too cold, Sand substitues the more emotional Albertus, whose despair that life and love have passed him by in his devotion to philosophy makes him vulnerable to the machinations of the devil.  And in place of Goethe's village girl, Marguerite, or the dangerous Helen of the earlier Faust legend, Sand creates the angelic Helen, who awakens Albertus's love and teaches him the emotional and spiritual truths he had never learned from books.\u003cbr\u003e\u003cbr\u003eRichly philosophical and deeply romantic, the play is a reaction against eighteenth-century rationalism.  It asserts the existence of some higher truth to be foud in music, poetry, and a sympathetic response to nature, but it also, contrary to the doctrine of art for art's sake, demands social responsibility from the artist.","brand":"Longleaf Services on behalf of Univ of N. 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