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Long celebrated for his stories of the sea, Melville was also fascinated by the interrelations between living species and planetary systems, a perspective informing his work in ways we now term \"ecological.\" By reading Melville in the context of nineteenth-century science, Tom Nurmi contends that he may best be understood as a proto-ecologist who innovatively engages with the entanglement of human and nonhuman realms.\u003c\/p\u003e\u003cp\u003eMelville lived during a period in which the process of scientific specialization was well underway, while the integration of science and art was concurrently being addressed by American writers. Steeped in the work of Lyell, Darwin, and other scientific pioneers, he composed stories and verse that made the complexity of geological, botanical, and zoological networks visible to a broad spectrum of readers, ironically in the most \"unscientific\" forms of fiction and poetry.\u003c\/p\u003e\u003cp\u003eSet against the backdrop of Melville's literary, philosophical, and scientific influences, \u003cem\u003eMagnificent Decay\u003c\/em\u003e focuses on four of his most neglected works-- \u003cem\u003eMardi\u003c\/em\u003e (1849), \u003cem\u003ePierre\u003c\/em\u003e (1852), \u003cem\u003eThe Piazza Tales\u003c\/em\u003e (1856), and \u003cem\u003eJohn Marr\u003c\/em\u003e (1888)--to demonstrate that, together, literature and science offer collective insights into the past, present, and future turbulence of the Anthropocene. 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Focusing on plastic pollution, the book models an anticolonial scientific practice aligned with Indigenous, particularly Métis, concepts of land, ethics, and relations. Liboiron draws on their work in the Civic Laboratory for Environmental Action Research (CLEAR)-an anticolonial science laboratory in Newfoundland, Canada-to illuminate how pollution is not a symptom of capitalism but a violent enactment of colonial land relations that claim access to Indigenous land. Liboiron's creative, lively, and passionate text refuses theories of pollution that make Indigenous land available for settler and colonial goals. 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This collaboration has had environmental, economic, and cultural consequences.\u003cbr\u003e\u003cbr\u003eEarly on, the Catskills were an important source of natural resources. Later, when New York City needed to expand its water supply, engineers helped direct the city toward the Catskills, claiming that the mountains offered the purest and most cost-effective waters. By the 1960s, New York had created the great reservoir and aqueduct system in the mountains that now supplies the city with 90 percent of its water.\u003cbr\u003e\u003cbr\u003eThe Catskills also served as a critical space in which the nation's ideas about nature evolved. Stradling describes the great influence writers and artists had upon urban residents - especially the painters of the Hudson River School, whose ideal landscapes created expectations about how rural America should appear. 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By paying unique attention to scientific research, she provides a key to understanding which people and plants are included in the promise of \"selling biodiversity to save it\"--and which are not. 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In recent times, different groups in South Asia have claimed and appropriated ancient landscapes and territories for the purpose of locating and justifying a specific and utopian version of nation by linking its origin to their nature-mediated attachments to these landscapes. 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