{"title":"Duke University Press","description":null,"products":[{"product_id":"experimenting-with-ethnography","title":"Experimenting with Ethnography","description":"\u003ci\u003eExperimenting with Ethnography\u003c\/i\u003e collects twenty-one essays that open new paths for doing ethnographic analysis. The contributors-who come from a variety of intellectual and methodological traditions-enliven analysis by refusing to take it as an abstract, disembodied exercise. Rather, they frame it as a concrete mode of action and a creative practice. Encompassing topics ranging from language and the body to technology and modes of collaboration, the essays invite readers to focus on the imaginative work that needs to be performed prior to completing an argument. Whether exchanging objects, showing how to use drawn images as a way to analyze data, or working with smartphones, sound recordings, and social media as analytic devices, the contributors explore the deliberate processes for pursuing experimental thinking through ethnography. Practical and broad in theoretical scope, \u003ci\u003eExperimenting with Ethnography\u003c\/i\u003e is an indispensable companion for all ethnographers.\u003cbr\u003e\u003cbr\u003eContributors. Patricia Alvarez Astacio, Andrea Ballestero, Ivan da Costa Marques, Steffen Dalsgaard, Endre Dányi, Marisol de la Cadena, Marianne de Laet, Carolina Domínguez Guzmán, Rachel Douglas-Jones, Clément Dréano, Joseph Dumit, Melanie Ford Lemus, Elaine Gan, Oliver Human, Alberto Corsín Jiménez, Graham M. Jones, Trine Mygind Korsby, Justine Laurent, James Maguire, George E. Marcus, Annemarie Mol, Sarah Pink, Els Roding, Markus Rudolfi, Ulrike Scholtes, Anthony Stavrianakis, Lucy Suchman, Katie Ulrich, Helen Verran, Else Vogel, Antonia Walford, Karen Waltorp, Laura Watts, Brit Ross Winthereik\u003cbr\u003e ","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52633833865583,"sku":"9781478011996","price":218.85,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478011998.jpg?v=1770146408"},{"product_id":"the-genealogical-imagination","title":"The Genealogical Imagination","description":"In \u003ci\u003eThe Genealogical Imagination\u003c\/i\u003e Michael Jackson juxtaposes ethnographic and imaginative writing to explore intergenerational trauma and temporality. Drawing on over fifty years of fieldwork, Jackson recounts the 150-year history of a Sierra Leone family through its periods of prosperity and powerlessness, war and peace, jihad and migration. Jackson also offers a fictionalized narrative loosely based on his family history and fieldwork in northeastern Australia that traces how the trauma of wartime in one generation can reverberate into the next. In both stories Jackson reflects on different modes of being-in-time, demonstrating how genealogical time flows in stops and starts-linear at times, discontinuous at others-as current generations reckon with their relationships to their ancestors. Genealogy, Jackson demonstrates, becomes a powerful model for understanding our experience of being-in-the-world, as nobody can escape kinship and the pull of the past. Unconventional and evocative, \u003ci\u003eThe Genealogical Imagination\u003c\/i\u003e offers a nuanced account of how lives are lived, while it pushes the bounds of the forms that scholarship can take.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52633834619247,"sku":"9781478014072","price":219.14,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014075.jpg?v=1770146423"},{"product_id":"minor-china","title":"Minor China","description":"In \u003ci\u003eMinor China\u003c\/i\u003e Hentyle Yapp analyzes contemporary Chinese art as it circulates on the global art market to outline the limitations of Western understandings of non-Western art. Yapp reconsiders the all-too-common narratives about Chinese art that celebrate the heroic artist who embodies political resistance against the authoritarian state. These narratives, as Yapp establishes, prevent Chinese art, aesthetics, and politics from being discussed in the West outside the terms of Western liberalism and notions of the \"universal.\" Yapp engages with art ranging from photography and performance to curation and installations to foreground what he calls the minor as method-tracking aesthetic and intellectual practices that challenge the predetermined ideas and political concerns that uphold dominant conceptions of history, the state, and the subject. By examining the minor in the work of artists such as Ai Weiwei, Zhang Huan, Cao Fei, Cai Guo-Qiang, Carol Yinghua Lu, and others, Yapp demonstrates that the minor allows for discussing non-Western art more broadly and for reconfiguring dominant political and aesthetic institutions and structures.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52633834750319,"sku":"9781478011552","price":225.99,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478011556.jpg?v=1770147194"},{"product_id":"the-life-and-times-of-louis-lomax","title":"The Life and Times of Louis Lomax","description":"Syndicated television and radio host. Serial liar. Pioneering journalist. Convicted criminal. Close ally of Malcolm X and Martin Luther King Jr. Publicity-seeking provocateur. Louis Lomax's life was a study in contradiction. In this biography, Thomas Aiello traces the complicated and fascinating arc of Lomax's life and career, showing how the contradictions, tumult, and inconsistencies that marked his life reflected those of 1960s America. Aiello takes readers from Lomax's childhood in the Deep South to his early confidence schemes to his emergence as one of the loudest and most influential voices of the civil rights movement. Regardless of what political position he happened to take at any given moment, Lomax preached \"the art of deliberate disunity,\" in which the path to democracy could only be achieved through a diversity of opinions. Engaging and broad in scope, \u003ci\u003eThe Life and Times of Louis Lomax\u003c\/i\u003e is the definitive study of one of the civil rights era's most complicated, important, and overlooked figures.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52633850478959,"sku":"9781478011804","price":223.59,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478011807.jpg?v=1770148587"},{"product_id":"critical-moves","title":"Critical Moves","description":"\u003cdiv\u003eIn \u003ci\u003eCritical Moves\u003c\/i\u003e Randy Martin sets in motion an inquiry into the relationship between dance, politics, and cultural theory. Drawing on his own experiences as a dancer as well as his observations as a cultural critic and social theorist, Martin illustrates how the study and practice of dance can reanimate arrested prospects for progressive politics and social change.\u003cbr\u003eFrom experimental and concert dance to more popular expressions, Martin engages a range of performances and demonstrates how a critical reflection on dance helps promote fluency in the language of mobilization that political theory alludes to yet rarely speaks. He explores how Bill T. Jones's \u003ci\u003eLast Supper at Uncle Tom's Cabin\/The Promised Land\u003c\/i\u003e defies attempts to separate social ideas from aesthetic concerns and celebrates multiculturalism in the face of a singular national culture; he studies the choreography in rapper Ice Cube's video \"Wicked,\" which confronts racialized depictions of violent crime; and he discusses how racial difference is negotiated by analyzing a hip hop aerobics class in a nonblack environment.\u003cbr\u003eRevealing how mastery of modern dance technique teaches an individual body to express cultural difference and display its intrinsic diversity, \u003ci\u003eCritical Moves\u003c\/i\u003e concludes with a reflection on the contribution dance studies can make to other fields within cultural studies and social sciences. As such it becomes an occasion to rethink the terms of history and agency, multiculturalism and nationalism, identity and political economy. This book will appeal not only to scholars and practitioners of dance, but also to a wide cross-section of people concerned with the study of political theory and the history of social movements.\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52633876857199,"sku":"9780822322191","price":225.28,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0822322196.jpg?v=1770150497"},{"product_id":"words-and-worlds","title":"Words and Worlds","description":"Born in a time of anxiety, \u003ci\u003eWords and Worlds\u003c\/i\u003e examines some of the disquieting challenges that societies now face. Through an inquiry into a political lexicon of commonsense words, ranging from democracy and revolution to knowledge and authority, from inequality and toleration to war and power, the authors of this book trouble the self-evidence of these terms, bringing into view the hidden transcripts and unexpected trajectories of many settled ideas, such as the human sense of belonging or the call for openness and transparency in research and public life. The case studies conducted over five continents with the tools of eight different disciplines challenge the ethnocentric assumptions, false moralism, and cultural prejudices that underlie much discussion on corruption, or even the virtue invested in resilience. The critique of the ubiquitous use of crisis to characterize our times shows how this framing obscures the unjust conditions of existence and violence of everyday life. Together the essays in this book offer a fresh look at the deeply connected worlds we inhabit in solidarity and discord.\u003cbr\u003e\u003cbr\u003eContributors. Banu Bargu, Veena Das, Alex de Waal, Didier Fassin, Peter Geschiere, Behrooz Ghamari-Tabrizi, Caroline Humphrey, Ravi Kanbur, Julieta Lemaitre, Uday S. Mehta, Jan-Werner Müller, Jonathan Pugh, Elizabeth F. Sanders, Todd Sanders","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52633885376879,"sku":"9781478014164","price":219.59,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014164.jpg?v=1770148580"},{"product_id":"no-ones-witness","title":"No One's Witness","description":"In \u003ci\u003eNo One's Witness\u003c\/i\u003e Rachel Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan-\"No one \/ bears witness for the \/ witness\"-to theorize the poetics and im\/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, experimental poetics, and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, \u003ci\u003eNo One's Witness\u003c\/i\u003e demonstrates the necessity of confronting the Nazi holocaust in relation to transatlantic slavery and its afterlives. Thinking along with black feminist theory's notions of entangled swarm, field, plenum, chorus, \u003ci\u003eNo One's Witness\u003c\/i\u003e interrogates the limits and thresholds of witnessing, its dangerous perhaps. No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52633885606255,"sku":"9781478014249","price":204.85,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014245.jpg?v=1770150745"},{"product_id":"palestine-is-throwing-a-party-and-the-whole-world-is-invited","title":"Palestine Is Throwing a Party and the Whole World Is Invited","description":"\u003cp\u003eIn 2008, Palestinian Prime Minister Salam Fayyad invited international investors to the first-ever Palestine Investment Conference, which was designed to jump-start the process of integrating Palestine into the global economy. As Fayyad described the conference, Palestine is \"throwing a party, and the whole world is invited.\" In this book Kareem Rabie examines how the conference and Fayyad's rhetoric represented a wider shift in economic and political practice in ways that oriented state-scale Palestinian politics toward neoliberal globalization rather than a diplomatic two-state solution. Rabie demonstrates that private firms, international aid organizations, and the Palestinian government in the West Bank focused on large-scale private housing development in an effort toward state-scale economic stability and market building. This approach reflected the belief that a thriving private economy would lead to a free and functioning Palestinian state. Yet, as Rabie contends, these investment-based policies have maintained the status quo of occupation and Palestine's subordinate and suspended political and economic relationship with Israel.\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634301890927,"sku":"9781478014096","price":224.03,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014091.jpg?v=1770148632"},{"product_id":"the-transformation-of-chinese-socialism","title":"The Transformation of Chinese Socialism","description":"\u003cdiv\u003eIn this significant contribution to both political theory and China studies, Lin Chun provides a critical assessment of the scope and limits of socialist experiments in China, analyzing their development since the victory of the Chinese communist revolution in 1949 and reflecting on the country\u0026amp;rsquo;s likely paths into the future. Lin suggests that China\u0026amp;rsquo;s twentieth-century trajectory be grasped in terms of the collective search by its people for a modern alternative to colonial modernity, bureaucratic socialism, and capitalist subordination. Evaluating contending interpretations of the formation and transformation of Chinese socialism in the contemporary conditions of global capitalism, Lin argues that the post-Mao reform model must be remade.\u003c\/div\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634303889775,"sku":"9780822337980","price":237.59,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0822337983.jpg?v=1770148719"},{"product_id":"maroon-choreography","title":"Maroon Choreography","description":"\u003cp\u003e\u003cspan style=\"color: rgba(51, 51, 51, 1)\"\u003eIn \u003c\/span\u003e\u003cem style=\"color: rgba(51, 51, 51, 1)\"\u003eMaroon Choreography\u003c\/em\u003e\u003cspan style=\"color: rgba(51, 51, 51, 1)\"\u003e fahima ife speculates on the long (im)material, ecological, and aesthetic afterlives of black fugitivity. In three long-form poems and a lyrical essay, they examine black fugitivity as an ongoing phenomenon we know little about beyond what history tells us. As both poet and scholar, ife unsettles the history and idea of black fugitivity, troubling senses of historic knowing while moving inside the continuing afterlives of those people who disappeared themselves into rural spaces beyond the reach of slavery. At the same time, they interrogate how writing itself can be a fugitive practice and a means to find a way out of ongoing containment, indebtedness, surveillance, and ecological ruin. Offering a philosophical performance in black study, ife prompts us to consider how we-in our study, in our mutual refusal, in our belatedness, in our habitual assemblage-linger beside the unknown.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634325221743,"sku":"9781478014256","price":180.89,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014253.jpg?v=1770149764"},{"product_id":"roadrunner","title":"Roadrunner","description":"\u003cp\u003e\u003cspan style=\"color: rgba(51, 51, 51, 1)\"\u003eJonathan Richman and the Modern Lovers' 1972 song \"Roadrunner\" captures the freedom and wonder of cruising down the highway late at night with the radio on. Although the song circles Boston's beltway, its significance reaches far beyond Richman's deceptively simple declarations of love for modern moonlight, the made world, and rock \u0026amp; roll. In \u003c\/span\u003e\u003cem style=\"color: rgba(51, 51, 51, 1)\"\u003eRoadrunner\u003c\/em\u003e\u003cspan style=\"color: rgba(51, 51, 51, 1)\"\u003e, cultural theorist and poet Joshua Clover charts both the song's emotional power and its elaborate history, tracing its place in popular music from Chuck Berry to M.I.A. He also locates \"Roadrunner\" at the intersection of car culture, industrialization, consumption, mobility, and politics. Like the song itself, Clover tells a story about a particular time and place-the American era that rock \u0026amp; roll signifies-that becomes a story about love and the modern world.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634329514351,"sku":"9781478014393","price":165.82,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014393.jpg?v=1770150008"},{"product_id":"how-to-go-mad-without-losing-your-mind","title":"How to Go Mad without Losing Your Mind","description":"\"Hold tight. The way to go mad without losing your mind is sometimes unruly.\" So begins La Marr Jurelle Bruce's urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as \"rage,\" and any drastic deviation from psychosocial norms. With care and verve, he explores the mad in the literature of Amiri Baraka, Gayl Jones, and Ntozake Shange; in the jazz repertoires of Buddy Bolden, Sun Ra, and Charles Mingus; in the comedic performances of Richard Pryor and Dave Chappelle; in the protest music of Nina Simone, Lauryn Hill, and Kendrick Lamar, and beyond. These artists activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition. Joining this tradition, Bruce mobilizes a set of interpretive practices, affective dispositions, political principles, and existential orientations that he calls \"mad methodology.\" Ultimately, \u003ci\u003eHow to Go Mad without Losing Your Mind\u003c\/i\u003e is both a \u003ci\u003estudy\u003c\/i\u003e and an \u003ci\u003eact\u003c\/i\u003e of critical, ethical, radical madness.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634330005871,"sku":"9781478010876","price":228.73,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478010878.jpg?v=1770150033"},{"product_id":"reckoning-with-slavery","title":"Reckoning with Slavery","description":"In \u003ci\u003eReckoning with Slavery\u003c\/i\u003e Jennifer L. Morgan draws on the lived experiences of enslaved African women in the sixteenth and seventeenth centuries to reveal the contours of early modern notions of trade, race, and commodification in the Black Atlantic. From capture to transport to sale to childbirth, these women were demographically counted as commodities during the Middle Passage, vulnerable to rape, separated from their kin at slave markets, and subject to laws that enslaved their children upon birth. In this way, they were central to the binding of reproductive labor with kinship, racial hierarchy, and the economics of slavery. Throughout this groundbreaking study, Morgan demonstrates that the development of Western notions of value and race occurred simultaneously. In so doing, she illustrates how racial capitalism denied the enslaved their kinship and affective ties while simultaneously relying on kinship to reproduce and enforce slavery through enslaved female bodies.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634359038319,"sku":"9781478014140","price":218.85,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014148.jpg?v=1770150692"},{"product_id":"pollution-is-colonialism","title":"Pollution Is Colonialism","description":"In \u003ci\u003ePollution Is Colonialism\u003c\/i\u003e Max Liboiron presents a framework for understanding scientific research methods as practices that can align with or against colonialism. They point out that even when researchers are working toward benevolent goals, environmental science and activism are often premised on a colonial worldview and access to land. Focusing on plastic pollution, the book models an anticolonial scientific practice aligned with Indigenous, particularly Métis, concepts of land, ethics, and relations. Liboiron draws on their work in the Civic Laboratory for Environmental Action Research (CLEAR)-an anticolonial science laboratory in Newfoundland, Canada-to illuminate how pollution is not a symptom of capitalism but a violent enactment of colonial land relations that claim access to Indigenous land. Liboiron's creative, lively, and passionate text refuses theories of pollution that make Indigenous land available for settler and colonial goals. In this way, their methodology demonstrates that anticolonial science is not only possible but is currently being practiced in ways that enact more ethical modes of being in the world.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634359169391,"sku":"9781478014133","price":202.72,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/147801413X.jpg?v=1770150699"},{"product_id":"colonial-debts","title":"Colonial Debts","description":"With the largest municipal debt in US history and a major hurricane that destroyed much of the archipelago's infrastructure, Puerto Rico has emerged as a key site for the exploration of neoliberalism and disaster capitalism. In \u003ci\u003eColonial Debts\u003c\/i\u003e Rocío Zambrana develops the concept of neoliberal coloniality in light of Puerto Rico's debt crisis. Drawing on decolonial thought and praxis, Zambrana shows how debt functions as an apparatus of predation that transforms how neoliberalism operates. Debt functions as a form of coloniality, intensifying race, gender, and class hierarchies in ways that strengthen the colonial relationship between Puerto Rico and the United States. Zambrana also examines the transformation of protest in Puerto Rico. From La Colectiva Feminista en Construcción's actions, long-standing land rescue\/occupation in the territory, to the July 2019 protests that ousted former governor Ricardo \"Ricky\" Rosselló, protests pursue variations of decolonial praxis that subvert the positions of power that debt installs. As Zambrana demonstrates, debt reinstalls the colonial condition and adapts the racial\/gender order essential to it, thereby emerging as a key site for political-economic subversion and social rearticulation.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634359300463,"sku":"9781478011835","price":209.85,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478011831.jpg?v=1770150706"},{"product_id":"media-crossroads","title":"Media Crossroads","description":"The contributors to \u003ci\u003eMedia Crossroads\u003c\/i\u003e examine space and place in media as they intersect with sexuality, race, ethnicity, age, class, and ability. Considering a wide range of film, television, video games, and other media, the authors show how spaces-from the large and fantastical to the intimate and virtual-are shaped by the social interactions and intersections staged within them. The highly teachable essays include analyses of media representations of urban life and gentrification, the ways video games allow users to adopt an experiential understanding of space, the intersection of the regulation of bodies and spaces, and how style and aesthetics can influence intersectional thinking. Whether interrogating the construction of Portland as a white utopia in \u003ci\u003ePortlandia\u003c\/i\u003e or the link between queerness and the spatial design and gaming mechanics in the \u003ci\u003eLegend of Zelda\u003c\/i\u003e video game series, the contributors deepen understanding of screen cultures in ways that redefine conversations around space studies in film and media.\u003cbr\u003e\u003cbr\u003eContributors. Amy Corbin, Desirée J. Garcia, Joshua Glick, Noelle Griffis, Malini Guha, Ina Rae Hark, Peter C. Kunze, Paula J. Massood, Angel Daniel Matos, Nicole Erin Morse, Elizabeth Patton, Matthew Thomas Payne, Merrill Schleier, Jacqueline Sheean, Sarah Louise Smyth, Erica Stein, Kirsten Moana Thompson, John Vanderhoef, Pamela Robertson Wojcik","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634360054127,"sku":"9781478011743","price":228.29,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478011742.jpg?v=1770150723"},{"product_id":"another-aesthetics-is-possible","title":"Another Aesthetics Is Possible","description":"In \u003ci\u003eAnother Aesthetics Is Possible\u003c\/i\u003e Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theater to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634360217967,"sku":"9781478011255","price":232.75,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478011254.jpg?v=1770150730"},{"product_id":"speaking-for-the-people","title":"Speaking for the People","description":"In \u003ci\u003eSpeaking for the People\u003c\/i\u003e Mark Rifkin examines nineteenth-century Native writings to reframe contemporary debates around Indigenous recognition, refusal, and resurgence. Rifkin shows how works by Native authors (William Apess, Elias Boudinot, Sarah Winnemucca, and Zitkala-Ša) illustrate the intellectual labor involved in representing modes of Indigenous political identity and placemaking. These writers highlight the complex processes involved in negotiating the character, contours, and scope of Indigenous sovereignties under ongoing colonial occupation. Rifkin argues that attending to these writers' engagements with non-native publics helps provide further analytical tools for addressing the complexities of Indigenous governance on the ground-both then and now. Thinking about Native peoplehood and politics as a matter of form opens possibilities for addressing the difficult work involved in navigating among varied possibilities for conceptualizing and enacting peoplehood in the context of continuing settler intervention. As Rifkin demonstrates, attending to writings by these Indigenous intellectuals provides ways of understanding Native governance as a matter of deliberation, discussion, and debate, emphasizing the open-ended unfinishedness of self-determination.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634360643951,"sku":"9781478014331","price":219.14,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014334.jpg?v=1770150737"},{"product_id":"the-deconstruction-of-sex","title":"The Deconstruction of Sex","description":"In \u003ci\u003eThe Deconstruction of Sex\u003c\/i\u003e, Jean-Luc Nancy and Irving Goh discuss how a deconstructive approach to sex helps us negotiate discourses about sex and foster a better understanding of how sex complicates our everyday existence in the age of #MeToo. Throughout their conversation, Nancy and Goh engage with topics ranging from relation, penetration, and subjection to touch, erotics, and jouissance. They show how despite its entrenchment in social norms and centrality to our being-in-the-world, sex lacks a clearly defined essence. At the same time, they point to the potentiality of literature to inscribe the senses of sex. In so doing, Nancy and Goh prompt us to reconsider our relations with ourselves and others through sex in more sensitive, respectful, and humble ways without bracketing the troubling aspects of sex.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634360840559,"sku":"9781478014355","price":184.51,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014350.jpg?v=1770150750"},{"product_id":"policing-protest","title":"Policing Protest","description":"In \u003ci\u003ePolicing Protest\u003c\/i\u003e Paul A. Passavant explores how the policing of protest in the United States has become increasingly hostile since the late 1990s, moving away from strategies that protect protesters toward militaristic practices designed to suppress protests. He identifies reactions to three interrelated crises that converged to institutionalize this new mode of policing: the political mobilization of marginalized social groups in the Civil Rights era that led to a perceived crisis of democracy, the urban fiscal crisis of the 1970s, and a crime crisis that was associated with protests and civil disobedience of the 1960s. As Passavant demonstrates, these reactions are all haunted by the figure of black insurrection, which continues to shape policing of protest and surveillance, notably in response to the Black Lives Matter movement. Ultimately, Passavant argues, this trend of violent policing strategies against protesters is evidence of the emergence of a post-democratic state in the United States.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634361102703,"sku":"9781478011439","price":229.18,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478011432.jpg?v=1770150758"},{"product_id":"art-as-information-ecology","title":"Art as Information Ecology","description":"In \u003ci\u003eArt as Information Ecology\u003c\/i\u003e, Jason A. Hoelscher offers not only an information theory of art but an aesthetic theory of information. Applying close readings of the information theories of Claude Shannon and Gilbert Simondon to 1960s American art, Hoelscher proposes that art is information in its aesthetic or indeterminate mode-information oriented less toward answers and resolvability than toward questions, irresolvability, and sustained difference. These irresolvable differences, Hoelscher demonstrates, fuel the richness of aesthetic experience by which viewers glean new information and insight from each encounter with an artwork. In this way, art constitutes information that remains in formation---a difference that makes a difference that keeps on differencing. Considering the works of Frank Stella, Robert Morris, Adrian Piper, the Drop City commune, Eva Hesse, and others, Hoelscher finds that art exists within an information ecology of complex feedback between artwork and artworld that is driven by the unfolding of difference. By charting how information in its aesthetic mode can exist beyond today's strictly quantifiable and monetizable forms, Hoelscher reconceives our understanding of how artworks work and how information operates.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634361397615,"sku":"9781478014386","price":225.55,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014385.jpg?v=1770150767"},{"product_id":"magical-habits","title":"Magical Habits","description":"In \u003ci\u003eMagical Habits\u003c\/i\u003e Monica Huerta draws on her experiences growing up in her family's Mexican restaurants and her life as a scholar of literature and culture to meditate on how relationships among self, place, race, and storytelling contend with both the afterlives of history and racial capitalism. Whether dwelling on mundane aspects of everyday life, such as the smell of old kitchen grease, or grappling with the thorny, unsatisfying question of authenticity, Huerta stages a dynamic conversation among genres, voices, and archives: personal and critical essays exist alongside a fairy tale; photographs and restaurant menus complement fictional monologues based on her family's history. Developing a new mode of criticism through storytelling, Huerta takes readers through Cook County courtrooms, the Cristero Rebellion (in which her great-grandfather was martyred by the Mexican government), Japanese baths in San Francisco-and a little bit about Chaucer too. Ultimately, Huerta sketches out habits of living while thinking that allow us to consider what it means to live with and try to peer beyond history even as we are caught up in the middle of it.\u003cbr\u003e\u003cbr\u003eDuke University Press Scholars of Color First Book Award recipient","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634361725295,"sku":"9781478014171","price":150.06,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014172.jpg?v=1770150776"},{"product_id":"complaint","title":"Complaint!","description":"In \u003ci\u003eComplaint!\u003c\/i\u003e Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and what actually happens. To make complaints within institutions is to learn how they work and for whom they work: complaint as feminist pedagogy. Ahmed explores how complaints are made behind closed doors and how doors are often closed on those who complain. To open these doors---to get complaints through, keep them going, or keep them alive---Ahmed emphasizes, requires forming new kinds of collectives. This book offers a systematic analysis of the methods used to stop complaints and a powerful and poetic meditation on what complaints can be used to do. Following a long lineage of Black feminist and feminist of color critiques of the university, Ahmed delivers a timely consideration of how institutional change becomes possible and why it is necessary.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634361856367,"sku":"9781478017714","price":244.39,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478017716.jpg?v=1770150784"},{"product_id":"capturing-finance","title":"Capturing Finance","description":"Arbitrage-the trading practice that involves buying assets in one market at a cheap price and immediately selling them in another market for a profit-is fundamental to the practice of financial trading and economic understandings of how financial markets function. Because traders complete transactions quickly and use other people's money, arbitrage is considered to be riskless. Yet, despite the rhetoric of riskless trading, the arbitrage in mortgage-backed securities led to the 2008 financial crisis. In \u003ci\u003eCapturing Finance\u003c\/i\u003e Carolyn Hardin offers a new way of understanding arbitrage as a means for capturing value in financial capitalism. She shows how arbitrage relies on a system of abstract domination built around risk. The commonsense beliefs that taking on debt is necessary for affording everyday life and that investing is necessary to secure retirement income compel individuals to assume risk while financial institutions amass profits. Hardin insists that mitigating financial capitalism's worst consequences, such as perpetuating class and racial inequities, requires challenging the narratives that naturalize risk as a necessary element of financial capitalism as well as social life writ large.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634362151279,"sku":"9781478014294","price":195.04,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014296.jpg?v=1770150792"},{"product_id":"transnational-feminist-itineraries","title":"Transnational Feminist Itineraries","description":"\u003ci\u003eTransnational Feminist Itineraries\u003c\/i\u003e brings together scholars and activists from multiple continents to demonstrate the ongoing importance of transnational feminist theory in challenging neoliberal globalization and the rise of authoritarian nationalisms around the world. The contributors illuminate transnational feminism's unique constellation of elements: its specific mode of thinking across scales, its historical understanding of identity categories, and its expansive imagining of solidarity based on difference rather than similarity. Contesting the idea that transnational feminism works in opposition to other approaches-especially intersectional and decolonial feminisms-this volume instead argues for their complementarity. Throughout, the contributors call for reaching across social, ideological, and geographical boundaries to better confront the growing reach of nationalism, authoritarianism, and religious and economic fundamentalism.\u003cbr\u003e\u003cbr\u003eContributors. Mary Bernstein, Isabel Maria Cortesão Casimiro, Rafael de la Dehesa, Carmen L. Diaz Alba, Inderpal Grewal, Cricket Keating, Amy Lind, Laura L. Lovett, Kathryn Moeller, Nancy A. Naples, Jennifer C. Nash, Amrita Pande, Srila Roy, Cara K. Snyder, Ashwini Tambe, Millie Thayer, Catarina Casimiro Trindade","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634362577263,"sku":"9781478014430","price":233.89,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014431.jpg?v=1770150799"},{"product_id":"between-gaia-and-ground","title":"Between Gaia and Ground","description":"In \u003ci\u003eBetween Gaia and Ground\u003c\/i\u003e Elizabeth A. Povinelli theorizes the climatic, environmental, viral, and social catastrophe present as an ancestral catastrophe through which that Indigenous and colonized peoples have been suffering for centuries. In this way, the violence and philosophies the West relies on now threaten the West itself. Engaging with the work of Glissant, Deleuze and Guattari, Césaire, and Arendt, Povinelli highlights four axioms of existence-the entanglement of existence, the unequal distribution of power, the collapse of the event as essential to political thought, and the legacies of racial and colonial histories. She traces these axioms' inspiration in anticolonial struggles against the dispossession and extraction that have ruined the lived conditions for many on the planet. By examining the dynamic and unfolding forms of late liberal violence, Povinelli attends to a vital set of questions about changing environmental conditions, the legacies of violence, and the limits of inherited Western social theory. \u003ci\u003eBetween Gaia and Ground\u003c\/i\u003e also includes a glossary of the keywords and concepts that Povinelli has developed throughout her work.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634362708335,"sku":"9781478014577","price":205.69,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014571.jpg?v=1770150807"},{"product_id":"decolonizing-memory","title":"Decolonizing Memory","description":"The magnitude of the legal violence exercised by the French to colonize and occupy Algeria (1830-1962) is such that only aesthetic works have been able to register its enduring effects. In \u003ci\u003eDecolonizing Memory\u003c\/i\u003e Jill Jarvis examines the power of literature to provide what demographic data, historical facts, and legal trials have not in terms of attesting to and accounting for this destruction. Taking up the unfinished work of decolonization since 1962, Algerian writers have played a crucial role in forging historical memory and nurturing political resistance-their work helps to make possible what state violence has rendered almost unthinkable. Drawing together readings of multilingual texts by Yamina Mechakra, Waciny Laredj, Zahia Rahmani, Fadhma Aïth Mansour Amrouche, Assia Djebar, and Samira Negrouche alongside theoretical, juridical, visual, and activist texts from both Algeria's national liberation war (1954-1962) and war on civilians (1988-1999), this book challenges temporal and geographical frameworks that have implicitly organized studies of cultural memory around Euro-American reference points. Jarvis shows how this literature rewrites history, disputes state authority to arbitrate justice, and cultivates a multilingual archive for imagining decolonized futures.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634363003247,"sku":"9781478014102","price":225.55,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014105.jpg?v=1770150814"},{"product_id":"slow-disturbance","title":"Slow Disturbance","description":"From the late nineteenth through most of the twentieth century, the evangelical Protestant Grenfell Mission in Newfoundland and Labrador, Canada, created a network of hospitals, schools, orphanages, stores, and industries with the goal of bringing health and organized society to settler fisherfolk and Indigenous populations. This infrastructure also served to support resource extraction of fisheries off Labrador's coast. In \u003ci\u003eSlow Disturbance\u003c\/i\u003e Rafico Ruiz engages with the Grenfell Mission to theorize how settler colonialism establishes itself through what he calls infrastructural mediation-the ways in which colonial lifeworlds, subjectivities, and affects come into being through the creation and maintenance of infrastructures. Drawing on archival documents, maps, interviews with municipal officials, teachers, and residents, as well as his field photography, Ruiz shows how the mission's infrastructural mediation-from its attempts to restructure the local economy to the aerial surveying and mapping of the coastline-responded to the colony's environmental conditions in ways that expanded the bounds of the settler frontier. By tracing the mission's history and the mechanisms that enabled its functioning, Ruiz complicates understandings of mediation and infrastructure while expanding current debates surrounding settler colonialism and extractive capitalism.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634363134319,"sku":"9781478008507","price":213.29,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478008504.jpg?v=1770150821"},{"product_id":"meat","title":"Meat!","description":"What is meat? Is it simply food to consume, or a metaphor for our own bodies? Can \"bloody\" vegan burgers, petri dish beef, live animals, or human milk be categorized as meat? In pursuing these questions, the contributors to \u003ci\u003eMeat!\u003c\/i\u003e trace the shifting boundaries of the meanings of meat across time, geography, and cultures. In studies of chicken, fish, milk, barbecue, fake meat, animal sacrifice, cannibalism, exotic meat, frozen meat, and other manifestations of meat, they highlight meat's entanglements with race, gender, sexuality, and disability. From the imperial politics embedded in labeling canned white tuna as \"the chicken of the sea\" to the relationship between beef bans, yoga, and bodily purity in Hindu nationalist politics, the contributors demonstrate how meat is an ideal vantage point from which to better understand transnational circuits of power and ideology as well as the histories of colonialism, ableism, and sexism.\u003cbr\u003e\u003cbr\u003eContributors \u003cbr\u003eNeel Ahuja, Irina Aristarkhova, Sushmita Chatterjee, Mel Y. Chen, Kim Q. Hall, Jennifer A. Hamilton, Anita Mannur, Elspeth Probyn, Parama Roy, Banu Subramaniam, Angela Willey, Psyche Williams-Forson","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634363265391,"sku":"9781478010951","price":218.63,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478010959.jpg?v=1770150830"},{"product_id":"assembly-codes","title":"Assembly Codes","description":"The contributors to \u003ci\u003eAssembly Codes\u003c\/i\u003e examine how media and logistics set the conditions for the circulation of information and culture. They document how logistics-the techniques of organizing and coordinating the movement of materials, bodies, and information-has substantially impacted the production, distribution, and consumption of media. At the same time, physical media, such as paperwork, along with media technologies ranging from phone systems to software are central to the operations of logistics. The contributors interrogate topics ranging from the logistics of film production and the construction of internet infrastructure to the environmental impact of the creation, distribution, and sale of vinyl records. They also reveal how logistical technologies have generated new aesthetic and performative practices. In charting the specific points of contact, dependence, and friction between media and logistics, \u003ci\u003eAssembly Codes\u003c\/i\u003e demonstrates that media and logistics are co-constitutive and that one cannot be understood apart from the other.\u003cbr\u003e\u003cbr\u003eContributors\u003cbr\u003eEbony Coletu, Kay Dickinson, Stefano Harney, Matthew Hockenberry, Tung-Hui Hu, Shannon Mattern, Fred Moten, Michael Palm, Ned Rossiter, Nicole Starosielski, Liam Cole Young, Susan Zieger\u003cbr\u003e ","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634363396463,"sku":"9781478010760","price":223.14,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478010762.jpg?v=1770150840"},{"product_id":"the-politics-of-decolonial-investigations","title":"The Politics of Decolonial Investigations","description":"In \u003ci\u003eThe Politics of Decolonial Investigations\u003c\/i\u003e Walter D. Mignolo provides a sweeping examination of how coloniality has operated around the world in its myriad forms from the sixteenth century to the twenty-first. Decolonial border thinking allows Mignolo to outline how the combination of the self-fashioned narratives of Western civilization and the hegemony of Eurocentric thought served to eradicate all knowledges in non-European languages and praxes of living and being. Mignolo also traces the geopolitical origins of racialized and gendered classifications, modernity, globalization, and cosmopolitanism, placing them all within the framework of coloniality. Drawing on the work of theorists and decolonial practitioners from the Global South and the Global East, Mignolo shows how coloniality has provoked the emergence of decolonial politics initiated by delinking from all forms of Western knowledge and subjectivities. The urgent task, Mignolo stresses, is the epistemic reconstitution of categories of thought and praxes of living destituted in the very process of building Western civilization and the idea of modernity. The overcoming of the long-lasting hegemony of the West and its distorted legacies is already underway in all areas of human existence. Mignolo underscores the relevance of the politics of decolonial investigations, in and outside the academy, to liberate ourselves from canonized knowledge, ways of knowing, and praxes of living.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634365985135,"sku":"9781478001492","price":323.41,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478001496.jpg?v=1770150847"},{"product_id":"archiving-mexican-masculinities-in-diaspora","title":"Archiving Mexican Masculinities in Diaspora","description":"In \u003ci\u003eArchiving Mexican Masculinities in Diaspora\u003c\/i\u003e, Nicole M. Guidotti-Hernández challenges \u003ci\u003emachismo\u003c\/i\u003e-a shorthand for racialized and heteronormative Latinx men's misogyny-with nuanced portraits of Mexican men and masculinities along and across the US-Mexico border. Guidotti-Hernández foregrounds Mexican men's emotional vulnerabilities and intimacies in their diasporic communities. Highlighting how Enrique Flores Magón, an anarchist political leader and journalist, upended gender norms through sentimentality and emotional vulnerability that he performed publicly and expressed privately, Guidotti-Hernández documents compelling continuities between his expressions and those of men enrolled in the Bracero program. \u003ci\u003eBraceros\u003c\/i\u003e-more than 4.5 million Mexican men who traveled to the United States to work in temporary agricultural jobs from 1942 to 1964-forged domesticity and intimacy, sharing affection but also physical violence. Through these case studies that reexamine the diasporic male private sphere, Guidotti-Hernández formulates a theory of transnational Mexican masculinities rooted in emotional and physical intimacy that emerged from the experiences of being racial, political, and social outsiders in the United States.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634370539887,"sku":"9781478014157","price":228.15,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014156.jpg?v=1770150989"},{"product_id":"borderwaters","title":"Borderwaters","description":"Conventional narratives describe the United States as a continental country bordered by Canada and Mexico. Yet, since the late twentieth century the United States has claimed more water space than land space, and more water space than perhaps any other country in the world. This watery version of the United States borders some twenty-one countries, particularly in the archipelagoes of the Pacific and the Caribbean. In \u003ci\u003eBorderwaters\u003c\/i\u003e Brian Russell Roberts dispels continental national mythologies to advance an alternative image of the United States as an archipelagic nation. Drawing on literature, visual art, and other expressive forms that range from novels by Mark Twain and Zora Neale Hurston to Indigenous testimonies against nuclear testing and Miguel Covarrubias's visual representations of Indonesia and the Caribbean, Roberts remaps both the fundamentals of US geography and the foundations of how we discuss US culture.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634370769263,"sku":"9781478011859","price":237.74,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478011858.jpg?v=1770150998"},{"product_id":"spatial-and-discursive-violence-in-the-us-southwest","title":"Spatial and Discursive Violence in the US Southwest","description":"In \u003ci\u003eSpatial and Discursive Violence in the US Southwest\u003c\/i\u003e Rosaura Sánchez and Beatrice Pita examine literary representations of settler colonial land enclosure and dispossession in the history of New Mexico, Texas, and Oklahoma. Sánchez and Pita analyze a range of Chicano\/a and Native American novels, films, short stories, and other cultural artifacts from the eighteenth century to the present, showing how Chicano\/a works often celebrate an idealized colonial Spanish past as a way to counter stereotypes of Mexican and Indigenous racial and ethnic inferiority. As they demonstrate, these texts often erase the participation of Spanish and Mexican settlers in the dispossession of Indigenous lands. Foregrounding the relationship between literature and settler colonialism, they consider how literary representations of land are manipulated and redefined in ways that point to the changing practices of dispossession. In so doing, Sánchez and Pita prompt critics to reconsider the role of settler colonialism in the deep history of the United States and how spatial and discursive violence are always correlated.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634371195247,"sku":"9781478011736","price":224.48,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478011734.jpg?v=1770151006"},{"product_id":"city-of-screens","title":"City of Screens","description":"In \u003ci\u003eCity of Screens\u003c\/i\u003e Jasmine Nadua Trice examines the politics of cinema circulation in early-2000s Manila. She traces Manila's cinema landscape by focusing on the primary locations of film exhibition and distribution: the pirated DVD district, mall multiplexes, art-house cinemas, the university film institute, and state-sponsored cinematheques. In the wake of digital media piracy and the decline of the local commercial film industry, the rising independent cinema movement has been a site of contestation between filmmakers and the state, each constructing different notions of a prospective, national public film audience. Discourses around audiences become more salient given that films by independent Philippine filmmakers are seldom screened to domestic audiences, despite their international success. \u003ci\u003eCity of Screens\u003c\/i\u003e provides a deeper understanding of the debates about the competing roles of the film industry, the public, and the state in national culture in the Philippines and beyond.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634371326319,"sku":"9781478011699","price":219.59,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478011696.jpg?v=1770151014"},{"product_id":"the-ruse-of-repair","title":"The Ruse of Repair","description":"Since the 1990s, literary and queer studies scholars have eschewed Marxist and Foucauldian critique and hailed the reparative mode of criticism as a more humane and humble way of approaching literature and culture. The reparative turn has traveled far beyond the academy, influencing how people imagine justice, solidarity, and social change. In \u003ci\u003eThe Ruse of Repair\u003c\/i\u003e, Patricia Stuelke locates the reparative turn's hidden history in the failed struggle against US empire and neoliberal capitalism in the 1970s and 1980s. She shows how feminist, antiracist, and anti-imperialist liberation movements' visions of connection across difference, practices of self care, and other reparative modes of artistic and cultural production have unintentionally reinforced forms of neoliberal governance. At the same time, the US government and military, universities, and other institutions have appropriated and depoliticized these same techniques to sidestep addressing structural racism and imperialism in more substantive ways. In tracing the reparative turn's complicated and fraught genealogy, Stuelke questions reparative criticism's efficacy in ways that will prompt critics to reevaluate their own reading practices.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634371621231,"sku":"9781478014263","price":219.21,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014261.jpg?v=1770151022"},{"product_id":"parables-for-the-virtual","title":"Parables for the Virtual","description":"Since its publication twenty years ago, Brian Massumi's pioneering \u003ci\u003eParables for the Virtual\u003c\/i\u003e has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the postwar French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. Replacing the traditional opposition of literal and figural with distinctions between stasis and motion and between actual and virtual, Massumi tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multifaceted argument.\u003cbr\u003e\u003cbr\u003eThis twentieth anniversary edition includes a new preface in which Massumi situates the book in relation to developments since its publication and outlines the evolution of its main concepts. It also includes two short texts, \"Keywords for Affect\" and \"Missed Conceptions about Affect,\" in which Massumi explicates his approach to affect in ways that emphasize the book's political and philosophical stakes.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634372047215,"sku":"9781478014676","price":238.84,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014679.jpg?v=1770151030"},{"product_id":"atmospheres-of-violence","title":"Atmospheres of Violence","description":"Advances in LGBTQ rights in the recent past-marriage equality, the repeal of Don't Ask, Don't Tell, and the expansion of hate crimes legislation-have been accompanied by a rise in attacks against trans, queer and\/or gender-nonconforming people of color. In \u003ci\u003eAtmospheres of Violence\u003c\/i\u003e, theorist and organizer Eric A. Stanley shows how this seeming contradiction reveals the central role of racialized and gendered violence in the United States. Rather than suggesting that such violence is evidence of individual phobias, Stanley shows how it is a structuring antagonism in our social world. Drawing on an archive of suicide notes, AIDS activist histories, surveillance tapes, and prison interviews, they offer a theory of anti-trans\/queer violence in which inclusion and recognition are forms of harm rather than remedies to it. In calling for trans\/queer organizing and worldmaking beyond these forms, Stanley points to abolitionist ways of life that might offer livable futures.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634372276591,"sku":"9781478014218","price":205.92,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014210.jpg?v=1770151037"},{"product_id":"black-gathering","title":"Black Gathering","description":"In \u003ci\u003eBlack Gathering\u003c\/i\u003e Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni Morrison, Clementine Hunter, Samiya Bashir, and Leonardo Drew advance an ecological imagination that unsettles Western philosophical ideas of the earth as given to humans. In their aestheticization and conceptualization of gathering, these artists investigate the relationships among art, the environment, home, and forms of Black togetherness. Cervenak argues that by offering a formal and conceptual praxis of gathering, Black artists imagine liberation and alternative ways of being in the world that exist beyond those Enlightenment philosophies that presume Black people and earth as given to enclosure and ownership.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634372374895,"sku":"9781478014478","price":209.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014474.jpg?v=1770151046"},{"product_id":"a-fictional-commons","title":"A Fictional Commons","description":"Modernity arrived in Japan, as elsewhere, through new forms of ownership. In \u003ci\u003eA Fictional Commons\u003c\/i\u003e, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Soseki (1867-1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For Soseki, literature was a means for thinking through-and beyond-private property. Bourdaghs puts Soseki into dialogue with thinkers from his own era (including William James and Mizuno Rentaro, author of Japan's first copyright law) and discusses how his work anticipates such theorists as Karatani Kojin and Franco Moretti. As Bourdaghs shows, Soseki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52634372505967,"sku":"9781478014621","price":212.84,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014628.jpg?v=1770151054"},{"product_id":"a-mass-conspiracy-to-feed-people","title":"A Mass Conspiracy to Feed People","description":"In \u003ci\u003eA Mass Conspiracy to Feed People\u003c\/i\u003e, David Boarder Giles explores the ways in which capitalism simultaneously manufactures waste and scarcity. Illustrating how communities of marginalized people and discarded things gather and cultivate political possibilities, Giles documents the work of Food Not Bombs (FNB), a global movement of grassroots soup kitchens that recover wasted grocery surpluses and redistribute them to those in need. He explores FNB's urban contexts: the global cities in which late-capitalist economies and unsustainable consumption precipitate excess, inequality, food waste, and hunger. Beginning in urban dumpsters, Giles traces the logic by which perfectly edible commodities are nonetheless thrown out-an act that manufactures food scarcity-to the social order of \"world-class\" cities, the pathways of discarded food as it circulates through the FNB kitchen, and the anticapitalist political movements the kitchen represents. Describing the mutual entanglement of global capitalism and anticapitalist transgression, Giles captures those emergent forms of generosity, solidarity, and resistance that spring from the global city's marginalized residents.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52635674804591,"sku":"9781478014416","price":226.68,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014415.jpg?v=1770212748"},{"product_id":"exporting-revolution","title":"Exporting Revolution","description":"\u003cdiv\u003eIn her new book, \u003ci\u003eExporting Revolution\u003c\/i\u003e, Margaret Randall explores the Cuban Revolution's impact on the outside world, tracing Cuba's international outreach in health care, disaster relief, education, literature, art, liberation struggles, and sports. Randall combines personal observations and interviews with literary analysis and examinations of political trends in order to understand what compels a small, poor, and underdeveloped country to offer its resources and expertise. Why has the Cuban health care system trained thousands of foreign doctors, offered free services, and responded to health crises around the globe? What drives Cuba's international adult literacy programs? Why has Cuban poetry had an outsized influence in the Spanish-speaking world? This multifaceted internationalism, Randall finds, is not only one of the Revolution's most central features; it helped define Cuban society long before the Revolution.\u003c\/div\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52635676770671,"sku":"9780822369042","price":225.28,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0822369044.jpg?v=1770213080"},{"product_id":"the-repeating-body","title":"The Repeating Body","description":"\u003cdiv\u003eHaunted by representations of black women that resist the reality of the body's vulnerability, Kimberly Juanita Brown traces slavery's afterlife in black women's literary and visual cultural productions. Brown draws on black feminist theory, visual culture studies, literary criticism, and critical race theory to explore contemporary visual and literary representations of black women's bodies that embrace and foreground the body's vulnerability and slavery's inherent violence. She shows how writers such as Gayl Jones, Toni Morrison, Audre Lorde, and Jamaica Kincaid, along with visual artists Carrie Mae Weems and María Magdalena Campos-Pons, highlight the scarred and broken bodies of black women by repeating, passing down, and making visible the residues of slavery's existence and cruelty. Their work not only provides a corrective to those who refuse to acknowledge that vulnerability, but empowers black women to create their own subjectivities. In \u003ci\u003eThe Repeating Body\u003c\/i\u003e, Brown returns black women to the center of discourses of slavery, thereby providing the means with which to more fully understand slavery's history and its penetrating reach into modern American life. \u003c\/div\u003e\u003cdiv\u003e \u003c\/div\u003e","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52635686830447,"sku":"9780822359296","price":224.21,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0822359294.jpg?v=1770213668"},{"product_id":"the-nature-of-space","title":"The Nature of Space","description":"In \u003ci\u003eThe Nature of Space\u003c\/i\u003e, pioneering Afro-Brazilian geographer Milton Santos attends to globalization writ large and how local and global orders intersect in the construction of space. Santos offers a theory of human space based on relationships between time and ontology. He argues that when geographers consider the inseparability of time and space, they can then transcend fragmented realities and partial truths without trying to theorize their way around them. Based on these premises, Santos examines the role of space, which he defines as indissoluble systems of objects and systems of actions in social processes, while providing a geographic contribution to the production of a critical social theory.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52635690926447,"sku":"9781478014409","price":234.78,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014407.jpg?v=1770213850"},{"product_id":"eating-in-theory","title":"Eating in Theory","description":"As we taste, chew, swallow, digest, and excrete, our foods transform us, while our eating, in its turn, affects the wider earthly environment. In \u003ci\u003eEating in Theory\u003c\/i\u003e Annemarie Mol takes inspiration from these transformative entanglements to rethink what it is to be human. Drawing on fieldwork at food conferences, research labs, health care facilities, restaurants, and her own kitchen table, Mol reassesses the work of authors such as Hannah Arendt, Maurice Merleau-Ponty, Hans Jonas, and Emmanuel Levinas. They celebrated the allegedly unique capability of humans to rise above their immediate bodily needs. Mol, by contrast, appreciates that as humans we share our fleshy substance with other living beings, whom we cultivate, cut into pieces, transport, prepare, and incorporate-and to whom we leave our excesses. This has far-reaching philosophical consequences. Taking human eating seriously suggests a reappraisal of being as transformative, knowing as entangling, doing as dispersed, and relating as a matter of inescapable dependence.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52635690959215,"sku":"9781478011415","price":202.36,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478011416.jpg?v=1770213860"},{"product_id":"the-long-emancipation","title":"The Long Emancipation","description":"In \u003ci\u003eThe Long Emancipation\u003c\/i\u003e Rinaldo Walcott posits that Black people globally live in the time of emancipation and that emancipation is definitely not freedom. Taking examples from across the globe, he argues that wherever Black people have been emancipated from slavery and colonization, a potential freedom has been thwarted. Walcott names this condition the long emancipation-the ongoing interdiction of potential Black freedom and the continuation of the juridical and legislative status of Black nonbeing. Stating that Black people have yet to experience freedom, Walcott shows that being Black in the world is to exist in the time of emancipation in which Black people must constantly fashion alternate conceptions of freedom and reality through expressive culture. Given that Black unfreedom lies at the center of the making of the modern world, the attainment of freedom for Black people, Walcott contends, will transform the human experience worldwide. With \u003ci\u003eThe Long Emancipation\u003c\/i\u003e, Walcott offers a new humanism that begins by acknowledging that present conceptions of what it means to be human do not currently include Black people.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52635690991983,"sku":"9781478014058","price":195.96,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014059.jpg?v=1770213869"},{"product_id":"the-stone-and-the-wireless","title":"The Stone and the Wireless","description":"In the final decades of the Manchu Qing dynasty in China, technologies such as the phonograph, telephone, telegraph, and photography were both new and foreign. In \u003ci\u003eThe Stone and the Wireless\u003c\/i\u003e Shaoling Ma analyzes diplomatic diaries, early science fiction, feminist poetry, photography, telegrams, and other archival texts, and shows how writers, intellectuals, reformers, and revolutionaries theorized what media does despite lacking a vocabulary to do so. Media defines the dynamics between technologies and their social or cultural forms, between devices or communicative processes and their representations in texts and images. More than simply reexamining late Qing China's political upheavals and modernizing energies through the lens of media, Ma shows that a new culture of mediation was helping to shape the very distinctions between politics, gender dynamics, economics, and science and technology. Ma contends that mediation lies not only at the heart of Chinese media history but of media history writ large.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52635691024751,"sku":"9781478011477","price":218.63,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478011475.jpg?v=1770213878"},{"product_id":"fighting-and-writing","title":"Fighting and Writing","description":"In \u003ci\u003eFighting and Writing\u003c\/i\u003e Luise White brings the force of her historical insight to bear on the many war memoirs published by white soldiers who fought for Rhodesia during the 1964-1979 Zimbabwean liberation struggle. In the memoirs of white soldiers fighting to defend white minority rule in Africa long after other countries were independent, White finds a robust and contentious conversation about race, difference, and the war itself. These are writings by men who were ambivalent conscripts, generally aware of the futility of their fight-not brutal pawns flawlessly executing the orders and parroting the rhetoric of a racist regime. Moreover, most of these men insisted that the most important aspects of fighting a guerrilla war-tracking and hunting, knowledge of the land and of the ways of African society-were learned from Black playmates in idealized rural childhoods. In these memoirs, African guerrillas never lost their association with the wild, even as white soldiers boasted of bringing Africans into the intimate spaces of regiment and regime.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52635691188591,"sku":"9781478011729","price":218.18,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478011726.jpg?v=1770213916"},{"product_id":"antiblackness","title":"Antiblackness","description":"\u003ci\u003eAntiblackness\u003c\/i\u003e investigates the ways in which the dehumanization of Black people has been foundational to the establishment of modernity. Drawing on Black feminism, Afropessimism, and critical race theory, the book's contributors trace forms of antiblackness across time and space, from nineteenth-century slavery to the categorization of Latinx in the 2020 census, from South Africa and Palestine to the Chickasaw homelands, from the White House to convict lease camps, prisons, and schools. Among other topics, they examine the centrality of antiblackness in the introduction of Carolina rice to colonial India, the presence of Black people and Native Americans in the public discourse of precolonial Korea, and the practices of denial that obscure antiblackness in contemporary France. Throughout, the contributors demonstrate that any analysis of white supremacy---indeed, of the world---that does not contend with antiblackness is incomplete.\u003cbr\u003e\u003cbr\u003eContributors. Mohan Ambikaipaker, Jodi A. Byrd, Iyko Day, Anthony Paul Farley, Crystal Marie Fleming, Sarah Haley, Tanya Katerí Hernández, Sarah Ihmoud, Joy James, Moon-Kie Jung, Jae Kyun Kim, Charles W. Mills, Dylan Rodríguez, Zach Sell, João H. Costa Vargas, Frank B. Wilderson III, Connie Wun","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52635691254127,"sku":"9781478011811","price":238.03,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478011815.jpg?v=1770213924"},{"product_id":"whiteness-interrupted","title":"Whiteness Interrupted","description":"In \u003ci\u003eWhiteness Interrupted\u003c\/i\u003e Marcus Bell presents a revealing portrait of white teachers in majority-black schools in which he examines the limitations of understandings of how white racial identity is formed. Through in-depth interviews with dozens of white teachers from a racially segregated, urban school district in Upstate New York, Bell outlines how whiteness is constructed based on localized interactions and takes a different form in predominantly black spaces. He finds that in response to racial stress in a difficult teaching environment, white teachers conceptualized whiteness as a stigmatized category predicated on white victimization. When discussing race outside majority-black spaces, Bell's subjects characterized American society as postracial, in which race seldom affects outcomes. Conversely, in discussing their experiences within predominantly black spaces, they rejected the idea of white privilege, often angrily, and instead focused on what they saw as the racial privilege of blackness. Throughout, Bell underscores the significance of white victimization narratives in black spaces and their repercussions as the United States becomes a majority-minority society.","brand":"Duke University Press","offers":[{"title":"Default Title","offer_id":52635691450735,"sku":"9781478014638","price":222.96,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1478014636.jpg?v=1770213942"}],"url":"https:\/\/internacional.umlivro.com.br\/collections\/duke-university-press.oembed?page=3","provider":"UmLivro Internacional","version":"1.0","type":"link"}