{"title":"Cultura Visual","description":null,"products":[{"product_id":"national-imaginaries-american-identities","title":"National Imaginaries, American Identities","description":"\u003cp\u003eFrom the American Revolution to the present, the United States has enjoyed a rich and persuasive visual culture. These images have constructed, sustained, and disseminated social values and identities, but this unwieldy, sometimes untidy form of cultural expression has received less systematic attention than other modes of depicting American life. Recently, scholars in the humanities have developed a new critical approach to reading images and the cultural work they perform. This practice, American cultural iconography, is generating sophisticated analyses of how images organize our public life. The contributions to this volume exhibit the extraordinary scope and interpretive power of this interdisciplinary study while illuminating the dark corners of the nation's psyche.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e  Drawing on such varied texts and visual media as daguerreotypes, political cartoons, tourist posters, and religious artifacts, these essays explore how pictures and words combine to teach us who we are and who we are not. They examine mimesis in elegant portraits of black Freemasons, industrial-age representations of national parks, and postwar photographs of atomic destruction. They consider how visual culture has described and disclosed the politics of racialized sexuality, whether subconsciously affirming it in the shadows of film noir or deliberately contesting it through the interethnic incest of John Sayles's \u003ci\u003eLone Star\u003c\/i\u003e. Students of literature, film, and history will find that these essays extend the frontier of American studies.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e  The contributors are Maurice Wallace, Dennis Berthold, Alan Trachtenberg, Shirley Samuels, Jenny Franchot, Cecelia Tichi, Eric Lott, Bryan C. Taylor, and José E. Limón.\u003c\/p\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":52640795918703,"sku":"9780691009957","price":386.91,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0691009953.jpg?v=1770399370"},{"product_id":"visual-cultures-of-the-ethnic-chinese-in-indonesia","title":"Visual Cultures of the Ethnic Chinese in Indonesia","description":"\u003cp\u003eExplores how the ethnic Chinese in Indonesia construct themselves through material reproduction.\u003c\/p\u003e","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":52653578813807,"sku":"9781783487578","price":462.25,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1783487577.jpg?v=1770738521"},{"product_id":"invention-of-the-visible","title":"Invention of the Visible","description":"\u003cp\u003eWorking at the margins of aesthetics and politics, Patrick Vauday challenges the dominant assumptions of our mediatized society and its disposition towards images. This challenge does not advocate eliminating images altogether, but rather entreats us to see them in a different light.\u003c\/p\u003e","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":52657147052399,"sku":"9781786600509","price":422.71,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1786600501.jpg?v=1770808540"},{"product_id":"attached-to-the-mouse","title":"Attached to the Mouse","description":"The Mouse and the Duck are celebrities created by Disney through its new art form, the animated cartoon. Using various outlets including mass-media, television, and theme parks, Disney made the Mouse an icon of corporate success and American culture. From Pop art to the present day, more than a hundred artists have incorporated the Mouse's image, humor, and nostalgia into their work. HOW AND WHY? \u003cbr\u003e\u003cbr\u003e\u003ci\u003eAttached to the Mouse\u003c\/i\u003e is the first art history analyzing use of Disney imagery by such contemporary artists as Lichtenstein, Oldenburg, Warhol, Chagoya, Thiebaud, Helnwein, Boltanski, Dion, and Pensato. This book explores the impact of Disney, including artists' economic and psychological motivations, on contemporary art.\u003cbr\u003eLinks to: \u003ca href=\"http:\/\/www.art-poetry.info\/id8.html\" target=\"_blank\"\u003eAuthor's Website\u003c\/a\u003e and \u003ca href=\"http:\/\/mouse-disney.blogspot.com\/\" target=\"_blank\"\u003eAuthor's Blog for Attached to the Mouse\u003c\/a\u003e","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":52668216148335,"sku":"9780761834748","price":423.51,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0761834745.jpg?v=1770929024"},{"product_id":"japanese-mythology-in-film","title":"Japanese Mythology in Film","description":"\u003cp\u003eThis book introduces film semiotics and demonstrates its use as a theoretical tool for reading Japanese popular movies and anime.\u003c\/p\u003e","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":52690864800111,"sku":"9781498514330","price":498.72,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1498514332.jpg?v=1771520037"},{"product_id":"kinetoscope","title":"Kinetoscope","description":"\u003cp\u003eThe 100th anniversary of cinema was marked throughout the world in 1995\/6. Amongst the widespread celebrations it was largely overlooked that genuine motion pictures had been commercially shown 101 years earlier, and that the origins of the film industry lay in a peepshow device rather than the more familiar movie projector. Introduced in New York in April 1894 and in Paris and London later in the same year, Thomas Edison's electrically-driven Kinetoscope was the first practical method of film exhibition. Around a thousand of these state-of-the art machines were manufactured, featuring the first brief fiction films and the earliest newsreels. Techniques such as the close-up and stop-editing were introduced and the 35mm film employed became a universal standard. Edison was able to influence the development of the device in the United States, but he soon lost control of the British and European markets. Spearheaded by two entrepreneurial Greek merchants, George Georgiades and George Tragides, a large and often colorful group of showmen began to exploit the new invention. With Edison neglecting to obtain European patents, his agents fought a losing battle to stem an influx of 'bogus' Kinetoscopes onto the market. Leading the construction of replica Kinetoscopes was a young and ambitious electrical engineer who was to become central to the development of world cinema. In his business arrangements with the Greeks Robert William Paul operated close to the limits of legality, a risk-taking attitude that also led him to enter into a partnership with the notorious fraudster and self-publicist 'Viscount' Hinton. The rush to exploit the Kinetoscope faltered when Edison refused to supply films for pirate machines, but regained momentum when Paul and the American Birt Acres constructed their own camera, shooting the first British movies in March\/April 1895. The turbulent and often unlikely events of 1894-5 were a crucial prelude to the birth of British cin\u003c\/p\u003e","brand":"Indiana University Press (IPS)","offers":[{"title":"Default Title","offer_id":52691118293359,"sku":"9780861967308","price":211.61,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0861967305.jpg?v=1771527646"}],"url":"https:\/\/internacional.umlivro.com.br\/collections\/cultura-visual.oembed","provider":"UmLivro Internacional","version":"1.0","type":"link"}