{"title":"Cultura E Mídia","description":null,"products":[{"product_id":"young-and-innocent","title":"Young And Innocent?","description":"\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eThis book brings together the study of silent cinema and the study of British cinema, both of which have seen some of the most exciting developments in Film Studies in recent years. The result is a comprehensive survey of one of the most important periods of film history.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e","brand":"University of Exeter Press","offers":[{"title":"Default Title","offer_id":52653512556911,"sku":"9780859897174","price":315.81,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0859897176.jpg?v=1770732606"},{"product_id":"distracted-subjects","title":"Distracted Subjects","description":"\u003cp\u003eDistracted Subjects\u003c\/p\u003e","brand":"Longleaf Services on behalf of Cornell University","offers":[{"title":"Default Title","offer_id":52653580747119,"sku":"9780801489242","price":235.38,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0801489245.jpg?v=1770738881"},{"product_id":"exodus-to-the-virtual-world","title":"Exodus to the Virtual World","description":"\u003cp\u003eVirtual worlds have exploded out of online game culture and now capture the attention of millions of ordinary people: husbands, wives, fathers, mothers, workers, retirees. Devoting dozens of hours each week to massively multiplayer virtual reality environments (like World of Warcraft and Second Life), these millions are the start of an exodus into the refuge of fantasy, where they experience life under a new social, political, and economic order built around fun. Given the choice between a fantasy world and the real world, how many of us would choose reality? Exodus to the Virtual World explains the growing migration into virtual reality, and how it will change the way we live--both in fantasy worlds and in the real one.\u003c\/p\u003e","brand":"St. Martins Press-3PL","offers":[{"title":"Default Title","offer_id":52665772900719,"sku":"9780230607859","price":150.27,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0230607853.jpg?v=1770911680"},{"product_id":"killing","title":"Killing","description":"\u003cp\u003eAlthough it lasted only four seasons and just forty-four episodes, \u003cem\u003eThe Killing\u003c\/em\u003e attracted considerable critical notice and sparked an equally lively debate about its distinctive style and innovative approach to the television staple of the police procedural. A product of the turn toward revisionist \"quality\" television in the post-broadcast era, \u003cem\u003eThe Killing\u003c\/em\u003e also stands as a pioneering example of the changing gender dynamics of early twenty-first-century television. Author John Alberti looks at how the show's focus shifts the police procedural away from the idea that solving the mystery of whodunit means resolving the crime, and toward dealing with the ongoing psychological aftermath of crime and violence on social and family relationships. This attention to what creator and producer Veena Sud describes as the \"real cost\" of murder defines \u003cem\u003eThe Killing\u003c\/em\u003e as a milestone feminist revision of the crime thriller and helps explain why it has provoked such strong critical reactions and fan loyalty.\u003c\/p\u003e\u003cp\u003eAlberti examines the history of women detectives in the television police procedural, paying particular attention to how the cultural formation of the traditionally male noir detective has shaped that history. Through a careful comparison with the Danish original, \u003cem\u003eForbrydelsen, \u003c\/em\u003eand a season-by-season overview of the series, Alberti argues that \u003cem\u003eThe Killing\u003c\/em\u003e rewrites the masculine lone wolf detective-a self-styled social outsider who sees the entanglements of relationships as threats to his personal autonomy-of the classic noir. Instead, lead detective Sarah Linden, while wary of the complications of personal and social attachments, still recognizes their psychological and ethical inescapability and necessity. In the final chapter, the author looks at how the show's move to ever-expanding niche markets and multi-viewing options, along with an increase in feminist reconstructions of various television genr\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52668070822255,"sku":"9780814342121","price":179.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814342124.jpg?v=1770927188"},{"product_id":"cinema-and-community","title":"Cinema and Community","description":"\u003cp\u003eCaught between the older model of short film and the emerging classic era, the transitional period of American cinema (1907-1917) has typically posed a problem for studies of early American film. Yet in \u003cem\u003eCinema and Community: Progressivism, Exhibition, and Film Culture in Chicago, 1907-1917,\u003c\/em\u003e author Moya Luckett uses the era's dominant political ideology as a lens to better understand its cinematic practice. Luckett argues that movies were a typically Progressive institution, reflecting the period's investment in leisure, its more public lifestyle, and its fascination with celebrity. She uses Chicago, often considered the nation's most Progressive city and home to the nation's largest film audience by 1907, to explore how Progressivism shaped and influenced the address, reception, exhibition, representational strategies, regulation, and cultural status of early cinema.    \u003cbr\u003e\n\u003cbr\u003e\nAfter a survey of Progressivism's general influences on popular culture and the film industry in particular, she examines the era's spectatorship theories in chapter 1 and then the formal characteristics of the early feature film-including the use of prologues, multiple diegesis, and oversight-in chapter 2. In chapter 3, Luckett explores the period's cinema in the light of its celebrity culture, while she examines exhibition in chapter 4. She also looks at the formation of Chicago's censorship board in November 1907 in the context of efforts by city government, social reformers, and the local press to establish community standards for cinema in chapter 5. She completes the volume by exploring race and cinema in chapter 6 and national identity and community, this time in relation to World War I, in chapter 7.\u003cbr\u003e\n\u003cbr\u003e\n   As well as offering a history of an underexplored area of film history, Luckett provides a conceptual framework to help navigate some of the period's key issues. Film scholars interested in\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52668229419375,"sku":"9780814337257","price":309.07,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814337252.jpg?v=1770930346"},{"product_id":"skandal","title":"SKANDAL","description":"\u003cp\u003eSKANDAL\u003c\/p\u003e","brand":"St. Martins Press-3PL","offers":[{"title":"Default Title","offer_id":52691056329071,"sku":"9781250073693","price":143.5,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1250073693.jpg?v=1771525814"},{"product_id":"comic-venus","title":"Comic Venus","description":"\u003cp\u003eFor many people the term \"silent comedy\" conjures up images of Charlie Chaplin's Little Tramp, Buster Keaton's Stoneface, or Harold Lloyd hanging precariously from the side of a skyscraper. Even people who have never seen a silent film can recognize these comedians at a glance. But what about the female comedians? Gale Henry, Louise Fazenda, Colleen Moore, Constance Talmadge-these and numerous others were wildly popular during the silent film era, appearing in countless motion pictures and earning top salaries, and yet, their names have been almost entirely forgotten. As a consequence, recovering their history is all the more compelling given that they laid the foundation for generations of funny women, from Lucille Ball to Carol Burnett to Tina Fey. These women constitute an essential and neglected sector of film history, reflecting a turning point in women's social and political history. Their talent and brave spirit continues to be felt today, and \u003cem\u003eComic Venus: Women and Comedy in American Silent Film\u003c\/em\u003e seeks to provide a better understanding of women's experiences in the early twentieth century, and to better understand and appreciate the unruly and boundary-breaking women who have followed.\u003c\/p\u003e\u003cp\u003eThe diversity and breadth of archival materials explored in \u003cem\u003eComic Venus\u003c\/em\u003e illuminate the social and historical period of comediennes and silent film. In four sections, Kristen Anderson Wagner enumerates the relationship between women and comedy, beginning with the question of why historically women weren't seen as funny or couldn't possibly be funny in the public and male eye, a question that persists even today. 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