{"title":"Cultura Afro-americana","description":null,"products":[{"product_id":"if-we-must-die","title":"If We Must Die","description":"\u003cp\u003eIn \u003cem\u003eIf We Must Die: From Bigger Thomas to Biggie Smalls,\u003c\/em\u003e author Aimé J. Ellis argues that throughout slavery, the Jim Crow era, and more recently in the proliferation of the prison industrial complex, the violent threat of death has functioned as a coercive disciplinary practice of social control over black men. In this provocative volume, Ellis delves into a variety of literary and cultural texts to consider unlawful and extralegal violence like lynching, mob violence, and \"white riots,\" in addition to state violence such as state-sanctioned execution, the unregulated use of force by police and prison guards, state neglect or inaction, and denial of human and civil rights.\u003cbr\u003e\n\u003cbr\u003e\nFocusing primarily on young black men who are depicted or see themselves as \"bad niggers,\" gangbangers, thugs, social outcasts, high school drop-outs, or prison inmates, Ellis looks at the self-affirming embrace of deathly violence and death-defiance-both imagined and lived-in a diverse body of cultural works. From Richard Wright's literary classic Native Son, Eldridge Cleaver's prison memoir Soul on Ice, and Nathan McCall's autobiography Makes Me Wanna Holler to the hip hop music of Eazy-E, Tupac Shakur, Notorious B.I.G., and D'Angelo, Ellis investigates black men's representational identifications with and attachments to death, violence, and death-defiance as a way of coping with and negotiating late-twentieth and early twenty-first century culture.\u003cbr\u003e\n\u003cbr\u003e\nDistinct from a sociological study of the material conditions that impact urban black life, \u003cem\u003eIf We Must Die\u003c\/em\u003e investigates the many ways that those material conditions and lived experiences profoundly shape black male identity and self-image. African Amerian studies scholars and those interested in race in contemporary American culture will appreciate this thought-provoking volume.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52641340817775,"sku":"9780814334133","price":243.34,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/081433413X.jpg?v=1770926147"},{"product_id":"witness-for-freedom","title":"Witness for Freedom","description":"Encompassing a broad range of African American voices, from Frederick Douglass to anonymous fugitive slaves, this collection collects eighty-nine exceptional documents that represent the best of the five-volume \u003ci\u003eBlack Abolitionist Papers\u003c\/i\u003e. In these compelling texts African Americans tell their own stories of the struggle to end slavery and claim their rights as American citizens, of the battle against colonization and the \"back to Africa\" movement, and of their troubled relationship with the federal government.\u003cbr\u003e\u003cbr\u003e","brand":"Longleaf Services on behalf of Univ of N. Carolina","offers":[{"title":"Default Title","offer_id":52650263019887,"sku":"9780807844045","price":348.42,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0807844047.jpg?v=1770667069"},{"product_id":"race-trauma-and-home-in-the-novels-of-toni-morrison","title":"Race, Trauma, and Home in the Novels of Toni Morrison","description":"\u003cp\u003eIn this first interdisciplinary study of all nine of Nobel Laureate Toni Morrison's novels, Evelyn Jaffe Schreiber investigates how the communal and personal trauma of slavery embedded in the bodies and minds of its victims lives on through successive generations of African Americans. Approaching trauma from several cutting-edge theoretical perspectives -- psychoanalytic, neurobiological, and cultural and social theories -- Schreiber analyzes the lasting effects of slavery as depicted in Morrison's work and considers the almost insurmountable task of recovering from trauma to gain subjectivity.\u003c\/p\u003e\u003cp\u003eWith an innovative application of neuroscience to literary criticism, Schreiber explains how trauma, whether initiated by physical abuse, dehumanization, discrimination, exclusion, or abandonment, becomes embedded in both psychic and bodily circuits. Slavery and its legacy of cultural rejection create trauma on individual, familial, and community levels, and parents unwittingly transmit their trauma to their children through repetition of their bodily stored experiences. Concepts of \"home\" -- whether a physical place, community, or relationship -- are reconstructed through memory to provide a positive self and serve as a healing space for Morrison's characters. Remembering and retelling trauma within a supportive community enables trauma victims to move forward and attain a meaningful subjectivity and selfhood.\u003c\/p\u003e\u003cp\u003eThrough careful analysis of each novel, Schreiber traces the success or failure of Morrison's characters to build or rebuild a cohesive self, starting with slavery and the initial postslavery generation, and continuing through the twentieth century, with a special focus on the effects of inherited trauma on children. When characters attempt to escape trauma through physical relocation, or to project their pain onto others through aggressive behavior or scapegoating, the development of selfhood falters. Only when trauma is confro\u003c\/p\u003e","brand":"Longleaf Services on behalf of LSU Press","offers":[{"title":"Default Title","offer_id":52653439484271,"sku":"9780807154489","price":229.96,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0807154482.jpg?v=1770726348"},{"product_id":"cant-stand-still","title":"Can't Stand Still","description":"\u003cp\u003eBorn in 1893 into the only African American family in White Sulphur Springs, Montana, Emmanuel Taylor Gordon (1893-1971) became an internationally famous singer in the 1920s at the height of the Harlem Renaissance. With his musical partner, J. Rosamond Johnson, Gordon was a crucially important figure in popularizing African American spirituals as an art form, giving many listeners their first experience of black spirituals.\u003c\/p\u003e\u003cp\u003eDespite his fame, Taylor Gordon has been all but forgotten, until now. Michael K. Johnson illuminates Gordon's personal history and his cultural importance to the legacy of the Harlem Renaissance, arguing that during the height of his celebrity, Gordon was one of the most significant African American male vocalists of his era. Gordon's story--working in the White Sulphur Springs brothels as an errand boy, traveling the country in John Ringling's private railway car, performing on vaudeville stages from New York to Vancouver to Los Angeles, performing for royalty in England, becoming a celebrated author with a best-selling 1929 autobiography, and his long bout of mental illness--adds depth to the history of the Harlem Renaissance and makes him one of the most fascinating figures of the twentieth century.\u003c\/p\u003e\u003cp\u003eThrough detailed documentation of Gordon's career--newspaper articles, reviews, letters, and other archival material--the author demonstrates the scope of Gordon's cultural impact. The result is a detailed account of Taylor's musical education, his career as a vaudeville performer, the remarkable performance history of Johnson and Gordon, his status as an in-demand celebrity singer and author, his time as a radio star, and, finally, his descent into madness. Can't Stand Still brings Taylor Gordon back to the center of the stage.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52657160225135,"sku":"9781496821966","price":317.23,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496821963.jpg?v=1770809159"},{"product_id":"mother-wit-from-the-laughing-barrel","title":"Mother Wit from the Laughing Barrel","description":"Exploring the scope, diversity, and vitality of black culture, here is a fascinating collection of more than sixty articles from some of the most perceptive and authoritative commentators upon the black experience—Zora Neale Hurston, J. Mason Brewer, Sterling A. Brown, Eldridge Cleaver, Willis Laurence James, John Lovell Jr., Langston Hughes, Charles W. Chesnutt, Alan Lomax, Ralph Ellison, A. Philip Randolph, Newbell Niles Puckett, Roger D. Abrahams, and many others.\u003cp\u003eReaders cannot help coming away from this book with a new appreciation of the nature and richness of African American folklore. For those with little or no previous knowledge of this heterogeneous and spellbinding lore \u003ci\u003eMother Wit from the Laughing Barrel\u003c\/i\u003e will be an eye-opening encounter.\u003c\/p\u003e\u003cp\u003eDrawn out of the deep, rich well of African American culture, these essays convey the import of the black folk experience for all Americans. No library or individual with a serious interest in African American folklore should fa\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52657686511983,"sku":"9780878054787","price":322.82,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0878054782.jpg?v=1770818151"},{"product_id":"cutting-along-the-color-line","title":"Cutting Along the Color Line","description":"\u003cp\u003eToday, black-owned barber shops play a central role in African American public life. The intimacy of commercial grooming encourages both confidentiality and camaraderie, which make the barber shop an important gathering place for African American men to talk freely. But for many years preceding and even after the Civil War, black barbers endured a measure of social stigma for perpetuating inequality: though the profession offered economic mobility to black entrepreneurs, black barbers were obliged by custom to serve an exclusively white clientele. Quincy T. Mills traces the lineage from these nineteenth-century barbers to the bustling enterprises of today, demonstrating that the livelihood offered by the service economy was crucial to the development of a black commercial sphere and the barber shop as a democratic social space.\u003c\/p\u003e\n\n\u003cp\u003e\u0026lt;i\u0026gt;Cutting Along the Color Line\u0026lt;\/i\u0026gt; chronicles the cultural history of black barber shops as businesses and civic institutions. Through several generations of barbers, Mills examines the transition from slavery to freedom in the nineteenth century, the early twentieth-century expansion of black consumerism, and the challenges of professionalization, licensing laws, and competition from white barbers. He finds that the profession played a significant though complicated role in twentieth-century racial politics: while the services of shaving and grooming were instrumental in the creation of socially acceptable black masculinity, barbering permitted the financial independence to maintain public spaces that fostered civil rights politics. This sweeping, engaging history of an iconic cultural establishment shows that black entrepreneurship was intimately linked to the struggle for equality.\u003c\/p\u003e","brand":"University of Pennsylvania Press","offers":[{"title":"Default Title","offer_id":52665655132527,"sku":"9780812223798","price":148.2,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0812223799.jpg?v=1770906885"},{"product_id":"black-pow-wow","title":"Black POW-Wow","description":"\u003cp\u003eBlack POW-Wow\u003c\/p\u003e","brand":"St. Martins Press-3PL","offers":[{"title":"Default Title","offer_id":52665765724527,"sku":"9780809000937","price":111.17,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0809000938.jpg?v=1770911427"},{"product_id":"thats-got-em","title":"That's Got 'Em!","description":"\u003cp\u003eThe story of an African American musician and band leader whose showmanship and versatility bridged the gap between ragtime and jazz\u003c\/p\u003e\u003cp\u003eWilbur C. Sweatman (1882-1961) is one of the most important, yet unheralded, African American musicians involved in the transition of ragtime into jazz in the early twentieth century. In That's Got 'Em!, Mark Berresford tracks this energetic pioneer over a seven-decade career. His talent transformed every genre of black music before the advent of rock and roll--\"pickaninny\" bands, minstrelsy, circus sideshows, vaudeville (both black and white), night clubs, and cabarets. Sweatman was the first African American musician to be offered a long-term recording contract, and he dazzled listeners with jazz clarinet solos before the Original Dixieland Jazz Band's so-called \"first jazz records.\"\u003c\/p\u003e\u003cp\u003eSweatman toured the vaudeville circuit for over twenty years and presented African American music to white music lovers without resorting to the hitherto obligatory \"plantation\" costumes and blackface makeup. His bands were a fertile breeding ground of young jazz talent, featuring such future stars as Duke Ellington, Coleman Hawkins, and Jimmie Lunceford. Sweatman subsequently played pioneering roles in radio and recording production. His high profile and sterling reputation in both the black and white entertainment communities made him a natural choice for administering the estate of Scott Joplin and other notable black performers and composers.\u003c\/p\u003e\u003cp\u003eThat's Got 'Em! is the first full-length biography of this pivotal figure in black popular culture, providing a compelling account of his life and times.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52666903331183,"sku":"9781617037221","price":314.47,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1617037222.jpg?v=1770923110"},{"product_id":"keepin-it-hushed","title":"Keepin' It Hushed","description":"\u003cp\u003eIn Keepin’ It Hushed: The Barbershop and African American Hush Harbor Rhetoric, Vorris L. Nunley investigates the role of the hush harbor (a safe place for free expression among African American speakers) as a productive space of rhetorical tradition and knowledge generation. Nunley identifies the barbershop as an important hush harbor for black males in particular and traces the powerful cultural trope and its hidden tradition of African American knowledge through multiple texts. From Dunbar’s \"We Wear the Mask\" to the recent Barbershop movies and the provocative rhetoric of Reverend Jeremiah Wright, Nunley’s study touches on a range of time periods and genres.\u003cbr\u003e\n\u003cbr\u003e\nNunley’s introduction connects African American Hush Harbor Rhetoric (AAHHR) to everyday considerations of what may or may not be spoken in public and how African American speakers manage numerous hidden transcripts. In the first three chapters, Nunley charts different iterations of hush harbors and their function in the context of residual and emergent rhetorical traditions. He investigates public sphere theory and its application (and misapplication) to black civil society and hush harbors and connects AAHHR to nommo, the power of the word. In chapters 4 and 5, Nunley examines the ubiquity of the hush harbor trope in African American culture and considers barbershops as pedagogical sites, using literature, poetry, philosophy, and film to make his case. In chapter 6, he analyzes the Barbershop movie in detail, arguing that the movie’s commodified, neoliberal version of AAHHR did not represent a hush harbor, although that was ostensibly the aim.\u003cbr\u003e\n\u003cbr\u003e\nKeepin’ It Hushed concludes with a presentation of a hush harbor pedagogy in chapter 7 and a distinctive analysis of hush harbor oriented speeches by then-Senator Obama and Rev. Jeremiah Wright. Rhetoricians and readers interested in African American life and culture will appreciate the cogent\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52667632353647,"sku":"9780814333488","price":243.52,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814333486.jpg?v=1770926065"},{"product_id":"when-the-church-becomes-your-party","title":"When the Church Becomes Your Party","description":"\u003cp\u003eIn When the Church Becomes Your Party, author Deborah Smith Pollard assesses contemporary gospel music as the genre enters the twenty-first century. She argues that although the flashy clothing, informal language, and elaborate stage presentation found in some of the newest gospel music might not be what some worshippers expect, this new aesthetic rests on the same Christian principles as more traditional forms and actually extends its message to a wider and younger audience.\u003cbr\u003e\n\u003cbr\u003e\nIn this volume Pollard looks at contemporary gospel music with the insider’s perspective she has acquired as a regular participant in praise and worship services in the Detroit area and through her work as a successful gospel concert producer (The Motor City Praisefest and the McDonald’s GospelFest) and host of a popular Sunday morning gospel show on Detroit’s FM 98 WJLB. Among the topics she considers in When the Church Becomes Your Party are praise and worship music, gospel musical stage plays, the changing dress code of gospel performance, women gospel announcers, and holy hip hop. She draws on Detroit’s thriving gospel scene as well as her knowledge of the national gospel music industry to identify important trends in each area and trace the cultural transformations that brought them about. In addition, Pollard includes interviews with contemporary gospel artists, allowing them to explain why they rap, make particular choices in attire, or participate in gospel radio, praise and worship, or gospel musical plays.\u003cbr\u003e\n\u003cbr\u003e\nWhile other studies address some of the subtopics included in this volume, When the Church Becomes Your Party offers a comprehensive picture of the history and future of contemporary gospel music. Scholars of music and African American cultural studies will enjoy this intriguing volume.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52668300132719,"sku":"9780814332184","price":245.03,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814332188.jpg?v=1770934553"},{"product_id":"roots-of-african-american-drama","title":"Roots of African American Drama","description":"\u003cp\u003eWhile many historically significant or interesting plays by white playwrights are easily found in anthologies, few by early African American  writers are equally accessible. Indeed until the 1970s, almost none of these early plays could be locatedoutside of a library.\u003cbr\u003e\n\u003cbr\u003e\nThe Roots of African American Drama fills this gap. Five of the thirteen scripts included here have never been in print, and only three others are presently available anywhere. The plays represent a variety of styles—allegory, naturalism, realism, melodrama, musical comedy, and opera. Four are full length, eight are one-acts, and one is a skit. Their subjects include slavery, share-cropping, World War I, vaudeville, religion, and legend and mythology.\u003cbr\u003e\n\u003cbr\u003e\nIn making their selections, the editors used a variety of criteria to insure each play is dramatically sound and historically important. They also searched for those scripts that were unjustly consigned to obscurity. Each selection begins with headnotes that place it in its historical and cultural context. Biographic information and a bibliography of other plays follow each script, providing readers with added sources for study.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52668303245679,"sku":"9780814321423","price":225.94,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814321429.jpg?v=1770934717"},{"product_id":"what-the-wine-sellers-buy-plus-three","title":"What the Wine-Sellers Buy Plus Three","description":"\u003cp\u003eA collection of four plays by contemporary playwright, screenwriter, and director Ron Milner. Much of Black literature from the 1940s through the 1960s deals with the search for identity and asks the question, Should Blacks define themselves in relationship to white people and white culture? In dramatizing the struggles and desires of the Black working class and lower middle class, renowned Detroit playwright Ron Milner responds to this question by letting Black culture - Black music in particular - be not only his subject but part of his form of expression and way of being in the world.\u003cbr\u003e\n\u003cbr\u003e\nThe four Milner plays collected here - Checkmates, What the Wine-Sellers Buy, Jazz-Set, and Urban Transition - are characterized by their attention to African American social and psychological culture. Checkmates (1990) explores the relationships of two Black couples who are generations apart in age and attitudes - one new at the games and realities of love, the other experienced. What the Wine-Sellers Buy (1974), a coming-of-age tale set on Detroit streets in the 1950s, looks at the conflict between the lure of the streets and a mother's teachings. The highly innovative Jazz-Set is Milner's tribute to jazz - a play that works like a jazz composition, where the musicians and music are one and characters' life experiences and memories are \"played\" as music. Urban Transition (1995) picks up on themes introduced in What the Wine-Sellers Buy to examine how the drug subculture has made its way into current mainstream culture. Ron Milner is one of America's most prolific and foremost playwrights. His plays have become required texts in many of the emerging repertory theaters of the Black and progressive theater communities.\u003cbr\u003e\n\u003cbr\u003e\nFour Plays will be of interest to students of the theater, theater scholars, and those interested in African American and American literature.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52668305211759,"sku":"9780814329290","price":229.88,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814329292.jpg?v=1770934922"},{"product_id":"conversations-with-nikki-giovanni","title":"Conversations with Nikki Giovanni","description":"Out of this collection of twenty-two interviews spanning two decades rises the distinctive voice of “the princess of black poetry.” Nikki Giovanni entered the literary world at the height of the Black Arts Movement and quickly achieved not simple fame but stardom, a phenomenon almost unprecedented for a poet. Her first two volumes of poetry, \u003ci\u003eBlack Feeling, Black Talks\u003c\/i\u003e and \u003ci\u003eBlack Judgement\u003c\/i\u003e, gave expression to the thoughts and feelings of a generation of young African Americans and established Giovanni, in the minds of many, as a “revolutionary,” even militant, poet. The image was not altogether accurate, yet it became the gauge by which her later work was judged.\u003cp\u003eIn these conversations the reader can follow the evolution of Giovanni’s distinctive voice and the sensibility of the poet’s mind. She chooses her words carefully, while giving an impression of spontaneity and even of glibness.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52691213156719,"sku":"9780878055876","price":228.72,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0878055878.jpg?v=1771533106"},{"product_id":"bad-men","title":"Bad Men","description":"\u003cp\u003eHow have African American writers drawn on \"bad\" black men and black boys as creative touchstones for their evocative and vibrant art? This is the question posed by Howard Rambsy's new book, which explores bad men as a central, recurring, and understudied figure in African American literature, and music. By focusing on how various iterations of the bad black man figure serve as creative muse and inspiration for literary production, Rambsy puts a wide variety of contemporary African American literary and cultural works in conversation with creativity research for the first time.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eEmploying concepts such as playfulness, productivity, divergent thinking, and problem finding, Rambsy examines the works of a wide range of writers--including Elizabeth Alexander, Amiri Baraka, Paul Beatty, Ta-Nehisi Coates, Tyehimba Jess, Trymaine Lee, Adrian Matejka, Aaron McGruder, Evie Shockley, and Kevin Young--who have drawn on notions of bad black men and boys to create innovative and challenging works in a variety of genres. Through groundbreaking readings, Rambsy demonstrates the fruitfulness of viewing black literary art through the lens of creativity research.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"University of Virginia","offers":[{"title":"Default Title","offer_id":53510395658607,"sku":"9780813944135","price":252.92,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0813944139.jpg?v=1789991128"},{"product_id":"radical-black-theatre-in-the-new-deal","title":"Radical Black Theatre in the New Deal","description":"Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated \"Negro Units\" set up under the FTP, African American artists took on theatre work usually reserved for whites, staged black versions of \"white\" classics, and developed radical new dramas. In this fresh history of the FTP Negro Units, Kate Dossett examines what she calls the black performance community-a broad network of actors, dramatists, audiences, critics, and community activists-who made and remade black theatre manuscripts for the Negro Units and other theatre companies from New York to Seattle.\u003cbr\u003e\u003cbr\u003eTracing how African American playwrights and troupes developed these manuscripts and how they were then contested, revised, and reinterpreted, Dossett argues that these texts constitute an archive of black agency, and understanding their history allows us to consider black dramas on their own terms. The cultural and intellectual labor of black theatre artists was at the heart of radical politics in 1930s America, and their work became an important battleground in a turbulent decade.","brand":"Longleaf on behalf of Univ of N. Carolina Press","offers":[{"title":"Default Title","offer_id":53511131726191,"sku":"9781469654423","price":293.19,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1469654423.jpg?v=1790012698"},{"product_id":"john-jennings","title":"John Jennings","description":"\u003cp\u003eJohn Jennings (b. 1970) is perhaps best known for his collaboration with Damian Duffy on the New York Times bestseller and Eisner Award-winning graphic novel adaptation of Octavia Butler's Kindred. However, Jennings is also a graphic designer and comic book scholar who, throughout his career, has conducted several interviews that shed light on the importance of Black Speculative narratives. The most enlightening of his interviews are brought together in John Jennings: Conversations.\u003c\/p\u003e\u003cp\u003eAs a collective these interviews explore folklore, systemic racism, his Mississippi roots, and the phrase Jennings cocreated, the Ethnogothic. Jennings discusses the necessity for black heroes, not just for the sake of diversity, but for inclusiveness, touching on the conventions he has cofounded, such as the Schomburg Center's Black Comic Book Festival in Harlem. He addresses the struggle to be financially compensated for work, and he speaks at length about how being a professor informs his craft where he continues to examine black stereotypes in popular culture with courses of his own design.\u003c\/p\u003e\u003cp\u003eAs a group the interviews in John Jennings: Conversations give a picture of a black man forging a way where comic books have afforded him a means to carve out an important space for people of color.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":53511601946991,"sku":"9781496829399","price":266.9,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496829395.jpg?v=1790025183"},{"product_id":"before-the-fires","title":"Before the Fires","description":"\u003cp\u003ePeople associate the South Bronx with gangs, violence, drugs, crime, burned-out buildings, and poverty. This is the message that has been driven into their heads over the years by the media. As Howard Cosell famously said during the 1977 World's Series at Yankee Stadium, \"There it is, ladies and gentlemen, the Bronx is burning.\" In this new book, Naison and Gumbs provide a completely different picture of the South Bronx through interviews with residents who lived here from the 1930s to the 1960s.\u003c\/p\u003e\u003cp\u003eIn the early 1930s, word began to spread among economically secure black families in Harlem that there were spacious apartments for rent in the Morrisania section of the Bronx. Landlords in that community, desperate to fill their rent rolls and avoid foreclosure, began putting up signs in their windows and in advertisements in New York's black newspapers that said, \"We rent to select colored families,\" by which they meant families with a securely employed wage earner and light complexions. 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