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Through it all, Kopple has generously made herself available for a great many print and broadcast interviews. The most revealing and illuminating of these are brought together in this collection.\u003c\/p\u003e\u003cp\u003eHere, Kopple explains her near-constant struggles to raise money (usually while her films are already in production) and the hardships arising from throwing her own money into such projects. She makes clear the tensions between biases, objectivity, and fairness in her films. Her interviewers raise fundamental questions. What is the relationship between real people in documentaries and characters in fictional films? Why does she embrace a cinéma vérité style in some films but not others? Why does she seem to support gun ownership in Harlan County, U.S.A., only to take a decidedly more neutral view of the issue in her film Gun Fight?\u003c\/p\u003e\u003cp\u003eKopple's concern for people facing crises is undeniable. So is the affection she has for her more famous subjects--Woody Allen playing a series of European jazz concerts, Gregory Peck on tour, and the Dixie Chicks losing a fan base but making a fresh start.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52653460554095,"sku":"9781496823298","price":267.8,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/149682329X.jpg?v=1770728011"},{"product_id":"introduction-to-documentary-third-edition","title":"Introduction to Documentary, Third Edition","description":"\u003cp\u003eThe third edition of Bill Nichols's best-selling text provides an up-to-date introduction to the most important issues in documentary history and criticism. 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Each chapter takes up a discrete question, from \"How did documentary filmmaking get started?\" to \"Why are ethical issues central to documentary filmmaking?\" Here Nichols has fully rewritten each chapter for greater clarity and ease of use, including revised discussions of earlier films and new commentary on dozens of recent films from The Cove to The Act of Killing and from Gasland to Restrepo.\u003c\/p\u003e","brand":"Indiana University Press (IPS)","offers":[{"title":"Default Title","offer_id":52653496500591,"sku":"9780253026859","price":247.39,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0253026857.jpg?v=1770731044"},{"product_id":"framework","title":"Framework","description":"\u003cp\u003eUpdated and expanded for the third edition, this volume combines scholarship with movie lore to present a comprehensive account of the development and influence of the American screenwriter. 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Contributors look at themes across a wide variety of films, including many international co-productions to explore individualism versus collectivism, technological obstacles to travel through time and space, the accumulation of capital and colonization, struggles of oppressed groups, the dangers of false ideologies, and the extension of the concept of labor due to technological advances.\u003cbr\u003e\n\u003cbr\u003e\n\u003cem\u003eRed Alert\u003c\/em\u003e considers a wide swath of contemporary international films, from the rarely studied to mainstream science fiction blockbusters like The Matrix. Contributors explore early Czechoslovak science fiction, the Polish-Estonian co-productions of director Marek Piestrak, and science fiction elements in 1970s American blaxploitation films. 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Scholars and students of film, science fiction, and Marxist culture will enjoy\u003cem\u003e Red Alert\u003c\/em\u003e.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653593985391,"sku":"9780814340110","price":315.63,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814340113.jpg?v=1770740410"},{"product_id":"christophe-honore","title":"Christophe Honore","description":"\u003cp\u003eFrench filmmaker Christophe Honoré challenges audiences with complex cinematic form, intricate narrative structures, and aesthetically dynamic filmmaking. But the limited release of his films outside of Europe has left him largely unknown to U.S. audiences. In \u003cem\u003eChristophe Honoré: A Critical Introduction,\u003c\/em\u003e authors David A. 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With careful attention to the complexity of Honoré’s work, they consider critically contested issues such as the filmmaker’s cinematic strategies for addressing AIDS, the depth of his LGBTQ politics, his representations of death and sexual desire, and the connections between his films and the New Wave. Anchored by a comprehensive interview with the director, the authors incorporate classical and contemporary film theories to offer a range of cinematic interventions for thinking queerly about the noted film author.\u003cbr\u003e\n\u003cbr\u003e\n\u003cem\u003eChristophe Honoré: A Critical Introduction\u003c\/em\u003e reconceptualizes the relationship between film theory and queer theory by moving beyond predominant literary and linguistic models, focusing instead on cinematic technique. Students and teachers of queer film will appreciate this thought-provoking volume.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653594018159,"sku":"9780814338636","price":315.63,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814338631.jpg?v=1770740419"},{"product_id":"robin-wood-on-the-horror-film","title":"Robin Wood on the Horror Film","description":"\u003cp\u003eRobin Wood-one of the foremost critics of cinema-has laid the groundwork for anyone writing about the horror film in the last half-century. Wood's interest in horror spanned his entire career and was a form of popular cinema to which he devoted unwavering attention. \u003cem\u003eRobin Wood on the Horror Film: Collected Essays and Reviews\u003c\/em\u003e compiles over fifty years of his groundbreaking critiques.\u003c\/p\u003e\u003cp\u003eIn September 1979, Wood and Richard Lippe programmed an extensive series of horror films for the Toronto International Film Festival and edited a companion piece: \u003cem\u003eThe American Nightmare: Essays on the Horror Film\u003c\/em\u003e - the first serious collection of critical writing on the horror genre. \u003cem\u003eRobin Wood on the Horror Film\u003c\/em\u003e now contains all of Wood's writings from \u003cem\u003eThe American Nightmare\u003c\/em\u003e and nearly everything else he wrote over the years on horror-published in a range of journals and magazines-gathered together for the first time. It begins with the first essay Wood ever published, \"Psychoanalysis of \u003cem\u003ePsycho\u003c\/em\u003e,\" which appeared in 1960 and already anticipated many of the ideas explored later in his touchstone book, \u003cem\u003eHitchcock's Films\u003c\/em\u003e. The volume ends, fittingly, with, \"What Lies Beneath?,\" written almost five decades later, an essay in which Wood reflects on the state of the horror film and criticism since the genre's renaissance in the 1970s. Wood's prose is eloquent, lucid, and convincing as he brings together his parallel interests in genre, authorship, and ideology. Deftly combining Marxist, Freudian, and feminist theory, Wood's prolonged attention to classic and contemporary horror films explains much about the genre's meanings and cultural functions.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eRobin Wood on the Horror Film\u003c\/em\u003e will be an essential addition to the library of anyone interested in horror, science fiction, and film genre.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653598081391,"sku":"9780814345238","price":327.02,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814345239.jpg?v=1770741009"},{"product_id":"classical-myth-in-four-films-of-alfred-hitchcock","title":"Classical Myth in Four Films of Alfred Hitchcock","description":"\u003cp\u003eThis book explores the themes and symbols of classical myth and literature reflected in Alfred Hitchcock\u0026amp;rsquo;s films. Mark W. 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At a time when belonging and identity in Europe is complicated by questions of race, ethnicity, religion, and citizenship, Gueneli demonstrates how Akin's aesthetics intersect with politics to reshape notions of Europe, European cinema, and cinematic history.\u003c\/p\u003e","brand":"Indiana University Press (IPS)","offers":[{"title":"Default Title","offer_id":52653779878255,"sku":"9780253024459","price":335.21,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0253024455.jpg?v=1770741858"},{"product_id":"movies-in-the-age-of-obama","title":"Movies in the Age of Obama","description":"\u003cp\u003eThis collection of essays looks at how films in the last few years have reflected and juxtaposed the ascent of Barack Obama and his administration. 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She argues that a preoccupation with presence, liveness, and affect--all of which are viewed as critical components of live performance--can be found in many of the films of the Berlin School. Challenging the perception that the Berlin School is a sheer adherent of \"slow cinema,\" Landry closely analyzes the use of movement, dynamism, presence, and speed in a broad selection of films to show how filmmakers such as Christian Petzold, Angela Schanelec, Thomas Arslan, and Christoph Hochhäusler invoke the pulse of the kinesthetic and the tangibly affective. Her analysis draws on an array of film theories from early materialism to body theories, phenomenology, and contemporary affect theories. Arguing that these theories readily and energetically forge a path from film to performance, Landry traces a trajectory between the two through which live experience, presence, spectacle, intersubjectivity, and the body in motion emerge and powerfully intersect. 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The interviews in this volume explore this paradox and collectively shed light on the work of a rare film master whose stories bring to the screen the texture and poetry of life in the black community.\u003c\/p\u003e\u003cp\u003eThe best qualities of Burnett's films-rich characterizations, morally and emotionally complex narratives, and intricately observed tales of African American life-are precisely the things that make his films a tough sell in the mass marketplace. 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Although the winner of nine Academy Awards for his The Last Emperor, Bernardo Bertolucci may ultimately be best remembered for his Last Tango in Paris, which Pauline Kael called the most erotic film ever made.\u003c\/p\u003e\u003cp\u003eThis volume gives a privileged view of Bertolucci's career from the days of his first radical experiments to the present, when he has become an elder statesman of world cinema. Half of these twenty-three interviews appear in English for the first time. The conversations resonate with themes that run throughout Bertolucci's work and thought from his early experimental films--Before the Revolution, The Spider's Strategem, The Conformist, and Last Tango in Paris--to his more mainstream works--The Last Emperor, The Sheltering Sky, Little Buddha, and Besieged.\u003c\/p\u003e\u003cp\u003eThese conversations with Bertolucci reveal the significance of psychoanalysis in his films, the relationship between films and dreams, his early fascination with Godard and the \"New Wave,\" his views on extremism and radical politics, and his personal search for cinematic truth. As the interviews progress through four decades of his filmmaking, they show his artistic evolution. 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While other books have adopted either a literary approach to the language, poetry, and arts of these movements or a historical analysis of them, Ongiri's captures the cultural and political interconnections of the postwar period by using an interdisciplinary methodology drawn from cinema studies and music theory. She traces the emergence of this Black aesthetic from its origin in the Black Power movement's emphasis on the creation of visual icons and the Black Arts movement's celebration of urban vernacular culture.\u003c\/p\u003e","brand":"University of Virginia","offers":[{"title":"Default Title","offer_id":52665681445231,"sku":"9780813928609","price":216.74,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0813928605.jpg?v=1770908562"},{"product_id":"the-jew-in-cinema","title":"The \"Jew\" in Cinema","description":"\u003cp\u003eThe \"Jew\" in Cinema\u003c\/p\u003e","brand":"Indiana University Press (IPS)","offers":[{"title":"Default Title","offer_id":52665686655343,"sku":"9780253217455","price":248.14,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0253217458.jpg?v=1770908674"},{"product_id":"mike-leigh","title":"Mike Leigh","description":"\u003cp\u003eMike Leigh\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52665686786415,"sku":"9781578060689","price":160.5,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1578060680.jpg?v=1770908704"},{"product_id":"robert-altman","title":"Robert Altman","description":"\u003cp\u003eRobert Altman\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":52666717274479,"sku":"9781578061877","price":167.38,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1578061873.jpg?v=1770922299"},{"product_id":"more-than-a-method","title":"More Than a Method","description":"\u003cp\u003eThough it is often neglected in cinema scholarship, screen performance is a crucial element in the ideological and emotional impact of films. 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The authors explain the context for performance analysis as they address an international array of film genres, actors, and directors including Alfred Hitchcock and Gus Van Sant, Robert Bresson, Michelangelo Antonioni, Robert Altman, John Cassavetes, John Sayles, Neil Jordan, Tomàs Gutiérrez Alea, Stanley Kubrick, Jim Carrey, and John Woo.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52666823049583,"sku":"9780814330791","price":305.7,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814330797.jpg?v=1770922747"},{"product_id":"dreams-of-chaos","title":"Dreams of Chaos","description":"\u003cp\u003eIn spite of the difficulty of most American avant-garde films, one can read volumes and find almost no mention of how to view these films. Dreams of Chaos, Visions of Order addresses precisely this question: how—and to what extent—can viewers make sense of American avant-garde films? It is a controversial book that examines the implicit assumptions of traditional scholarship, advocates on alternative to dominant approaches to the avant-garde cinema, and questions some long-standing clichés about the history of the avant-garde.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52666861715823,"sku":"9780814324578","price":246.8,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814324576.jpg?v=1770922923"},{"product_id":"hitchcocks-british-films","title":"Hitchcock's British Films","description":"\u003cp\u003eOriginally published in 1977 and long out of print, Maurice Yacowar’s Hitchcock’s British Films was the first volume devoted solely to the twenty-three films directed by Alfred Hitchcock in his native England before he came to the United States. As such, it was the first book to challenge the assumption that Hitchcock’s \"mature\" period in Hollywood, from the late 1940s to the early 1960s, represented the director’s best work. In this traditional auteurist examination of Hitchcock’s early work, author Maurice Yacowar considers Hitchcock’s British films in chronological order, reads the composition of individual shots and scenes in each, and pays special attention to the films’ verbal effects.\u003cbr\u003e\n\u003cbr\u003e\nYacowar’s readings remain compelling more than thirty years after they were written, and some—on Downhill, Champagne, and Waltzes from Vienna—are among the few extended interpretations of these films that exist. Alongside important works such as Murder!, the first The Man Who Knew Too Much, Secret Agent, The Lady Vanishes, and Blackmail, readers will appreciate Yacowar’s equal attention to lesser-known films like The Pleasure Garden, The Ring, and The Manxman. Yacowar dissects Hitchcock’s precise staging and technical production to draw out ethical themes and metaphysical meanings of each film, while keeping a close eye on the source material, such as novels and plays, that Hitchcock used as the inspiration for many of his screenplays. Yacowar concludes with an overview of Hitchcock as auteur and an appendix identifying the director’s appearances in these films.\u003cbr\u003e\n\u003cbr\u003e\nA foreword by Barry Keith Grant and a preface to the second edition from Yacowar complete this comprehensive volume. Anyone interested in Hitchcock, classic British cinema, or the history of film will appreciate Yacowar’s accessible and often witty exploration of the director’s early work.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52667191296367,"sku":"9780814334942","price":316.7,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814334946.jpg?v=1770924353"},{"product_id":"transnational-cinema-in-a-global-north","title":"Transnational Cinema in a Global North","description":"\u003cp\u003eScholarly writing on Nordic cinema has historically focused on such auteurs as Carl Dreyer and Ingmar Bergman. Recent work has neglected to contextualize contemporary Nordic film within the increasingly global climate of the five Nordic countries. 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From heritage films like Babette’s Feast and Pelle the Conquerer to the avant-garde Dogma movement led by Lars von Trier (Breaking the Waves, Dancer in the Dark), to the work of Lukas Moodysson and Aki Kaurismäki, a variety of Nordic films now have wide exposure.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52667201061231,"sku":"9780814332436","price":306.79,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814332439.jpg?v=1770924404"},{"product_id":"virgin-territory","title":"Virgin Territory","description":"\u003cp\u003eIn Virgin Territory contributors consider virginity as it is produced and marketed in film. With chapters that span a range of periods, genres, and performances, this collection proves that although it seems like an obvious quality at first glance, virginity in film is anything but simple. The essays in Virgin Territory destabilize assumptions about virginity and connect moments of virginity in film to their larger social significance.\u003cbr\u003e\n\u003cbr\u003e\nEditor Tamar Jeffers McDonald has assembled a range of contributions by noted film scholars to consider virginity from numerous perspectives, including both the male and female quest to lose virginity, the role of virginity in horror film, issues of sexual agency and desire in both historic and contemporary depictions of virginity, and the complications of self-pleasure and masturbation. Films considered include classics of the Production Code era, like Marjorie Morningstar, Pillow Talk, and Bonjour Tristesse, as well as more recent films like Porky’s, Losin’ It, Fast Times at Ridgemont High, American Pie, The 40-Year-Old Virgin, and Scary Movie. 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Scholars of film and television history as well as cultural studies will enjoy this significant volume.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52667203682671,"sku":"9780814333181","price":260.34,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814333184.jpg?v=1770924418"},{"product_id":"doctor-who","title":"Doctor Who","description":"\u003cp\u003eDoctor Who, the iconic British science-fiction series following a time-traveling alien scientist, was first broadcast November 23, 1963, on BBC Television. Though modestly conceived and produced, its depiction of the alien but strangely human \"Doctor\" proved to be such a commercial success that the program was shown in more than forty countries over twenty-six seasons—from 1963 to 1989—and returned successfully to television in 2005. In Doctor Who, Jim Leach explores the reasons behind the original series’ popularity and the ways it evolved during its long run.\u003cbr\u003e\n\u003cbr\u003e\nLeach analyzes in detail seven representative episodes from the original run of the series to trace the development of the seven \"regenerations\" of the main character by different actors. In addition to detailing each actor’s contribution to the role, he also tackles such issues as the show’s self-reflexivity, its attitude toward science and technology, and its generic mix of science fiction, fantasy, and horror. Leach considers Doctor Who as a \"fantastic\" text, with its concept of regeneration and the complex experience of time that evolved during its run. He also looks at the series’ manipulation of the medium of television and its broader cultural influences and implications. 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While some of the films considered offer important challenges to dominant representations of masculinity, others reveal an acceptance or capitulation to them.\u003cbr\u003e\n\u003cbr\u003e\nAlways attentive to the details of individual film texts, Grant also places the genre films he discusses within their historical contexts and the broader contexts and traditions of popular culture that inform them, including literature, theater, and music. Scholars of film and television studies as well as readers interested in gender studies will appreciate Shadows of Doubt.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52667208204655,"sku":"9780814334577","price":289.11,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814334571.jpg?v=1770924435"},{"product_id":"cinema-at-the-periphery","title":"Cinema at the Periphery","description":"\u003cp\u003eFrom Iceland to Iran, from Singapore to Scotland, a growing intellectual and cultural wave of production is taking cinema beyond the borders of its place of origin—exploring faraway places, interacting with barely known peoples, and making new localities imaginable. 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In the present era of globalization, this timely examination of the periphery will interest teachers and students of film and media studies.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52667209843055,"sku":"9780814333884","price":291.25,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814333885.jpg?v=1770924442"},{"product_id":"representing-the-rural","title":"Representing the Rural","description":"\u003cp\u003eAlthough the urban setting in film has received much critical attention, little has been written about the use of land, or the rural, in the cinema-despite its equally prolific and consistent history as a backdrop to both fiction and documentary work. 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Here geography is taken to an ideological level, where the land is key to the social and national cohesion of its inhabitants and to their cultural survival. In all, the essays presented explore the inextricable link between the urban and the rural as points of tension rather than simple points of contrast.\u003cbr\u003e\n\u003cbr\u003e\nRepresenting the Rural attempts to formulate a template for rural cinema, set forth its most salient characteristics, and provide a guideline for discussion and analysis. Students and film scholars will appreciate this unique volume.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52667210989935,"sku":"9780814333051","price":289.43,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814333052.jpg?v=1770924449"},{"product_id":"new-latin-american-cinema-volume-1","title":"New Latin American Cinema, Volume 1","description":"\u003cp\u003eNew Latin American Cinema, Volume 1\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52667211055471,"sku":"9780814325858","price":261.82,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814325858.jpg?v=1770924457"},{"product_id":"humor-in-middle-eastern-cinema","title":"Humor in Middle Eastern Cinema","description":"\u003cp\u003eWhile Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor—often satirical—has long been a staple of mainstream Arabic film. 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Contributors examine the region’s masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, and Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan.\u003cbr\u003e\n  \u003cbr\u003e\n This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52667213906287,"sku":"9780814339374","price":292.67,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814339379.jpg?v=1770924472"},{"product_id":"the-films-of-joseph-h-lewis","title":"The Films of Joseph H. Lewis","description":"\u003cp\u003eJoseph H. Lewis enjoyed a monumental career in many genres, including film noir and B-movies (with the East Side Kids) as well as an extensive and often overlooked TV career. In \u003cem\u003eThe Films of Joseph H. Lewis\u003c\/em\u003e, editor Gary D. Rhodes, PhD. gathers notable scholars from around the globe to examine the full range of Lewis's career. 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Contributors take three distinct approaches to the film: in the context of its genre as film noir and modernist and postmodernist film; in its relationship to masculinity and masochism; and in terms of ethos and ethics.\u003cbr\u003e\n\u003cbr\u003e\n\u003cem\u003eThe Films of Joseph H. Lewis\u003c\/em\u003e offers a thorough assessment of Lewis's career and also provides insight into film and television making in the 1930s, 40s, and 50s. Scholars of film and television studies and fans of Lewis's work will appreciate this comprehensive collection.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52667227963759,"sku":"9780814334621","price":301.99,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814334628.jpg?v=1770924526"},{"product_id":"on-michael-haneke","title":"On Michael Haneke","description":"\u003cp\u003eAustrian director Michael Haneke is recognized for films that explore the most pressing social questions of our time while simultaneously pushing the boundaries of style with innovative visual and sonic practices. On Michael Haneke is one of the very first and most extensive considerations of Haneke’s work. 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Scholars of film and television studies, cinephiles, and anyone interested in contemporary film culture will enjoy On Michael Haneke.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52667232092527,"sku":"9780814334058","price":293.39,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814334059.jpg?v=1770924555"},{"product_id":"the-films-of-hal-ashby","title":"The Films of Hal Ashby","description":"\u003cp\u003eHal Ashby directed eleven feature films over the course of his career and was an important figure in the Hollywood Renaissance of the late 1960s and 1970s. 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In the following chapters, Beach analyzes groups of films to uncover important thematic concerns in Ashby’s work, including the treatment of a young male protagonist in The Landlord and Harold and Maude, the representation of the U.S. military in The Last Detail and Coming Home, and the role of television and mass media in Shampoo and Being There. Beach also examines the crucial role of the musical score in Ashby’s films, as well as the rapid decline of the director’s career after Being There.\u003cbr\u003e\n\u003cbr\u003e\nThe Films of Hal Ashby is based on Beach’s extensive use of unpublished archival materials, as well as a number of interviews with actors, directors, producers, cinematographers, and others involved in the making of Ashby’s films. This volume will interest film and television scholars, as well as readers interested in filmmakers of the 1970s.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52667242545519,"sku":"9780814334157","price":258.22,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814334156.jpg?v=1770924595"},{"product_id":"after-kieslowski","title":"After Kieslowski","description":"\u003cp\u003ePolish filmmaker Krzysztof Kie\u003cstrong\u003es\u003c\/strong\u003elowski died unexpectedly in March 1996 at precisely the moment he had reached the height of his career and gained a global audience for his work with the Three Colors trilogy (1993-94). 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