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Based on Mart Crowley’s hit Off-Broadway play from 1968, the film’s two-hour running time approximates real time, unfolding at a birthday party attended by nine men whose language, clothing, and behavior evoke a range of urban gay “types.” Although various popular critics, historians, and film scholars over the years have offered cursory acknowledgment of the film’s importance, more substantive research and analysis have been woefully lacking. The film’s neglect among academics belies a rich and rewarding object of study. \u003cem\u003eThe Boys in the Band\u003c\/em\u003e merits not only the close reading that should accompany such a well-made text but also recognition as a landmark almost ideally situated to orient us amid the highly complex, shifting cultural terrain it occupied upon its release—and has occupied since.  \u003cbr\u003e\n\u003cbr\u003e\n The scholars assembled here bring an invigorating variety of methods to their considerations of this singular film. Coming from a wide range of academic disciplines, they pose and answer questions about the film in remarkably different ways. Cultural analysis, archival research, interviews, study of film traditions, and theoretical framing intensify their revelatory readings of the film. Many of the essays take inventive approaches to longstanding debates about identity politics, and together they engage with current academic work across a variety of fields that include queer theory, film theory, gender studies, race and ethnic studies, and Marxist theory. Addressing \u003cem\u003eThe Boys in the Band\u003c\/em\u003e from multiple perspectives, these essays identify and draw out the film’s latent flashpoints—aspects of the film that express the historical, cinematic, and queer-political crises not only of its own time, but also of today.\u003cbr\u003e\n\u003cbr\u003e\n\u003cem\u003eThe Boys\u003c\/em\u003e\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653589627247,"sku":"9780814341537","price":304.0,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814341535.jpg?v=1770739813"},{"product_id":"komedi-bioscoop","title":"Komedi Bioscoop","description":"\u003cp\u003eKomedi Bioscoop\u003c\/p\u003e","brand":"Indiana University Press (IPS)","offers":[{"title":"Default Title","offer_id":52653590249839,"sku":"9780861967230","price":270.98,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0861967232.jpg?v=1770739940"},{"product_id":"beyond-dolby-stereo","title":"Beyond Dolby (Stereo)","description":"\u003cp\u003eSince digital surround sound technology first appeared in cinemas 20 years ago, it has spread from theaters to homes and from movies to television, music, and video games. 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Beyond Dolby (Stereo) includes detailed analyses of Fight Club, The Matrix, Hairspray, Disturbia, The Rock, Saving Private Ryan, and Joy Ride, among other films, to illustrate the value of a truly audiovisual approach to cinema studies.\u003c\/p\u003e","brand":"Indiana University Press (IPS)","offers":[{"title":"Default Title","offer_id":52653591527791,"sku":"9780253222527","price":304.61,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0253222524.jpg?v=1770740190"},{"product_id":"beyond-blaxploitation","title":"Beyond Blaxploitation","description":"\u003cp\u003e\u003cem\u003eBeyond Blaxploitation,\u003c\/em\u003e the first book-length anthology of scholarly work on blaxploitation film, sustains the momentum that blaxploitation scholarship has recently gained, giving the films an even more prominent place in cinema history. This volume is made up of eleven essays employing historical and theoretical methodologies in the examination of spectatorship, marketing, melodrama, the transition of novel to screenplay, and racial politics and identity, among other significant topics. In doing so, the book fills a substantial gap that exists in the black cinematic narrative and, more broadly, in film history.\u003cbr\u003e\n\u003cbr\u003e\n\u003cem\u003eBeyond Blaxploitation \u003c\/em\u003eis divided into three sections that feature original essays on a variety of canonical blaxploitation films and others that either influenced the movement or in some form represent a significant extension of it. The first section titled, “From Pioneer to Precursor to Blaxploitation,” centers on three films—\u003cem\u003eCotton Comes to Harlem\u003c\/em\u003e, \u003cem\u003eWatermelon Man\u003c\/em\u003e, and \u003cem\u003eSweet Sweetback’s Baadasssss Song\u003c\/em\u003e—that ignited the African American film cycle. The second section, “The Canon and the Not so Canon,” is dedicated to forging alternative considerations of some of the most highly regarded blaxploitation films, while also bringing attention to lesser-known films in the movement. The final section, “Was, Is, or Isn’t Blaxploitation,” includes four essays that offer significant insights on films that are generally associated with blaxploitation but contest traditional definitions of the movement. Moreover, this section features chapters that address industrial factors that led to the creation of blaxploitation cinema and highlight the limitations of the term itself.\u003cbr\u003e\n\u003cbr\u003e\n\u003cem\u003eBeyond Blaxploitation \u003c\/em\u003eis a much-needed pedagogical tool, informing film scholars, critics, and fans alike, about blaxploitation’s richness and complexity.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653592215919,"sku":"9780814340769","price":316.07,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814340768.jpg?v=1770740149"},{"product_id":"animated-worlds","title":"Animated Worlds","description":"\u003cp\u003eWhat do we mean by the term \"animation\" when we are discussing film? Is it a technique? A style? A way of seeing or experiencing \"a world\" that has little relation to our own lived experience of \"the world\"? 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Contributors look at themes across a wide variety of films, including many international co-productions to explore individualism versus collectivism, technological obstacles to travel through time and space, the accumulation of capital and colonization, struggles of oppressed groups, the dangers of false ideologies, and the extension of the concept of labor due to technological advances.\u003cbr\u003e\n\u003cbr\u003e\n\u003cem\u003eRed Alert\u003c\/em\u003e considers a wide swath of contemporary international films, from the rarely studied to mainstream science fiction blockbusters like The Matrix. Contributors explore early Czechoslovak science fiction, the Polish-Estonian co-productions of director Marek Piestrak, and science fiction elements in 1970s American blaxploitation films. The collection includes analyses of recent films like \u003cem\u003eTransfer \u003c\/em\u003e(Damir Lukacevic), \u003cem\u003eAvalon\u003c\/em\u003e (Mamoru Oshii), \u003cem\u003eGamer\u003c\/em\u003e (Mark Neveldine and Brian Taylor), and \u003cem\u003eDistrict 9\u003c\/em\u003e and \u003cem\u003eElysium\u003c\/em\u003e (Neill Blomkamp), along with more obscure films like Alex Rivera’s materialist science fiction works and the Latin American zombie films of Pablo Parés, Hernán Sáez, and Alejandro Brugués. Contributors show that the ambivalence and inner contradictions highlighted by the films illustrate both the richness of Marx’s legacy and the heterogeneity and complexity of the science fiction genre.\u003cbr\u003e\n\u003cbr\u003e\nThis collection challenges the perception that science fiction cinema is a Western or specifically American genre, showing that a broader, transnational approach is necessary to fully understand its scope. Scholars and students of film, science fiction, and Marxist culture will enjoy\u003cem\u003e Red Alert\u003c\/em\u003e.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653593985391,"sku":"9780814340110","price":315.63,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814340113.jpg?v=1770740410"},{"product_id":"invention-of-robert-bresson","title":"Invention of Robert Bresson","description":"\u003cp\u003eInvention of Robert Bresson\u003c\/p\u003e","brand":"Indiana University Press (IPS)","offers":[{"title":"Default Title","offer_id":52653594181999,"sku":"9780253024862","price":287.61,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0253024862.jpg?v=1770740436"},{"product_id":"envisioning-black-feminist-voodoo-aesthetics","title":"Envisioning Black Feminist Voodoo Aesthetics","description":"In the twenty-first century, American popular culture increasingly makes visible the performance of African spirituality by black women. Disney’s Princess and the Frog and Pirates of the Caribbean franchise are two notable examples. The reliance on the black priestess of African-derived religion as an archetype, however, has a much longer history steeped in the colonial othering of Haitian Vodou and American imperialist fantasies about so-called ‘black magic’. \u003cbr\u003e\u003cbr\u003eWithin this cinematic study, Martin unravels how religious autonomy impacts the identity, function, and perception of Africana women in the American popular imagination. Martin interrogates seventy-five years of American film representations of black women engaged in conjure, hoodoo, obeah, or Voodoo to discern what happens when race, gender, and African spirituality collide. She develops the framework of Voodoo aesthetics, or the inscription of African cosmologies on the black female body, as the theoretical lens through which to scrutinize black female religious performance in film. Martin places the genre of film in conversation with black feminist\/womanist criticism, offering an interdisciplinary approach to film analysis. \u003cbr\u003e\u003cbr\u003ePositioning the black priestess as another iteration of Patricia Hill Collins’ notion of controlling images, Martin theorizes whether film functions as a safe space for a racial and gendered embodiment in the performance of African diasporic religion. Approaching the close reading of eight signature films from a black female spectatorship, Martin works chronologically to express the trajectory of the black priestess as cinematic motif over the last century of filmmaking. Conceptually, Martin recalibrates the scholarship on black women and representation by distinctly centering black women as ritual specialists and Black Atlantic spirituality on the silver screen.","brand":"Globe Pequot Publishing Group Inc\/Bloomsbury","offers":[{"title":"Default Title","offer_id":52653596541295,"sku":"9781498523301","price":426.27,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1498523307.jpg?v=1770740759"},{"product_id":"1968-and-global-cinema","title":"1968 and Global Cinema","description":"\u003cp\u003e\u003cem\u003e1968 and Global Cinema\u003c\/em\u003e addresses a notable gap in film studies. Although scholarship exists on the late 1950s and 1960s New Wave films, research that puts cinemas on 1968 into dialogue with one another across national boundaries is surprisingly lacking. Only in recent years have histories of 1968 begun to consider the interplay among social movements globally. The essays in this volume, edited by Christina Gerhardt and Sara Saljoughi, cover a breadth of cinematic movements that were part of the era's radical politics and independence movements. Focusing on history, aesthetics, and politics, each contribution illuminates conventional understandings of the relationship of cinema to the events of 1968, or \"the long Sixties.\"\u003c\/p\u003e\u003cp\u003eThe volume is organized chronologically, highlighting the shifts and developments in ideology in different geographic contexts. The first section, \"The Long Sixties: Cinematic New Waves,\" examines both the visuals of new cinemas, as well as new readings of the period's politics in various geopolitical iterations. This half of the book begins with an argument that while the impact of Italian Neorealism and the French New Wave on subsequent global new waves is undeniable, the influence of cinemas of the so-called Global South is pivotal for the era's cinema as well. The second section, \"Aftershocks,\" considers the lasting impact of 1968 and related cinematic new waves into the 1970s. The essays in this section range from China's Cultural Revolution in cinema to militancy and industrial struggle in 1970s worker's films in Spain. In these ways, the volume provides fresh takes and allows for new discoveries of the cinemas of the long 1968.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e1968 and Global Cinema\u003c\/em\u003e aims to achieve balance between new readings of well-known films, filmmakers, and movements, as well as new research that engages lesser-known bodies of films and film texts. The volume is ideal for graduate and u\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653598015855,"sku":"9780814342930","price":283.8,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814342930.jpg?v=1770741000"},{"product_id":"robin-wood-on-the-horror-film","title":"Robin Wood on the Horror Film","description":"\u003cp\u003eRobin Wood-one of the foremost critics of cinema-has laid the groundwork for anyone writing about the horror film in the last half-century. Wood's interest in horror spanned his entire career and was a form of popular cinema to which he devoted unwavering attention. \u003cem\u003eRobin Wood on the Horror Film: Collected Essays and Reviews\u003c\/em\u003e compiles over fifty years of his groundbreaking critiques.\u003c\/p\u003e\u003cp\u003eIn September 1979, Wood and Richard Lippe programmed an extensive series of horror films for the Toronto International Film Festival and edited a companion piece: \u003cem\u003eThe American Nightmare: Essays on the Horror Film\u003c\/em\u003e - the first serious collection of critical writing on the horror genre. \u003cem\u003eRobin Wood on the Horror Film\u003c\/em\u003e now contains all of Wood's writings from \u003cem\u003eThe American Nightmare\u003c\/em\u003e and nearly everything else he wrote over the years on horror-published in a range of journals and magazines-gathered together for the first time. It begins with the first essay Wood ever published, \"Psychoanalysis of \u003cem\u003ePsycho\u003c\/em\u003e,\" which appeared in 1960 and already anticipated many of the ideas explored later in his touchstone book, \u003cem\u003eHitchcock's Films\u003c\/em\u003e. The volume ends, fittingly, with, \"What Lies Beneath?,\" written almost five decades later, an essay in which Wood reflects on the state of the horror film and criticism since the genre's renaissance in the 1970s. Wood's prose is eloquent, lucid, and convincing as he brings together his parallel interests in genre, authorship, and ideology. Deftly combining Marxist, Freudian, and feminist theory, Wood's prolonged attention to classic and contemporary horror films explains much about the genre's meanings and cultural functions.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eRobin Wood on the Horror Film\u003c\/em\u003e will be an essential addition to the library of anyone interested in horror, science fiction, and film genre.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653598081391,"sku":"9780814345238","price":327.02,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814345239.jpg?v=1770741009"},{"product_id":"african-american-cinema-through-black-lives-consciousness","title":"African American Cinema Through Black Lives Consciousness","description":"\u003cp\u003e\u003cem\u003eAfrican American Cinema through Black Lives Consciousness \u003c\/em\u003euses critical race theory to discuss American films that embrace contemporary issues of race, sexuality, class, and gender. Its linear history chronicles black-oriented narrative film from post-World War II through the presidential administration of Barack Obama. Editor Mark A. Reid has assembled a stellar list of contributors who approach their film analyses as an intersectional practice that combines queer theory, feminism\/womanism, and class analytical strategies alongside conventional film history and theory. Taken together, the essays invigorate a \"Black Lives Consciousness,\" which speaks to the value of black bodies that might be traumatized and those bodies that are coming into being-ness through intersectional theoretical analysis and everyday activism.\u003c\/p\u003e\u003cp\u003eThe volume includes essays such as Gerald R. Butters's, \"Blaxploitation Film,\" which charts the genre and its uses of violence, sex, and misogyny to provoke a realization of other philosophical and sociopolitical themes that concern intersectional praxis. Dan Flory's \"African-American Film Noir\" explains the intertextual-fictional and socio-ecological-dynamics of black action films. Melba J. 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These productions and many others contributed to her standing as a truly world-class filmmaker.\u003c\/p\u003e\u003cp\u003eDespite her many successes, Weber was pushed out of the business in the 1930s as a result of Hollywood's institutionalized sexism. Shoved into the corners of film history, she remained a largely forgotten figure for decades. Lois Weber: Interviews restores her long-muted voice by reprinting more than sixty items in which she expressed her views on a range of filmic subjects. The volume includes interviews, articles that Weber wrote, the text of a speech she gave, and reconstructed conversations with her Hollywood coworkers. 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