{"title":"Cinema Europeu","description":null,"products":[{"product_id":"ingmar-bergman","title":"Ingmar Bergman","description":"\u003cp\u003eAt a time when few reviewers and critics were taking the study of film seriously, Robin Wood released a careful and thoroughly cinematic commentary on Ingmar Bergman's films that demonstrated the potential of film analysis in a nascent scholarly field. The original Ingmar Bergman influenced a generation of film scholars and cineastes after its publication in 1969 and remains one of the most important volumes on the director. This new edition of Ingmar Bergman, edited by film scholar Barry Keith Grant, contains all of Wood's original text plus four later pieces on the director by Wood that were intended for a new volume that was not completed before Wood's death in 2010.\u003cbr\u003e\n\u003cbr\u003e\nIn analyzing a selection of Bergman's films, Wood makes a compelling case for the logic of the filmmaker's development while still respecting and indicating the distinctiveness of his individual films. Wood's emphasis on questions of value (What makes a work important? How does it address our lives?) informed his entire career and serve as the basis for many of these chapters. In the added material for this new edition, Wood considers three important films Bergman made after the book was first published-\u003cem\u003eCries and Whispers\u003c\/em\u003e, \u003cem\u003eFanny and Alexander\u003c\/em\u003e, and \u003cem\u003eFrom the Life of the Marionette\u003c\/em\u003es-and also includes significant reassessment of Persona. These pieces provocatively suggest the more political directions Wood might have taken had he been able to produce Ingmar Bergman Revisited, as he had planned to do before his death.\u003cbr\u003e\n\u003cbr\u003e\nIn its day, Ingmar Bergman was one of the most important volumes on the Swedish director published in English, and it remains compelling today despite the multitude of books to appear on the director since. Film scholars and fans of Bergman's work will enjoy this updated volume.\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52667642249583,"sku":"9780814333600","price":246.87,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814333605.jpg?v=1770926105"},{"product_id":"the-politics-of-magic","title":"The Politics of Magic","description":"\u003cp\u003eFrom Paul Verhoeven’s \u003cem\u003eThe Cold Heart\u003c\/em\u003e in 1950 to Konrad Petzold’s \u003cem\u003eThe Story of the Goose Princess and Her Loyal Horse Falada\u003c\/em\u003e in 1989, East Germany’s state-sponsored film company, DEFA (Deutsche Film-Aktiengesellschaft), produced over forty feature-length, live-action fairy-tale films based on nineteenth-century folk and literary tales. While many of these films were popular successes and paved the way for the studio’s other films to enter the global market, DEFA’s fairy-tale corpus has not been studied in its entirety. In \u003cem\u003eThe Politics of Magic: DEFA Fairy-Tale Films,\u003c\/em\u003e Qinna Shen fills this gap by analyzing the films on thematic and formal levels and examining their embedded agendas in relation to the cultural politics of the German Democratic Republic.\u003cbr\u003e\n  \u003cbr\u003e\n In five chapters, Shen compares the films with earlier print versions of the same stories and analyzes revisions made in DEFA’s film adaptations. She also distinguishes the DEFA fairy-tale films from National Socialist, West German, and Disney adaptations of the same tales. Her archival work reconstitutes the cultural-historical context in which films were produced and received, and incorporates the films into the larger narrative of DEFA. For the first time, the banned DEFA fairy-tale comedy, \u003cem\u003eThe Robe \u003c\/em\u003e(1961\/1991), is discussed in depth. The book’s title \u003cem\u003eThe Politics of Magic\u003c\/em\u003e is not intended to suggest that DEFA fairy-tale films were merely mouthpieces of official ideology and propaganda. On the contrary, Shen shows that the films run the gamut from politically dogmatic to implicitly subversive, from kitschy to experimental. She argues that the fairy-tale cloak permitted them to convey ideology in a subtle, indirect manner that allowed viewers to forget Cold War politics for a while and to delve into a world of magic where politics took on an allegorical form. \u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52668231745903,"sku":"9780814339039","price":286.8,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814339034.jpg?v=1770930559"}],"url":"https:\/\/internacional.umlivro.com.br\/collections\/cinema-europeu.oembed","provider":"UmLivro Internacional","version":"1.0","type":"link"}