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Some films challenged and some reinforced previously sacrosanct gender roles.  Byars shows how Hollywood melodramas participated in, interpreted, and extended societal debates concerning family structure, sexual divisions of labor, and gender roles.\u003cbr\u003e\u003cbr\u003eByars's readings of these films assess a variety of critical methodologies and approaches to textual analysis, some central to feminist film studies and some that previously have been bypassed by scholars in the field.  She specifically questions the validity of readings grounded solely on the premises of psychoanalysis, arguing that the male norm inherent in the psychoanalytic viewpoint may well prevent us from hearing, let alone understanding, the female voices that make their way into the most patriarchal of films.  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