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With this theory in hand, Hösle discusses the incongruity in the characters played by Woody Allen and describes how these personae are realized in his work.\n \nHösle focuses on the philosophical issues in Allen's major films by exploring the identity problem in \u003ci\u003ePlay It Again, Sam\u003c\/i\u003e and \u003ci\u003eZelig\u003c\/i\u003e, the shortcomings of the positivist concept of reality in \u003ci\u003eA Midsummer Night's Sex Comedy\u003c\/i\u003e, the relation between reality and art in \u003ci\u003eThe Purple Rose of Cairo\u003c\/i\u003e, the objective validity of morality in \u003ci\u003eCrimes and Misdemeanors\u003c\/i\u003e, the power of evil in \u003ci\u003eShadows and Fog\u003c\/i\u003e, and the relation between art and morality in \u003ci\u003eBullets over Broadway\u003c\/i\u003e. 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The fourth chapter charts the growing trend of a gay, lesbian, or trans-focused mainstream cinema. The final chapter addresses the rich and diverse history of queer representation in Mexico's dominant television genre and, arguably, national narrative: the telenovela. 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