{"title":"Biografias \u0026 Memórias","description":null,"products":[{"product_id":"jim-bridger","title":"Jim Bridger","description":"\u003cp\u003eOn March 20, 1822, the \u003cem\u003eMissouri Republican\u003c\/em\u003e published a notice addressed “to enterprising young men” in the St. Louis area. “The subscriber,” it said “wishes to engage one hundred young men to ascend the Missouri River to its source, there to be employed for one, two, or three years. For particulars enquire of Major Andrew Henry… or of the subscriber near St. Louise.” The “subscriber” was General William H. Ashley, and among the “enterprising young men” who embarked with Major Henry less than a month later was eighteen-year-old James Bridger, former blacksmith’s apprentice. So began the Ashley-Henry fur empire and the long, colorful career of Jim Bridger.\u003c\/p\u003e\u003cp\u003eIn the years that followed, Jim Bridger became a master mountain man, an expert trapper, and a guide without equal. He came to know the Rocky Mountain region and its inhabitants as a farmer knows his fields and flocks. Indeed, J. Cecil Alter tells us, “he was among the first white men to use the Indian trail over South Pass; he was first to taste the waters of the Great Salt lake, first to report a two-ocean stream, foremost in describing the Yellowstone Park phenomena, and the only man to run the Big Horn River rapid on a raft; and he originally selected the Crow Creek-Sherman-Dale Creek route the Laramie Mountains and Bridger’s Pass over the Continental Divide, which were adopted by the Union pacific Railroad.”\u003c\/p\u003e\u003cp\u003eSuch knowledge, together with extraordinary skill and uncanny luck, preserved Jim Bridger in a country where nearly half of his mountain companions met violent death. It also gave rise to a brood of impossible tales about Old Gabe and his adventures-tales which he himself may unwittingly have helped along with his droll humor.\u003c\/p\u003e\u003cp\u003eBased on Mr. Alter’s original biography of 1925 (a facsimile edition of which, with addenda, appeared in 1950) and a wealth of new facts gleaned from man\u003c\/p\u003e","brand":"University of Oklahoma Press","offers":[{"title":"Default Title","offer_id":53511067894127,"sku":"9780806115092","price":150.31,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0806115092.jpg?v=1790008464"},{"product_id":"cant-be-faded","title":"Can't Be Faded","description":"\u003cp\u003eThe Stooges Brass Band always had big dreams. From playing in the streets of New Orleans in the mid-1990s to playing stages the world over, they have held fast to their goal of raising brass band music and musicians to new heights--professionally and musically. In the intervening years, the band's members have become family, courted controversy, and trained a new generation of musicians, becoming one of the city's top brass bands along the way. Two decades after their founding, they have decided to tell their story.\u003c\/p\u003e\u003cp\u003eCan't Be Faded: Twenty Years in the New Orleans Brass Band Game is a collaboration between musician and ethnomusicologist Kyle DeCoste and more than a dozen members of the Stooges Brass Band, past and present. It is the culmination of five years of interviews, research, and writing. Told with humor and candor, it's as much a personal account of the Stooges' careers as it is a story of the city's musicians and, even more generally, a coming-of-age tale about black men in the United States at the turn of the twenty-first century.\u003c\/p\u003e\u003cp\u003eDeCoste and the band members take readers into the barrooms, practice rooms, studios, tour vans, and streets where the music is made and brotherhoods are shaped and strengthened. Comprised of lively firsthand accounts and honest dialogue, Can't Be Faded is a dynamic approach to collaborative research that offers a sensitive portrait of the humans behind the horns.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":53511077036399,"sku":"9781496830043","price":154.47,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496830040.jpg?v=1790009450"},{"product_id":"amazing-jimmi-mayes","title":"Amazing Jimmi Mayes","description":"\u003cp\u003eAssociation of Recorded Sound Collections Awards for Excellence\u003cbr\u003e\nBest Research in Recorded Blues, Hip-Hop, Rhythm \u0026amp; Blues - Certificate of Merit (2014)\u003c\/p\u003e\u003cp\u003eFor more than fifty years, Chicago drummer Jimmi Mayes served as a sideman behind some of the greatest musicians and musical groups in history. He began his career playing the blues in the juke joints of Mississippi, sharpened his trade under the mentorship of drum legends Sam Lay and Fred Below in the steamy nightclubs of south Chicago, and hit it big in New York City behind such music legends as Tommy Hunt from the Flamingos, Marvin Gaye, and James Brown.\u003c\/p\u003e\u003cp\u003eMayes played his drums behind blues giants Little Walter Jacobs, Jimmy Reed, Robert Junior Lockwood, Earl Hooker, Junior Wells, Pinetop Perkins, and Willie \"Big Eyes\" Smith. He lived for a while with Motown sensation Martha Reeves and her family and traveled with the Shirelles and the Motown Review. Jimi Hendrix was one of Mayes's best friends, and they traveled together with Joey Dee and the Starliters in the mid-1960s.\u003c\/p\u003e\u003cp\u003eMayes lived through racial segregation, the civil rights movement of the 1960s, the integration of rock bands, and the emergence of Motown. He personally experienced the sexual and moral revolutions of the sixties, was robbed of his musical royalties, and survived a musical drought. He's been a pimp and a drug pusher--and lived to tell the tale when so many musicians have not. This sideman to the stars witnessed music history from the best seat in the house--behind the drum set.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":53511077626223,"sku":"9781496830715","price":225.06,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496830717.jpg?v=1790009505"},{"product_id":"conversion-of-herman-the-jew","title":"Conversion of Herman the Jew","description":"\u003cp\u003eSometime toward the middle of the twelfth century, it is supposed, an otherwise obscure figure, born a Jew in Cologne and later ordained as a priest in Cappenberg in Westphalia, wrote a Latin account of his conversion to Christianity. Known as the \u003cem\u003eOpusculum\u003c\/em\u003e, this book purportedly by \"Herman, the former Jew\" may well be the first autobiography to be written in the West after the \u003cem\u003eConfessions\u003c\/em\u003e of Saint Augustine. It may also be something else entirely.\u003c\/p\u003e\u003cp\u003eIn \u003cem\u003eThe Conversion of Herman the Jew\u003c\/em\u003e the eminent French historian Jean-Claude Schmitt examines this singular text and the ways in which it has divided its readers. Where some have seen it as an authentic conversion narrative, others have asked whether it is not a complete fabrication forged by Christian clerics. For Schmitt the question is poorly posed. The work is at once true and fictional, and the search for its lone author--whether converted Jew or not--fruitless. 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In \u003cem\u003eThe Conversion of Herman the Jew\u003c\/em\u003e Schmitt masterfully seizes upon the debates surrounding the \u003cem\u003eOpusculum\u003c\/em\u003e (the text of which is newly translated for this volume) to ponder more fundamentally the ways in which historians think and write.\u003c\/p\u003e","brand":"University of Pennsylvania Press","offers":[{"title":"Default Title","offer_id":53511096598895,"sku":"9780812222197","price":200.96,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0812222199.jpg?v=1790010516"},{"product_id":"life-of-dick-haymes","title":"Life of Dick Haymes","description":"\u003cp\u003eThere was a time when no one would have left Dick Haymes (1918-1980) out of the top class of such contemporaries as Frank Sinatra and Perry Como. But now the Argentine-born baritone is known only to those ardent fans and music historians who still claim him as one of the most talented popular singers of the twentieth century.\u003c\/p\u003e\u003cp\u003eHaymes worked with several great bandleaders, including Benny Goodman and Tommy Dorsey, before beginning a solo career that vaulted him to Hollywood stardom. In 1944, he worked with Twentieth Century-Fox, headlining such hit musicals as Billy Rose's Diamond Horseshoe and State Fair. Such popular recordings as \"Little White Lies\"; \"The More I See You\"; \"How Blue the Night\"; \"For You, For Me, For Evermore\"; \"Speak Low\"; and \"Another Night Like This\" made him a top draw at the box office.\u003c\/p\u003e\u003cp\u003eIn the 1950s, when television took over the media landscape and the appeal of musicals declined, Haymes's career suffered. Despite efforts in the 1970s, he never reestablished success. 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Prigozy chronicles Haymes's childhood, his rise in the 1940s, his decline into alcoholism, his multiple marriages and divorces (among them to such leading stars as Rita Hayworth and Joanne Dru), and the minor resurgence of his career in Europe during the last years of his life.\u003c\/p\u003e","brand":"University Press of Mississippi","offers":[{"title":"Default Title","offer_id":53511143358831,"sku":"9781496828170","price":302.99,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1496828178.jpg?v=1790013893"}],"url":"https:\/\/internacional.umlivro.com.br\/collections\/biografias-memorias-15.oembed","provider":"UmLivro Internacional","version":"1.0","type":"link"}