{"title":"Arte E Crítica","description":null,"products":[{"product_id":"transnational-identities","title":"Transnational Identities","description":"\u003cp\u003eTranslated originally from Hebrew, \u003cem\u003eTransnational Identities: Women, Art, and Migration in Contemporary Israel\u003c\/em\u003e offers a critical discussion of women immigrants in Israel through an analysis of works by artists who immigrated to the country beginning in the 1990s. Though numerous aspects of the issue of women migrants have received intense academic scrutiny, no scholarly books to date have addressed the gender facets of the experiences of contemporary women immigrants in Israel. The book follows an up-to-date theoretical model, adopting critical tools from a wide range of fields and weaving them together through an in-depth qualitative study that includes the use of open interviews, critical theories, and analysis of artworks, offering a unique and compelling perspective from which to discuss this complex subject of citizenship and cultural belonging in an ethno-national state. It therefore stands to make a significant contribution to research into women's lives, citizenship studies, global migration, Jewish and national identity and women's art in contemporary Israel.\u003cbr\u003e\n\u003cbr\u003e\nThe book is divided into sections, each of which aims a spotlight on women artists belonging to a distinct groups of immigrants—the former Soviet Union, Ethiopia, and the Philippines—and shows how their artwork reflects various conflicts regarding citizenship and identity-related processes, dynamics of inclusion-exclusion, and power relations that characterize their experiences\u003cem\u003e. Transnational Identities \u003c\/em\u003epromotes a more nuanced, complex understanding of diversity among women from various groups and even within a specific ethnic group, as well as considering the \"common differences\" between women from diversified life experiences. To lay the groundwork for an analysis of the themes that recur in their artworks, Tal Dekel briefly discusses the notions of global migration and transnationalism and then examines gender and several other identity-\u003c\/p\u003e","brand":"Wayne State University Press","offers":[{"title":"Default Title","offer_id":52653578617199,"sku":"9780814342503","price":327.69,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/0814342507.jpg?v=1770738488"},{"product_id":"dead-emcee-scrolls","title":"DEAD EMCEE SCROLLS","description":"\u003cp\u003eDEAD EMCEE SCROLLS\u003c\/p\u003e","brand":"Simon \u0026 Schuster","offers":[{"title":"Default Title","offer_id":52653876642159,"sku":"9781416516323","price":112.45,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1416516328.jpg?v=1770744784"},{"product_id":"affective-connections","title":"Affective Connections","description":"\u003cp\u003eLooking at a number of memorials, memory sites and artworks relating to the Holocaust the book uses this idea of synaesthetic perception to explore trauma, memory and the production of art in relation to painful memories.\u003c\/p\u003e","brand":"Bloomsbury Publishing PLC","offers":[{"title":"Default Title","offer_id":52657182048623,"sku":"9781783489701","price":467.6,"currency_code":"BRL","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0921\/9384\/9711\/files\/1783489707.jpg?v=1770809900"},{"product_id":"mulata-nation","title":"Mulata Nation","description":"\u003cp\u003eThroughout Cuban history, the mulata, a woman of mixed racial identity, features prominently in visual and performative culture. Tracing the figure through historical eras, Alison Fraunhar looks at the representation and performance in both elite and popular culture. She also tracks how characteristics associated with these women have accrued across the Atlantic world.\u003c\/p\u003e\u003cp\u003eWidely understood to embody the bridge between European subject and African other, the mulata contains the sensuality attributed to Africans in a body more closely resembling the European ideal of beauty. This symbol bears far-reaching implications, with shifting, contradictory cultural meanings in Cuba. Fraunhar explores these complex paradigms, how, why, and for whom the image was useful, and how it was both subverted and asserted from the colonial period to the present. From the early seventeenth century through Cuban independence in 1899 up to the late revolutionary era, Fraunhar illustrates the ambiguous figure's role in nationhood, citizenship, and commercialism. She analyzes images including key examples of nineteenth-century graphic arts, avant-garde painting and magazine covers of the Republican era, cabaret and film performance, and contemporary iterations of gender.\u003c\/p\u003e\u003cp\u003eFraunhar's study stands out for attending to the phenomenon of mulataje not only in elite production such as painting, but also in popular forms: popular theater, print culture, later films, and other media where stereotypes take hold. 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